宋代宫词研究

发布时间：2018-05-26 17:21

本文选题：宋代 + 宫词　；参考：《辽宁大学》2014年硕士论文

【摘要】：宫词创作是中国诗歌史上一个极为特殊的现象，它以宫廷中的日常生活为主要内容，描写宫中帝王、妃子、宫女的起居、游乐、服饰、礼俗等，此种诗体对后代学者研究当时的社会历史和伦理习俗具有重要意义。唐宫词是宫词发展的一个良好开端，自王建《宫词百首》后，后世的宫词创作蔚然成风。其创作主体上至帝王妃嫔，下至文官皆有所作。其内容多为描写历代宫廷内部生活，甚至包括一些在史书中都难以找到的封建皇室的轶事。其体制上采用了七绝联章体的组诗结构，对后世的组诗发展起到了重要作用。纵观历代宫词创作，我们不难发现，宋代宫词是继唐代宫词后发展的又一个高峰，大量的作品创作使宫词更具独特性、文学性和艺术性。本文将从以下几个方面对宋代宫词进行论述：第一，梳理宫词的研究情况及研究角度，系统论述历代学者对宫词诗体所持的观点，在此基础上，给宫词做出鲜明的界定。第二，从社会、政治、经济、文化等方面论述宋代宫词创作的背景。与前代宫词相比，宋代为宫词创作提供了更为良好的历史文化语境。第三，从创作主体、创作内容两方面阐述宋代宫词的创作情况。创作主体有所扩大，内容上，由以表现宫怨为主转向写宫廷的日常生活，多写宫中的人、事、景，具有真实性和趣味性。同时，也具备一定的叙事、咏史功能和“颂美”、“讽谏”的政治功能。第四，论述宋代宫词的诗艺呈现。七绝联章体是宋代宫词体制上的最大特色，为人们所推崇。华美的意象、叠词的使用，使宫词具有了一定的视觉效果。此外，宋代宫词多采用“赋”的手法，白描在作品中无处不在。宫词中丰颖的意象正是对汉赋“体物”之风的继承，宫廷景物、器物是宫词创作不可或缺的灵感所在，同时，各类物象也是作者情感的寄托。第五，分析宋代宫词中所呈现的女性形象，并探究其与之前诗文中描绘的女性形象的异同。第六，，在对宋代宫词作品仔细研读和分析的基础上，本人将从宋代宫词的贡献和形制的缺失方面对其进行客观评价。
[Abstract]:The creation of palace ci is a very special phenomenon in the history of Chinese poetry. It takes the daily life of the palace as the main content, and describes the living, amusement, dress and custom of emperors, concubines, palace girls, etc. This poetic style is of great significance to the later generations of scholars to study the social history and ethical customs at that time. Tang Gong ci is a good beginning of the development of palace ci. Since Wang Jian, the creation of palace ci has become popular. Its creative subject up to imperial concubines, down to civil officials have done. Most of them describe the inner life of the imperial court, including some stories of feudal royal family which are difficult to find in the history books. Its system adopts the structure of the seven-absolute chapter form, which plays an important role in the development of the later generation. It is not difficult to find that the palace ci in Song Dynasty is another peak after the palace ci in Tang Dynasty, and a large number of works have made the palace ci more unique, literary and artistic. This article will discuss the Song Dynasty palace ci from the following aspects: First, combing the research situation and research angle of palace ci, systematically discusses the scholars' views on the poetry style of palace ci, and on this basis, makes a clear definition of palace ci. Second, from the social, political, economic, cultural and other aspects of the Song Dynasty palace ci creation background. Compared with the previous palace ci, the Song Dynasty provided a better historical and cultural context for the creation of palace ci. Thirdly, it expounds the creation of palace ci in Song Dynasty from the aspects of creation subject and content. The main body of creation has been expanded, and the content has changed from expressing palace malice to writing about the daily life of the palace, more people, things, scenery, authenticity and interest in the palace. At the same time, it also has the function of narration, the function of singing history and the political function of eulogizing beauty and satirizing remonstrance. Fourth, discusses the Song Dynasty palace ci poetry presentation. It is the greatest characteristic of the Song Dynasty's palace ci system that the seven absolute seal style is respected by people. Beautiful images and the use of overlapping words make palace ci have a certain visual effect. In addition, the Song Dynasty palace ci more use the "Fu" technique, the painting everywhere in the works. The image of Fengying in Palace ci is the inheritance of the style of "body and object" in Han Fu. Court scenery and utensils are the indispensable inspiration for the creation of palace ci. At the same time, all kinds of objects are the sustenance of the author's emotion. Fifthly, it analyzes the female images in Song Dynasty's palace ci, and probes into the similarities and differences between them and the previous poems. Sixth, on the basis of careful study and analysis of Song Dynasty Palace ci works, I will objectively evaluate the Song Dynasty Palace ci from the aspects of its contribution and lack of form.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I207.23

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