艺术与哲学的纠葛:西方古典艺术学源流

发布时间：2018-01-23 02:24

本文关键词： 艺术理论艺术实践文学理论威廉姆斯古典艺术逻辑演绎理论著述本质主义北京大学出版社体系建构 　出处：《中国图书评论》2015年05期 　论文类型：期刊论文

【摘要】：正艺术理论:从荷马到鲍德里亚,罗伯特·威廉姆斯著,许春阳等译,北京大学出版社,2009长期以来,由于艺术理论过多地依附在哲学、美学和文学理论门下,以致其自身的独特性被消解或遮蔽。受此影响,大多数艺术理论著述往往侧重于思想史或理论史的逻辑演绎和体系建构,艺术实践和艺术经验往往在这一过程中被稀释蒸发,进而导致艺术理论与艺术实践以及艺术经验的断裂阻隔。因此,研究艺术理论的人缺少艺术实践经验,其理论多沦为体系或概念自身的抽象演绎;而从事艺术实践创作的人往往不屑
[Abstract]:Orthodox Art Theory: from Homer to Baudrillard, by Robert Williams, translated by Xu Chunyang, Peking University Press, 2009, due to the excessive dependence of art theory on philosophy. Under the aesthetic and literary theories, its own uniqueness is eliminated or obscured. Under this influence, most of the works of art theory tend to focus on the logical deduction and system construction of the history of thought or the history of theory. Art practice and experience are often diluted and evaporated in this process, which leads to the break between art theory and art practice and art experience. Therefore, people who study art theory lack of art practice experience. Most of its theories degenerate into abstract deduction of system or concept itself; And people who are engaged in artistic practice are often disdainful.
【作者单位】：暨南大学文学院;
【分类号】：G236
【正文快照】： 艺术理论:从荷马到鲍德里亚,罗伯特·威廉姆斯著,许春阳等译,北京大学出版社,2009长期以来,由于艺术理论过多地依艺术经验有机地融合为一体,既摆脱了附在哲学、美学和文学理论门下,以致以往艺术理论的抽象概念化倾向,又将其自身的独特性被消解或遮蔽。受此影艺术史、艺术实践

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