1940年代重庆流寓作家创作研究

发布时间：2018-10-29 09:51

【摘要】：1940年代，中国新文学因抗战的到来呈现出整体性的空间转移特征。新文学的两座中心城市北京和上海相继沦陷后，地处大西南的重庆因为其陪都的特殊政治身份等原因，成为40年代中国现代文学的中心。抗战的全面爆发和文学中心的西移，使得无数作家背井离乡，流亡到祖国的西南边陲。在战乱和流亡之中，他们遭遇着流离失所和生离死别，，陷入不幸的层层深渊。这种前后生活的巨大反差彰显出了重庆代替京沪成为文学中心的意义，也昭示出现代文学的流寓特征。因此本文将对40年代重庆流寓作家的创作加以研究和阐释，力图深入探讨流寓作家在渝的共同心路历程。从作家身份和生活经历、作家创作的文本主题以及艺术风格等方面进行把握，以展示出流寓之地、流寓之人、流寓之文的密切关系。本文在绪论部分主要介绍论文的研究内容和基本方法，相关问题的研究概况以及研究特色和价值。正文部分共分为四章：第一章论述40年代重庆文学流寓现象的形成以及流寓作家抵渝后共同的心理体验。1937年抗日战争爆发，国民政府为了维护其统治安全，由南京到武汉，最终迁都重庆，重庆由此成为当时中国的政治、经济和文化中心。因此，重庆流寓现象的形成有其被定立为陪都的时代机遇，而流寓作家也正是在这种时代机遇下应运而生。第二章主要介绍流寓之文的主题指向。在流寓作家的笔下，战前的启蒙话语和阶级话语转向抗战救亡的时代话语，体现出在战争的特殊环境下作家生命意识和民族意识的觉醒和迸发。本文在第三章主要探讨流寓文人由于受时代环境影响而形成的审美倾向和创作策略。重庆作为抗战的大后方，也是最需要文学发挥本身的社会功能的地方，因此，寻求文学的大众化和通俗化，成为战时艺术工作者的共同准则。第四章阐述40年代的流寓作家与重庆文学的相互影响。作家在流寓之地写重庆，写中国，写抗战，为重庆文学和中国现代文学留下了丰厚的文化遗产，同时，重庆这座战时寓居的城市，也为作家提供了珍贵的创作素材和宝贵的精神财富。战时，中国现代文学的流寓特征正是在这种城与人的互动关系中发生和发展着，并且即便是作家离开重庆后，也产生着深远的意义和影响。
[Abstract]:In the 1940s, Chinese New Literature presented the overall spatial transfer characteristics due to the arrival of the War of Resistance against Japan. After the two central cities of New Literature, Beijing and Shanghai, fell one after another, Chongqing, located in the southwest of China, became the center of modern Chinese literature in the 1940s because of its special political status. With the outbreak of the War of Resistance and the westward shift of the literary center, countless writers were displaced from their homes and exiled to the southwestern border of the motherland. In the midst of war and exile, they were displaced and separated from death, plunged into the abyss of misfortune. The great contrast of life before and after shows the significance of Chongqing instead of Beijing and Shanghai as a literary center, and also reveals the characteristics of modern literature. Therefore, this paper will study and explain the creation of Liuyu writers in Chongqing in 1940s, and try hard to probe into the common heart course of Liu Yu writers in Chongqing. From the writer's identity and life experience, the text theme of the writer's creation and the artistic style and so on, the author carries on the grasp, in order to display the close relation of the place of flow and the place of living, the person of flow and the article of flow. In the introduction part, this paper mainly introduces the research contents and basic methods of the thesis, the research survey of related issues, and the characteristics and value of the research. The text is divided into four chapters: the first chapter discusses the formation of Chongqing literature flow phenomenon in the 1940s and the common psychological experience of Liu Yu writers after arriving in Chongqing. In 1937, the Anti-Japanese War broke out, and the National Government went from Nanjing to Wuhan in order to maintain its ruling security. Eventually, Chongqing moved to Chongqing, which became the political, economic and cultural center of China at that time. Therefore, the formation of the phenomenon of "Liu Yu" in Chongqing has the opportunity of being established as the capital of the times, and the writers of Liu Yu come into being under this kind of opportunity. The second chapter mainly introduces the theme of the article. In Liu Yu's works, the enlightenment discourse and class discourse before the war turned to the era discourse of saving the nation from the War of Resistance, which reflected the awakening and burst of the writer's consciousness of life and national consciousness under the special environment of the war. In the third chapter, the author mainly discusses the aesthetic tendency and creative strategy of the scholars due to the influence of the times. Chongqing, as the rear area of the War of Resistance against Japan, is also the place where literature needs to play its own social function. Therefore, seeking the popularization and popularization of literature has become the common criterion of art workers in wartime. The fourth chapter expounds the interaction between Liuyu writers and Chongqing literature in the 1940s. The writers wrote about Chongqing, China, and the War of Resistance against Japan, leaving a rich cultural heritage for Chongqing literature and modern Chinese literature. At the same time, Chongqing was a city inhabited during the war. It also provides writers with valuable creative materials and valuable spiritual wealth. In wartime, the characteristic of modern Chinese literature was developing in the interaction between city and people, and even after the writer left Chongqing, it also had far-reaching significance and influence.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I206.6

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