泥浆在现代陶艺中的表现

发布时间：2018-04-22 06:14

本文选题：泥浆 + 材料语言　；参考：《四川美术学院》2017年硕士论文

【摘要】：陶瓷作为一种自由度较高的艺术语言,在现代艺术里处于一个相当重要的位置,不同的陶瓷材料在的不同状态被艺术家用不同的工艺技法制作烧成陶瓷作品承载和表达着他们的创作观念;而关于陶瓷材料,区别于传统陶瓷匠人把泥巴作为追求精湛工艺的制作元素,一些现代陶瓷艺术家们强调更多的则是其本身的特性以及表达它本身的艺术张力。土是陶瓷的根本,而这一材料本身具有不同的状态:有粉末状的泥粉,流动性较强的液态泥浆,适用于手工成型的半湿状态,干结后的泥块,以及泥巴烧结成陶成瓷后的形态。文章研究的是在泥浆状态下陶瓷泥坯成型工艺的多样性和延伸可能;以及利用泥浆本身流动性和依附性特点在与其他材料结合后所能表现的艺术效果,能表达的艺术张力和产生的艺术美感,包括材料本身的美感和材料工艺达到艺术表达所需要的的形式美。现代陶艺中新材料的运用和与新材料的结合越来越多,与其他材料结合的艺术形式丰富了陶瓷艺术的表达语言和扩展了陶瓷语境以及艺术表现力,是现代艺术背景中陶瓷艺术发展的一个方向和趋势。陶瓷成型工艺中新材料的介入更是能够从工艺技术可能性的提高、材料本身语言的更深入挖掘、材料视觉艺术表现力的扩展这三个方面表达新的艺术效果和视觉美感;而在陶瓷成型的工艺过程之中,能够更契合、更直接和更广泛的与其他材料结合的是泥巴处于流动性较强的液体状态。泥浆较强的流动性和附着性使其能更直接的与其他材料结合,同时泥浆自由美感也能通过附着材料为介质得到表达。现代陶瓷艺术区别于传统陶艺,已经逐渐从着重技术和工艺追求转向主要表达艺术观念和艺术美感。泥浆本身的工艺特性和美能够通过附着在其他材料上得到充分表达;而其他材料也能通过与泥浆结合成型泥坯,最终通过高温烧结以陶瓷的形式自由表现其艺术美感;最后二者的结合提高了陶瓷成型工艺的自由度,扩宽了陶瓷语言的词汇量和表达力度,从工艺、美感、艺术性上让陶瓷艺术得到了进一步的解放。文章主要阐述泥浆作为材料和工艺在现代陶艺中扮演的角色和发挥的作用,并通过实践作为支撑,探寻泥浆工艺之后的发展。
[Abstract]:As a kind of artistic language with high degree of freedom, ceramics is in a very important position in modern art. Different ceramic materials in different states are made by artists using different techniques to make ceramic works to carry and express their creative ideas; and with regard to ceramic materials, Different from the traditional ceramic craftsman who regards mud as the production element of the exquisite craftsmanship, some modern ceramic artists emphasize more on their own characteristics and the artistic tension of expressing themselves. Soil is the foundation of ceramics, and the material itself has different states: powdered mud, liquid mud with strong fluidity, suitable for the semi-wet state of manual molding, the block after dry solidification, and the form of clay sintered into ceramic. This paper studies the diversity and extensibility of ceramic slurry forming process under mud condition, and the artistic effect that can be expressed by combining with other materials by making use of the fluidity and dependence characteristics of the slurry itself. The artistic tension that can be expressed and the artistic aesthetic feeling produced, including the aesthetic feeling of the material itself and the formal beauty required for the artistic expression of the material technology. The application of new materials and the combination of new materials with modern ceramic art are more and more. The art forms combined with other materials enrich the expression language of ceramic art and expand the ceramic context and artistic expressiveness. It is a direction and trend of ceramic art development in the background of modern art. The intervention of new materials in ceramic forming process can express the new artistic effect and visual aesthetic feeling from three aspects: the improvement of the possibility of technology, the further excavation of the language of the material itself and the expansion of the expressive power of the visual art of the material. In the process of ceramic forming, mud is in a liquid state with strong fluidity, which is more suitable, more direct and more widely combined with other materials. Because of its strong fluidity and adhesion, the mud can be more directly combined with other materials, and the beauty of mud freedom can also be expressed through the attachment material. The modern ceramic art is different from the traditional ceramic art and has gradually changed from the emphasis on technology and technology to the main expression of artistic concepts and aesthetic sense. The process characteristics and beauty of mud itself can be fully expressed by attaching to other materials, and other materials can form mud billets by combining with mud, and finally express their artistic beauty freely through high temperature sintering in the form of ceramics. Finally, the combination of the two improves the degree of freedom of the ceramic molding process, widens the vocabulary and expression of the ceramic language, and further liberates the ceramic art from the aspects of technology, aesthetic feeling and artistry. This paper mainly describes the role and role of mud as material and technology in modern ceramic art, and explores the development of mud technology after practice as support.
【学位授予单位】：四川美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J527;TQ174.62

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