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论中国古典园林的“自然”品第

发布时间:2019-05-18 18:27
【摘要】:中国古典园林以“虽由人作,宛自天开”的造园思想,运用自然而然的造园手法创造出了“源于自然,高于自然”的园林山水。古典园林中的假山、水体、植被、建筑在给人们带来无穷审美意境的同时无一不体现出古人深邃的哲思。“自然”品第作为中国古典园林创作的最高理想和审美品鉴的最高标准,它的美学内涵是什么?如何才能在园林设计中达到这一审美高度?这是本文所要探讨的内容。本文围绕中国古典园林“自然”品第的历史,内涵,应用,形成过程运用举例论证法、引证法、图例法及文献研究法分三部分展开论述。论文首先论述了“自然”品第的含义:“自然”为“自然而然”之意;“品第”含义为“评定并分列次第”。并对“自然”品第这一美学品鉴标准的提出时间和时代背景作了简要论述。分论由三部分构成:第一部分“自然”品第的历史源流分别对“自然”品第的哲学渊源和美学渊源作了分析和论述。哲学渊源主要探讨老庄哲学中“自然”的含义;美学渊源探讨了“自然”品第品鉴标准的发展过程。第二部分试图通过对中国古典园林空间经营、掇山理水、植物配置、建筑营构、园林虚景等要素的论述揭示出古典园林“自然”品第的现实映照。第三部分主要对“自然”品第的创作过程加以论述。由知识积累经历意匠经营过程进而达到妙悟自然的审美境界,“自然”品第完成了从理论到实践的转换过程。结论部分对“自然”品第的美学内涵以及“自然”品第的现实意义作了总结和展望:“自然”品第是“六法俱全”的总称;“气韵生动”是“自然”品第的灵魂;“自然”品第是中国古典园林创作的最高理想,造园实践的最高目标,园林鉴赏的最高境界。在资源紧缺、生态环境恶化的今天,“自然”品第造园理念对于当代园林可持续发展具有一定的借鉴意义。
[Abstract]:With the idea of "being made by man and opening from heaven", Chinese classical gardens have created a garden landscape which originates from nature and is higher than nature by using natural gardening techniques. The rockery, water body, vegetation and architecture in classical gardens not only bring infinite aesthetic artistic conception to people, but also embody the profound philosophy of the ancients. "Nature" is the highest ideal of Chinese classical garden creation and the highest standard of aesthetic taste. What is its aesthetic connotation? How can we achieve this aesthetic height in garden design? This is the content that this article wants to discuss. This paper focuses on the history, connotation, application and formation process of "nature" in Chinese classical gardens, which are divided into three parts: illustrative method, citation method, schematic method and literature research method. First of all, the paper discusses the meaning of "nature": "nature" means "natural", and the meaning of "product" is "evaluation and classification". The time and background of putting forward the aesthetic standard of Nature are briefly discussed. The theory consists of three parts: the first part analyzes and discusses the philosophical origin and aesthetic origin of nature. The philosophical origin mainly probes into the meaning of "nature" in Lao Zhuang's philosophy, and the aesthetic origin probes into the development process of the quality standard of "nature". The second part attempts to reveal the realistic reflection of the "nature" of classical gardens through the discussion of the space management of Chinese classical gardens, the arrangement of mountains and water, the allocation of plants, the construction of architecture, the virtual scene of gardens and so on. The third part mainly discusses the creative process of Nature. From the accumulation of knowledge to the management process of the craftsman and then to the aesthetic realm of wonderful understanding of nature, the "nature" product completes the process of transformation from theory to practice. In the conclusion part, the aesthetic connotation of "nature" and the practical significance of "nature" are summarized and prospected: "nature" is the general name of "six methods", "vivid charm" is the soul of "nature", and "natural" is the soul of "nature". Nature is the highest ideal of Chinese classical garden creation, the highest goal of garden practice and the highest realm of garden appreciation. With the shortage of resources and the deterioration of ecological environment, the concept of "nature" garden has certain reference significance for the sustainable development of contemporary gardens.
【学位授予单位】:江西农业大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:TU986.1

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1 向诤;;处处邻虚 方方侧景——解读苏州古典园林的洞门空窗[J];艺苑;2010年02期

相关硕士学位论文 前1条

1 李雪;老庄思想中的生态美学资源探微[D];山东大学;2010年



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