中国古代龙文化影响下的古代建筑研究

发布时间：2018-02-21 01:15

本文关键词： 龙文化古代建筑古代建筑群格局古代单体建筑古代建筑小品　出处：《河北工业大学》2013年硕士论文　论文类型：学位论文

【摘要】：中国古代龙文化的历史源远流长。龙的形象深入到了社会的各个角落，龙的影响波及了文化的各个层面，多彩多姿。龙是中华民族发祥地和文化开端的象征，是炎黄子孙崇拜的图腾；龙所具有的那种威武奋发、勇往直前和所向披靡、无所畏惧的精神，正是中华民族理想的象征和化身。龙文化是中华灿烂文化的重要组成部分。因此，在古代建筑中更少不了龙文化的体现。因此，本文从龙文化、古代建筑和意理这三个角度出发，阐述了它们之间的相互关系。本文借鉴逻辑学、文献学和归纳统计学等学科的研究方法，从古代龙文化相关的文献和古代建筑文献两方面入手，并具体结合古代建筑的实例，参照古人的营造观念，，来具体对古代建筑中龙文化进行研究分析。本文研究认为，龙是中国特有的图腾崇拜的产物。在上古时代，龙就已经浓缩、沉积着人们的思想感情、期望信仰，成为中华民族始祖的图腾。随着社会生产力的发展，在产生了私有制以后，龙文化逐渐变成了阶级贵族的象征，进而随着历史王朝的发展，龙文化在中国传统文化中逐渐成为帝王的象征并加以巩固，最终形成了封建帝王的专有产物。中国古代龙文化体现在建筑方面是相当普遍的。首先，在原始社会的遗址中龙虎图案的发现，代表着龙的形象在原始社会就已经出现，在历代的发展中经过不断的变化，最终成为一种图腾象征。其次，龙文化在宫殿、陵墓、寺观等类型中表现的非常突出，这是龙文化上升到一定地位后的反映，代表了封建社会的发展。本文经过的研究发现，古人在营造大型的建筑活动时，其建筑群的方位关系主要通过和天宫星象的方位模拟和建筑群选址模式的对位关系来确定的。
[Abstract]:The ancient Chinese dragon culture has a long history. The image of the dragon has penetrated into every corner of society, and the influence of the dragon has affected all levels of the culture. The dragon is a symbol of the birthplace of the Chinese nation and the beginning of its culture. It is the totem worshipped by the descendants of the Chinese people; the spirit of the dragon, which is powerful and vigorous, brave and unstoppable, and fearless, is the symbol and embodiment of the Chinese nation's ideal. Dragon culture is an important part of the splendid Chinese culture. Therefore, from the perspective of dragon culture, ancient architecture and idealism, this paper expounds the relationship between them. This paper draws lessons from the research methods of logic, philology and inductive statistics, starting with the literature related to ancient dragon culture and ancient architectural literature, and combining with the examples of ancient architecture, referring to the construction concept of the ancients. To study and analyze the dragon culture in ancient architecture. This paper believes that dragon is the product of totem worship peculiar to China. In ancient times, dragon has concentrated, deposited people's thoughts and feelings, expected belief, and became the totem of the Chinese nation's ancestor. With the development of social productivity, After the emergence of private ownership, the dragon culture gradually became the symbol of the class and aristocracy, and with the development of the historical dynasty, the dragon culture gradually became the symbol and consolidation of the emperor in the Chinese traditional culture. Finally, it formed the exclusive product of feudal emperors. Chinese ancient dragon culture is quite common in architecture. First of all, the discovery of dragon and tiger patterns in the ruins of primitive society represents that the image of the dragon has already appeared in the primitive society and has undergone constant changes in the development of the past dynasties. Secondly, dragon culture is very prominent in palaces, mausoleums and monasteries, which reflects the rise of dragon culture to a certain status and represents the development of feudal society. In this paper, it is found that the azimuth relationship of the building group was determined by the azimuth simulation of the celestial temple star and the location model of the building group when the ancients built the large-scale building activities.
【学位授予单位】：河北工业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TU-092

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