西汉社会转型视野下的《淮南子》神话研究
发布时间：2018-10-10 13:16
【摘要】：《淮南子》是由西汉刘安及其门客编纂的一部理论著作，其思想以道家为主，是西汉前期黄老学说的继续。但《淮南子》又并非一部纯粹的论道典籍，其文中还记载了较为丰富的神话故事，这些神话故事不仅保存了前人大量的神话材料片段，同时还在西汉社会转型的背景下，改造并独创了大量神话。这些神话见于《淮南子》各篇章中，且内容丰富，自成体系，因此具有一定的研究价值。论文立足于作品，并以西汉社会转型时期为研究视野，对《淮南子》神话生成时的西汉社会状况、《淮南子》神话的内容分类、《淮南子》神话的现实功用以及《淮南子》神话的艺术特色等四个方面进行论述研究。 首先，分析《淮南子》神话生成时的西汉社会状况。《淮南子》神话生成时，正值西汉社会从前期向中期转型：社会经济从恢复发展到繁荣富足、政治局势从诸侯坐大到中央集权、治国思想从偏好黄老到儒术独尊。且刘安以神话的方式表现了这三个方面的转变；其次，对《淮南子》神话进行分类。论文根据《淮南子》神话的题材内容，将其分为治国神话、洪水神话、战争神话、不死神话以及遨游神话等五个类别。其中，治国神话讲述的是上古帝皇治理国家的故事，洪水神话讲述的是洪水的起因、结果，以及神或英雄抗击洪水，拯救人类的故事，战争神话讲述的是诸神或部落之间发生战争的故事，不死神话讲述的是以长生不死或飞仙长生为主题或背景的故事，遨游神话讲述的是诸神遨游于天地之间的故事；再次，叙述《淮南子》神话现实功用。受西汉社会转型期的政治、经济、文化思想影响，《淮南子》神话映射了西汉社会转型之下的社会环境，反映了西汉时期楚地的巫文化特点，表达了刘安的“道为本源”哲学思想，包孕了刘安夺取刘氏天下的政治抱负；最后，论述《淮南子》神话的艺术特色。《淮南子》神话在形式上呈现出铺陈、排比的赋笔特色，同时，受楚地乐舞影响，，《淮南子》神话在叙述中与乐舞表达相结合，此外，《淮南子》神话还具有譬喻的作用。
[Abstract]:Huainan Zi is a theoretical work compiled by Liu An and his Menke in the Western Han Dynasty, whose thoughts are mainly Taoist and a continuation of the theory of Huang Lao in the early Western Han Dynasty. However, Huainan Zi is not a pure book on Taoism. It also contains abundant mythological stories, which not only preserve a large number of mythological material fragments of predecessors, but also in the background of the transformation of the Western Han Dynasty society. A great deal of mythology has been transformed and created. These myths are found in various chapters of Huainan Zi, and they are rich in content and self-contained, so they have certain research value. The thesis is based on the works and takes the period of social transformation of the Western Han Dynasty as the research field of vision. This paper discusses the social conditions of the Western Han Dynasty when the myth of Huainan Zi was formed, the classification of the content of the myth, the realistic function of the myth and the artistic characteristics of the myth. First of all, it analyzes the social conditions of the Western Han Dynasty when the myth of Huainan Zi was formed. When the myth was formed, the society of the Western Han Dynasty was transformed from the early stage to the middle period: the social economy developed from recovery to prosperity. The political situation from princes to centralization of power, from a preference for old Huang to Confucianism alone. Liu An shows the changes in these three aspects in a mythical way. Secondly, the mythology of Huainan Zi is classified. According to the subject matter of the mythology of Huainan Zi, the thesis divides it into five categories: the myth of governing the country, the myth of flood, the myth of war, the myth of immortality and the myth of roaming. Among them, the myth of governing the country is the story of ancient emperors, the story of the flood myth is about the causes of the flood, the result, and the story of God or hero fighting against the flood and saving mankind. The myth of war tells the story of war between the gods or tribes, the myth of immortality is the story of immortality or the immortal life as the theme or background, and the traveling myth tells the story of the gods roaming between heaven and earth; again, Narrate the realistic function of the mythology of Huainan Zi. Influenced by the political, economic and cultural thoughts in the transitional period of the Western Han Dynasty, the myth of Huainan reflects the social environment under the social transformation of the Western Han Dynasty and reflects the characteristics of the witchcraft culture in the Chu region during the Western Han Dynasty. Expressing Liu An's philosophical thought of "Tao as the origin", including the political ambition of Liu An to seize the world of Liu; finally, expounding the artistic characteristics of the myth of "Huainan Zi". The mythology of "Huainan Zi" shows the characteristics of laying down and comparing the style of the Fu pen. At the same time, influenced by the music and dance of Chu, the mythology of Huainan Zi is combined with the expression of music and dance in the narration. In addition, the myth of Huainan Zi also has the function of metaphor.
【学位授予单位】：广西师范学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I207.7
本文编号：2261921
[Abstract]:Huainan Zi is a theoretical work compiled by Liu An and his Menke in the Western Han Dynasty, whose thoughts are mainly Taoist and a continuation of the theory of Huang Lao in the early Western Han Dynasty. However, Huainan Zi is not a pure book on Taoism. It also contains abundant mythological stories, which not only preserve a large number of mythological material fragments of predecessors, but also in the background of the transformation of the Western Han Dynasty society. A great deal of mythology has been transformed and created. These myths are found in various chapters of Huainan Zi, and they are rich in content and self-contained, so they have certain research value. The thesis is based on the works and takes the period of social transformation of the Western Han Dynasty as the research field of vision. This paper discusses the social conditions of the Western Han Dynasty when the myth of Huainan Zi was formed, the classification of the content of the myth, the realistic function of the myth and the artistic characteristics of the myth. First of all, it analyzes the social conditions of the Western Han Dynasty when the myth of Huainan Zi was formed. When the myth was formed, the society of the Western Han Dynasty was transformed from the early stage to the middle period: the social economy developed from recovery to prosperity. The political situation from princes to centralization of power, from a preference for old Huang to Confucianism alone. Liu An shows the changes in these three aspects in a mythical way. Secondly, the mythology of Huainan Zi is classified. According to the subject matter of the mythology of Huainan Zi, the thesis divides it into five categories: the myth of governing the country, the myth of flood, the myth of war, the myth of immortality and the myth of roaming. Among them, the myth of governing the country is the story of ancient emperors, the story of the flood myth is about the causes of the flood, the result, and the story of God or hero fighting against the flood and saving mankind. The myth of war tells the story of war between the gods or tribes, the myth of immortality is the story of immortality or the immortal life as the theme or background, and the traveling myth tells the story of the gods roaming between heaven and earth; again, Narrate the realistic function of the mythology of Huainan Zi. Influenced by the political, economic and cultural thoughts in the transitional period of the Western Han Dynasty, the myth of Huainan reflects the social environment under the social transformation of the Western Han Dynasty and reflects the characteristics of the witchcraft culture in the Chu region during the Western Han Dynasty. Expressing Liu An's philosophical thought of "Tao as the origin", including the political ambition of Liu An to seize the world of Liu; finally, expounding the artistic characteristics of the myth of "Huainan Zi". The mythology of "Huainan Zi" shows the characteristics of laying down and comparing the style of the Fu pen. At the same time, influenced by the music and dance of Chu, the mythology of Huainan Zi is combined with the expression of music and dance in the narration. In addition, the myth of Huainan Zi also has the function of metaphor.
【学位授予单位】：广西师范学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I207.7
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