建筑色彩体验的知觉现象研究
发布时间：2018-07-14 15:55
【摘要】：世界正在逐渐转向图像化的时代,建筑的知觉与记忆亦随之慢慢消逝瓦解,“诗意的栖居”似乎已无人问津。作为构成建筑最直接的语言,色彩也失去了它原本的意义。我们过度热衷于色彩表面的象征与简单的符号,而忽略了其中微妙的直觉变幻与充满情感的话语。建筑色彩不应是实践者的自我陶醉与一厢情愿,相反的,它应该是我们对材料、空间、构造等等不同元素的感知的结果。在以视觉为主导的今天,建筑急切需要扮演这样一种力挽狂澜的角色,找回某种实在的东西,找回人与“大地”的联系。现象学从“自身显现的东西”出发,是触及人们对事物真实感知的一门学科。它试图排斥任何具有主观性的判断,直接给予事实本身,还原事物最初的意义。因此,从建筑本身出发,色彩所表达的不只是外在的视觉享受,更是其自身散发出的难以言表的、复杂的情感与共鸣。同时,音乐、文学、电影等艺术形式的色彩与建筑在激发人们知觉体验方面具有异曲同工的作用,因此作者从这样多维度、跨学科的体验方式出发,探讨如何从知觉现象学这样一个哲学平台来表达建筑色彩的本质意义,以达到回归本体、找寻诗意的建筑色彩的目的。
[Abstract]:The world is gradually turning to an era of picturesque, and the perception and memory of architecture are gradually disappearing, and "poetic dwelling" seems to have gone unattended. As the most direct language of architecture, color also lost its original meaning. We are too keen on symbolism and simple symbols on the surface of color, ignoring subtle intuitive changes and emotional utterances. The color of architecture should not be the self-indulgence and wishful thinking of the practitioners, on the contrary, it should be the result of our perception of different elements, such as material, space, construction, etc. In the visual dominated today, architecture urgently needs to play such a role, to find something real, to find the connection between man and the earth. Phenomenology is a subject that touches people's perception of the truth of things. It tries to exclude any subjective judgment, give the facts themselves, and restore the original meaning of things. Therefore, from the architecture itself, the color not only expresses the external visual enjoyment, but also the unspeakable, complex emotion and resonance. At the same time, the color and architecture of music, literature, film and other art forms have the same function in stimulating people's perceptual experience, so the author sets out from such a multi-dimensional, interdisciplinary experience way. This paper discusses how to express the essential meaning of architectural color from the philosophical platform of perceptual phenomenology in order to achieve the purpose of returning to ontology and seeking poetic architectural color.
【学位授予单位】：大连理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TU115
本文编号：2122159
[Abstract]:The world is gradually turning to an era of picturesque, and the perception and memory of architecture are gradually disappearing, and "poetic dwelling" seems to have gone unattended. As the most direct language of architecture, color also lost its original meaning. We are too keen on symbolism and simple symbols on the surface of color, ignoring subtle intuitive changes and emotional utterances. The color of architecture should not be the self-indulgence and wishful thinking of the practitioners, on the contrary, it should be the result of our perception of different elements, such as material, space, construction, etc. In the visual dominated today, architecture urgently needs to play such a role, to find something real, to find the connection between man and the earth. Phenomenology is a subject that touches people's perception of the truth of things. It tries to exclude any subjective judgment, give the facts themselves, and restore the original meaning of things. Therefore, from the architecture itself, the color not only expresses the external visual enjoyment, but also the unspeakable, complex emotion and resonance. At the same time, the color and architecture of music, literature, film and other art forms have the same function in stimulating people's perceptual experience, so the author sets out from such a multi-dimensional, interdisciplinary experience way. This paper discusses how to express the essential meaning of architectural color from the philosophical platform of perceptual phenomenology in order to achieve the purpose of returning to ontology and seeking poetic architectural color.
【学位授予单位】：大连理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TU115
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