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中国传统视觉符号在城市景观中的创新性应用研究

发布时间:2019-04-03 11:03
【摘要】:当今快速发展的中国,我们的城市景观焕然一新,但问题也日益凸显,景观内容苍白空洞,形式仿古抄西。其实,“立新”不必“破旧”,尊重传统文化并不等于食古不化,相反,有意识地保留这些传统视觉符号,能让这座城市富有浓厚的文化底蕴,如北京观塘别墅、上海九间堂、深圳万科第五园都是优秀范例。因此,如何在全球化进程中保留自身文化特色,开创立足本土文化的城市景观成为当代园林建筑师努力探索的一个课题。 本文试图以开放的视角重新审视中国传统视觉符号,对符号精湛的形式美和广博的意蕴美进行深入探索。通过分析吉祥寓意、民俗文化和文人文化三类传统视觉符号在城市景观中空间与细节的运用,总结传统视觉符号在漫长发展过程中与城市景观的内在联系。并结合后现代、结构与解构主义对符号转换的指导,摸索出传统视觉符号更新运用的方式与手法,即可以从视觉、功能、意义三个方面进行转换,同时运用复归原型、抽象提炼、化繁为简和解构变形的四类手法进行创新运用,以创造出符合中国人独特审美情趣和生活方式的城市景观。 论文研究的脉络首先是从哲学、美学角度整体论述中国传统视觉符号,继而分析了传统视觉符号与城市景观的密切联系,进而总结传统视觉符号对城市景观的两大启示;然后从空间与细节两个方面,对传统视觉符号在城市景观中的现实运用进行系统论述,总结出三维空间的两种做法与三类传统符号在二维平面构图中的运用,并从符号、色彩、植被与材料四个方面探索符号的具体运用;最后通过分析和借鉴国外当代艺术的各种流派对传统元素与现代景观的探索,从“如何打造”与“从何打造”两个方面,总结出传统视觉符号更新运用的设计手法和表达方式。同时,结合工程实际案例—广东大唐燃气热电厂景观设计进行了具体的分析和阐述。 本文以传统视觉符号为新视角,,对其进行多维度解读,并结合国内外城市景观在继承传统视觉符号方面所做的探索研究,来探寻传统视觉符号与城市景观的内在联系,从而提炼出传统视觉符号更新运用的相关手法和方式,实现“中而新”的景观设计。
[Abstract]:Today's rapid development of China, our urban landscape is a new, but the problem is also increasingly prominent, landscape content pale empty, the form of copying the ancient west. In fact, "establishing a new" does not have to be "dilapidated," respect for traditional culture does not mean eating antiquity, on the contrary, consciously retaining these traditional visual symbols can make the city rich in rich cultural heritage, such as the Beijing Kwun Tong Villa and the Shanghai Jiujiangtang Hall. Shenzhen Vanke Fifth Park is an excellent example. Therefore, how to preserve its own cultural characteristics in the process of globalization and create a city landscape based on local culture has become a topic that contemporary landscape architects strive to explore. This paper attempts to re-examine the traditional Chinese visual symbols from an open perspective, and to explore the exquisite formal beauty and the broad-ranging implication beauty of the symbols. By analyzing the application of three kinds of traditional visual symbols, such as auspicious meaning, folk culture and literati culture, in the urban landscape, this paper summarizes the inherent relationship between the traditional visual symbol and the urban landscape in the long process of development. Combined with the post-modern, structure and deconstructionism to the guidance of symbol transformation, the way and means of traditional visual symbol renewal can be transformed from three aspects of vision, function and meaning, and at the same time, it can be restored to the prototype, and the traditional visual symbol can be transformed from three aspects, namely, vision, function and meaning. Abstract extraction, simplification and deconstruction of four kinds of techniques to create a unique aesthetic taste and life style of the Chinese city landscape. First of all, the thesis discusses the traditional Chinese visual symbols from the perspective of philosophy and aesthetics, then analyzes the close relationship between the traditional visual symbols and the urban landscape, and then summarizes the two enlightenments of the traditional visual symbols to the urban landscape. Then, from the two aspects of space and detail, this paper systematically discusses the practical application of traditional visual symbols in urban landscape, and sums up two methods of three-dimensional space and the application of three kinds of traditional symbols in two-dimensional plane composition, and from symbols, colors, and so on. Four aspects of vegetation and material to explore the specific application of symbols; Finally, through analyzing and drawing lessons from the exploration of traditional elements and modern landscape by various schools of contemporary art abroad, from two aspects: "how to build" and "how to build", this paper sums up the design methods and expression methods of the renewal and application of traditional visual symbols. At the same time, the landscape design of Guangdong Datang Gas-fired Thermal Power Plant is analyzed and expounded. In this paper, the traditional visual symbols as a new perspective, multi-dimensional interpretation, and combined with the domestic and foreign urban landscape in the inheritance of traditional visual symbols to explore the internal relationship between the traditional visual symbols and urban landscape. Thus abstracting the traditional visual symbol updating and using the relevant techniques and ways to realize the "medium and new" landscape design.
【学位授予单位】:湖北工业大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:TU984.1

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