书法元素在空间界面设计中的应用研究

发布时间：2018-06-14 14:58

本文选题：书法 + 空间　；参考：《山东建筑大学》2013年硕士论文

【摘要】：书法是一门在我国有很久历史的文化艺术,它的起源与发展是伴随着华夏文明的进步而共同进步的,书法的艺术性和文化性已然深深地融入了我们的血液中,在众多民族艺术中独领风骚。长期以来,书法一词已经不单单是指纯粹的书写活动,更是指中华民族精神的历史延伸。因此,旅居法国的华人艺术家熊秉明先生曾说：“书法是中国文化核心中的核心。”书法之所以得到人们钟爱的一个重要原因,除去它具备极高的艺术性之外,还有它与生俱来的普遍性。与其他艺术相比,书法的门槛可以说是最低的,只要识字的人都可以拿起毛笔走近它、感受它,甚至单纯的凝视它都可以获得美的享受。从古至今,流传下来的书法作品可谓数不胜数,除了书写在竹简、丝帛、纸张等载体上的作品之外,还有大量依附于其他媒介的作品形式得以留存,其中被应用于空间界面中的数量亦十分丰富。这类书法作品不仅为我们研究书法艺术提供了优质的资源,我们还可以从古人的应用实践中提取出有价值的信息,这对指导现代设计有极大的帮助作用,这一点在提倡设计民族性的今天具有非常积极的意义。有签于此,笔者选择了“书法元素在空间界面设计中的应用研究”这样一个课题,以书法元素的应用为切入点,对空间界面设计中的应用进行系统化的分析。本文中所选择的的书法元素除了以汉字为基础的书法符号之外,还包括书法元素中非常重要的时空观念,既有关于书法这一字形符号的应用研究,还包括书法的结构、形式、精神内涵和它的审美特征等元素对空间界面设计的启发性探索,从而为书法这一传统艺术在现代语境下的发展、应用提供进一步的理论基础和依据。本文主要分为以下几个部分：第一章为绪论,包括课题的来源、研究的目的及意义,介绍了国内外外的研究现状,对研究的主要内容和方法进行了简要的阐述。第二章主要是对书法元素在古代空间界面的应用情况进行梳理,分为古代建筑构架界面、古代建筑附属构架界面和古代器物与家具构架界面这三部分内容,选取古代在应用书法元素方面的精华内容进行研究,为引出下文做出铺垫。第三章是本文的重点章节,将书法元素在现代空间界面设计中的应用细分成在现代建筑界面、现代景观界面及现代室内空间界面这三部分进行分析。在肯定设计应用成功之处的同时,也指出了前存在的问题,以大量的图片实例和笔者的设计实践总结出了书法元素的应用价值和应用方法。第四章是本文研究的另外一个重点,将书法元素中的结构、章法、神采与空间界面设计进行关联性研究,希望通过不同艺术门类在艺术思想上的交叉融合,为各自相对封闭的艺术系统带来发展的生机。第五章内容以应用分析为主,在笔者通过研究课题所取得的成果之上，对一个设计案例的分析来证明笔者的论点。第六章作为本文的结论部分,对前五章的研究成果进行归纳和总结,以便更好的传承传统文化,做到古为今用。本文的写作目的是希望通过本课题的研究成果为书法元素在空间界面设计中的应用提供理论依据和发展参考,竭力挖掘传统文化的现代价值,使传统文化更好地为现代设计服务,为与本课题相美的设计与研究工作提供更多可借鉴的参考资料,并期望引起更多设计师和学者对本课题的兴趣。
[Abstract]:Calligraphy is a long history of culture and art in our country. Its origin and development are progresses together with the progress of Chinese civilization. The artistic and cultural character of calligraphy has been deeply integrated into our blood and in many ethnic art. For a long time, the word "calligraphy" is not only a pure writing. Activity is the historical extension of the spirit of the Chinese nation. Therefore, Mr. Xiong Bingming, a Chinese artist living in France, once said, "calligraphy is the core of the core of Chinese culture." the reason why calligraphy has been an important reason for people's love, except for its high artistic nature, and its inherent universality. In comparison, the threshold of calligraphy can be said to be the lowest, as long as the literate person can pick up the brush to get closer to it, feel it, and even gaze at it can enjoy the beauty of beauty.
From the ancient to the present, there are countless calligraphy works which have been handed down. Besides the works on bamboo slips, silk, paper and other carriers, there are many forms of works attached to other media, which are also very abundant in the space interface. This kind of calligraphy not only provides us with the study of calligraphy art. With high quality resources, we can also extract valuable information from the practice of the ancients, which has a great help for guiding modern design, which is of great significance today in advocating the design of national nature.
In this case, the author chose the subject of "the application of calligraphy elements in the design of space interface", with the application of the elements of calligraphy as the breakthrough point, a systematic analysis of the application of the space interface design. The calligraphy elements selected in this paper, besides the calligraphy symbols based on Chinese characters, also include calligraphy yuan. The very important concept of time and space in the element has not only the application of calligraphy, but also the inspiration of the structure, form, spiritual connotation and aesthetic features of calligraphy on the design of the space interface, which provides a further theoretical basis for the development of the traditional art of calligraphy in the modern language. And basis.
This article is divided into the following parts:
The first chapter is the introduction, which includes the source of the subject, the purpose and significance of the study, and introduces the research status at home and abroad, and briefly expounds the main contents and methods of the research.
The second chapter is mainly to comb the application of the calligraphy elements in the ancient space interface, divided into the ancient architectural frame interface, the ancient architecture attached frame interface and the ancient utensils and the furniture frame interface these three parts, select the ancient in the application of the essence of calligraphy elements to study, in order to lead to the following.
The third chapter is the key chapter of this article. The application of calligraphy elements in the design of modern space interface is subdivided into three parts: modern architectural interface, modern landscape interface and modern indoor space interface. In the affirmative design application, it also points out the existing problems, with a large number of pictures and the author Design practice sums up the application value and application method of calligraphy elements.
The fourth chapter is the other focus of this study, and the structure of the calligraphy elements, the rules of the chapter, the design of the gods and the space interface design to carry on the correlation research, hope that through the different art categories in the art and thought of the cross integration, for their respective relatively closed art system to bring development vitality.
The fifth chapter is mainly about application analysis. Based on the achievements of the research project, the author proves the author's argument by analyzing a design case.
The sixth chapter, as the conclusion of this article, summarizes and summarizes the research results of the first five chapters, in order to better inherit traditional culture and make the past serve the present.
The purpose of this paper is to provide a theoretical basis and reference for the application of calligraphy elements in the design of space interface through the research results of this topic, try to excavate the modern value of the traditional culture, make the traditional culture serve the modern design better, and provide more reference for the design and research work which is beautiful with this subject. It is hoped that more designers and scholars will be interested in this subject.
【学位授予单位】：山东建筑大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TU-8

【参考文献】