20世纪三四十年代中国共产党对文艺“民族形式”论争的引领

发布时间：2018-05-22 12:24

本文选题：世纪三四十年代 + 中国共产党　；参考：《广西社会科学》2017年06期

【摘要】：目前学术界关于20世纪三四十年代文艺"民族形式"论争的研究,大都集中在文艺学研究领域。文艺"民族形式"论争不仅是20世纪三四十年代文学领域一次较大规模、专业性的论争,而且是中国共产党全面构建新民主主义文化的一次实践活动。中国共产党一直以来具有高度的文化自觉意识,在20世纪三四十年代成功引领了文艺"民族形式"论争,具体表现在:首次明确提出了"民族形式"新命题,全面组织和领导了文艺"民族形式"论争,科学总结了文艺"民族形式"论争的思想。
[Abstract]:At present, the academic circles about the debate on the "national form" of literature and art in 30s and 40s twentieth Century are mostly concentrated in the field of literature and art. The debate on "national form" is not only a large scale and professional controversy in the field of literature in 30s and 40s twentieth Century, but also a practice of the Communist Party of China to build a new democratic culture in an all-round way. The Communist Party of China has been highly conscious of cultural consciousness. In 30s and 40s twentieth Century, the Chinese Communist Party successfully led the debate on the "national form" of literature and art. It was concretely manifested in the first clear proposition of "national form", organized and led the debate on "national form" of literature and art, and scientifically summed up the thought of the debate on the "national form" of literature and art.
【作者单位】：陕西师范大学马克思主义学院;陇东学院马克思主义学院;
【基金】：国家社会科学基金项目(13BKS017)
【分类号】：D231

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