汉画研究数据库中“图与词”的结构性思考

发布时间：2018-05-08 13:46

本文选题：汉画研究 + 基础领域　；参考：《美术观察》2017年11期

【摘要】：正"汉画研究"从广义而言,其对象包括所有汉代遗留至今的图像资料;而从更为确切的狭义角度,则指汉墓及其他遗迹中出土的画像石、画像砖、壁画、帛画等材料。作为小中国古代艺术史研究的基础领域之一,汉画研究的深入对客观认识中国古代艺术的发展脉络,以及物质文化、思想观念的演进轨迹都有着重要意义但不同于后世卷轴画独立存在的形式,绝大多数汉画并无明确的作者、作品名称等信息标示,且皆依附于所属墓葬、祠阙等建筑物的结构之上,构成一种具有复杂"形·相"关系的艺术语言。"形"指研究图像的形态与样貌,"相"指图像与图像之
[Abstract]:In a broad sense, the object of "study of Han painting" includes all the images left over from the Han Dynasty until now, while in a more precise and narrow sense, it refers to the stone relief, brick painting, murals, silk paintings and other materials unearthed from Han tombs and other relics. As one of the basic fields in the study of the history of ancient Chinese art, the study of Han painting has made an objective understanding of the development of ancient Chinese art, as well as of material culture. The evolution of ideas has important significance, but different from the independent form of scroll painting in later generations, most Chinese paintings do not have clear authors, work names and other information, and are attached to their tombs. The structure of buildings such as temples constitutes an artistic language with complex "form and phase" relations. " "form" means the study of the shape and appearance of an image, and "phase" means an image and an image.
【作者单位】：北京林业大学艺术设计学院;北京大学汉画研究所;
【分类号】：K879.4;TP311.13

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