中国古代牌坊设计的伦理思想研究
发布时间：2019-01-18 08:59
【摘要】：地大物博的中国在五千年文明历史的长河之中,涌现出大量具有鲜明艺术特色和地方文化风格的建筑群体。古老的牌坊建筑,以其独特的建筑造型和外观形态,独树一帜的艺术魅力以及其深厚的文化底蕴、极为丰富的伦理思想和人文内涵,具有广泛的社会文化功能和特殊的历史艺术价值,备受国内外研究学者的青睐。牌坊建筑是建筑群的入口标志,充满了东方情调和中国特色,作为中国古代建筑群中重要的组成部分,历经千百年的演变和发展,遍及神州大地甚至远涉异国,形成一种令人叹为观止的具有中国特色的文化现象。牌坊,作为中国悠久传统文化的实物载体,不仅是中国民族文化的缩影、历史文化遗产中的瑰宝,还是国内外一致公认的中华文化的典型标示和象征符号。牌坊是民间建筑中最为考究,装饰纹样最为丰富,艺术手法最为精美的建筑,牌坊文化瑰丽宏富,具有极高的艺术价值和审美价值,它不仅是民间艺术和广大劳动人民智慧的体现,也传承了中国传统的社会文化以及伦理思想,为后期文化的研究提供了丰富的史料。 传颂千年的伦理道德观念是中华民族文明之路上的奠基石,牌坊作为传统文化的载体,以其丰富多样的形式承载了先人对人生观、价值观、伦理观等方面不同的认知。牌坊的建筑设计反映了诸如“三纲五常”、“宗法制度”等传统伦理思想,它承袭了古代建筑的传统形式和礼教制度,在总体布局上充分体现了“天人合一”、“阴阳五行”等封建思想和宗法礼仪,在环境分布方面充分表达出儒家生态伦理的思想。这些与中国古代社会文化背景密切相关的牌坊建筑中所蕴含的伦理思想作为这笔遗产中重要的一部分已经深深渗透到当地人民的思想意识和行为规范中,对中国传统文化的宣扬,对当代中国的政治、经济、文化、制度等方面产生了重要的影响。 基于某螳政治、历史原因,部分古老的牌坊建筑已经不复存在,本文通过对湖北地区现存古牌坊建筑和近现代所建牌坊的实地考察,探究牌坊的历史与发展,共性与特点,展示出牌坊造型与类型的丰富性,通过对比,求同存异,总结出本地牌坊的特色,从身边实实在在的实例探讨牌坊建筑的区域性特色。但是由于现代建筑工业化程度较高,加之建筑商为获得最大利润,尽可能减少材料的运用,因此导致现代牌坊设计缺乏本身所体现的伦理含义和地域特征。本文将通过对古代牌坊的理解,以湖北地区为例,试图探讨现代牌坊设计中伦理含义的缺失,以及传统建筑中的伦理思想对现当代建筑的启示。
[Abstract]:In the long history of five thousand years of civilization, a large number of architectural groups with distinctive artistic characteristics and local cultural styles have emerged in China. The ancient archway architecture, with its unique architectural shape and appearance, its unique artistic charm, its profound cultural background, its extremely rich ethical thought and humanistic connotation, It has a wide range of social and cultural functions and special historical and artistic value, and is favored by domestic and foreign scholars. As an important part of the ancient Chinese architectural complex, the archway building is the entrance sign of the architectural complex, full of oriental atmosphere and Chinese characteristics. After thousands of years of evolution and development, it has spread throughout the land of Shenzhou and even far away from other countries. Form an amazing cultural phenomenon with Chinese characteristics. The archway, as the material carrier of China's long traditional culture, is not only the epitome of Chinese national culture, the treasure of historical and cultural heritage, but also the typical symbol and symbol of Chinese culture universally recognized at home and abroad. The archway is the most sophisticated building in the folk architecture, with the most rich decorative patterns and the most exquisite artistic techniques. The archway is rich in cultural beauty and has extremely high artistic value and aesthetic value. It is not only the embodiment of folk art and the wisdom of the working people, but also inherits the traditional Chinese social culture and ethical thought, which provides rich historical data for the later culture research. As the carrier of traditional culture, the archway bears the different cognition of the ancestors on the outlook on life, values, ethics and so on with its rich and diverse forms. The architectural design of the archway reflects the traditional ethical thoughts such as "three Compendium and five Chang" and "patriarchal system". It inherits the traditional form of ancient architecture and the system of etiquette and religion, and fully embodies "the unity of nature and man" in the overall layout. Feudal thoughts and patriarchal etiquette, such as "Yin, Yang, and five elements", fully express Confucian ecological ethics in terms of environmental distribution. As an important part of this heritage, these ethical thoughts contained in the archway buildings, which are closely related to the social and cultural background of ancient China, have penetrated deeply into the local people's ideology and codes of conduct. The propaganda of Chinese traditional culture has exerted an important influence on the political, economic, cultural and institutional aspects of contemporary China. Based on the political and historical reasons of a certain gladiator, part of the ancient archway buildings no longer exist. This paper explores the history and development, commonness and characteristics of the ancient arch buildings in Hubei area and the modern and modern ones. Show the richness of archway shape and type, through contrast, seek common ground while reserving difference, sum up the characteristic of local archway, discuss the regional characteristic of arch building from the real examples nearby. However, because of the high degree of industrialization of modern buildings and the fact that the builders reduce the use of materials as much as possible in order to obtain the maximum profit, the modern archway design lacks the ethical meaning and geographical characteristics embodied in itself. Through the understanding of ancient archway, taking Hubei area as an example, this paper tries to discuss the lack of ethical meaning in modern archway design and the enlightenment of ethics thought in traditional architecture to modern and contemporary architecture.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TU-0
本文编号：2410535
[Abstract]:In the long history of five thousand years of civilization, a large number of architectural groups with distinctive artistic characteristics and local cultural styles have emerged in China. The ancient archway architecture, with its unique architectural shape and appearance, its unique artistic charm, its profound cultural background, its extremely rich ethical thought and humanistic connotation, It has a wide range of social and cultural functions and special historical and artistic value, and is favored by domestic and foreign scholars. As an important part of the ancient Chinese architectural complex, the archway building is the entrance sign of the architectural complex, full of oriental atmosphere and Chinese characteristics. After thousands of years of evolution and development, it has spread throughout the land of Shenzhou and even far away from other countries. Form an amazing cultural phenomenon with Chinese characteristics. The archway, as the material carrier of China's long traditional culture, is not only the epitome of Chinese national culture, the treasure of historical and cultural heritage, but also the typical symbol and symbol of Chinese culture universally recognized at home and abroad. The archway is the most sophisticated building in the folk architecture, with the most rich decorative patterns and the most exquisite artistic techniques. The archway is rich in cultural beauty and has extremely high artistic value and aesthetic value. It is not only the embodiment of folk art and the wisdom of the working people, but also inherits the traditional Chinese social culture and ethical thought, which provides rich historical data for the later culture research. As the carrier of traditional culture, the archway bears the different cognition of the ancestors on the outlook on life, values, ethics and so on with its rich and diverse forms. The architectural design of the archway reflects the traditional ethical thoughts such as "three Compendium and five Chang" and "patriarchal system". It inherits the traditional form of ancient architecture and the system of etiquette and religion, and fully embodies "the unity of nature and man" in the overall layout. Feudal thoughts and patriarchal etiquette, such as "Yin, Yang, and five elements", fully express Confucian ecological ethics in terms of environmental distribution. As an important part of this heritage, these ethical thoughts contained in the archway buildings, which are closely related to the social and cultural background of ancient China, have penetrated deeply into the local people's ideology and codes of conduct. The propaganda of Chinese traditional culture has exerted an important influence on the political, economic, cultural and institutional aspects of contemporary China. Based on the political and historical reasons of a certain gladiator, part of the ancient archway buildings no longer exist. This paper explores the history and development, commonness and characteristics of the ancient arch buildings in Hubei area and the modern and modern ones. Show the richness of archway shape and type, through contrast, seek common ground while reserving difference, sum up the characteristic of local archway, discuss the regional characteristic of arch building from the real examples nearby. However, because of the high degree of industrialization of modern buildings and the fact that the builders reduce the use of materials as much as possible in order to obtain the maximum profit, the modern archway design lacks the ethical meaning and geographical characteristics embodied in itself. Through the understanding of ancient archway, taking Hubei area as an example, this paper tries to discuss the lack of ethical meaning in modern archway design and the enlightenment of ethics thought in traditional architecture to modern and contemporary architecture.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TU-0
【参考文献】
相关期刊论文 前1条
1 李德喜;;湖北的牌坊[J];华中建筑;2007年01期
，本文编号：2410535
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