抗战大后方电影期刊的文化救亡

发布时间：2018-05-13 17:45

本文选题：抗战大后方 + 电影期刊　；参考：《编辑之友》2017年05期

【摘要】：抗战时期的电影文化在分流中出现断裂趋向。大后方的电影期刊应势而生,扎根于当时中国电影的本土语境之中,成为承接中国电影艺术历史演进中的必要一环。深重的民族灾难,严酷的军事对抗,使得大后方电影期刊负载着抗战文化宣教、民族情感排遣等多重诉求,成为战时国家政略和战略需要的舆论工具,具有强烈的战争工具属性与文化宣教属性,与同一时期的商业性电影期刊划开了明确界限。复杂的成长背景,为其多重底色的形成做了最为有力的注脚。围绕文化救亡这一主题,抗战大后方电影期刊显现出工具性、民族性、现代性等多种特征,其经营也呈现出使命化色彩。大后方电影期刊在极度艰难的情况下,以主导之姿引导社会价值与民众认知,对当前的期刊出版具有重要的借鉴价值。
[Abstract]:During the War of Resistance against Japan, the film culture had a tendency to break apart. The film periodicals in the rear area came into being, rooted in the local context of Chinese films at that time, and became a necessary link in the historical evolution of Chinese film art. The deep national disaster and the severe military confrontation made the movies and periodicals in the rear area loaded with many demands such as cultural propaganda and education in the War of Resistance against Japan, national emotion, and so on, and became a tool of public opinion needed by the national politics and strategy in wartime. It has a strong attribute of war tools and cultural propaganda, and draws a clear line with the commercial movie periodicals of the same period. The complex growth background makes the most powerful footnotes for the formation of multiple background colors. Around the theme of cultural salvation, film periodicals in the rear area of the Anti-Japanese War show a variety of characteristics, such as instrumentality, nationality, modernity and so on, and their management also presents a mission-oriented color. Under the extremely difficult circumstances, the film periodicals in the rear area guide the social value and the people's cognition with the leading position, which has important reference value to the current periodical publication.
【作者单位】：西南政法大学新闻传播学院;重庆师范大学教育科学学院;
【基金】：重庆市社科规划培育项目“抗战时期陪都电影期刊研究”(2015PY54)
【分类号】：G239.29

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