以镜为镜——论唐代螺钿镜兴匿与丝路文明昌衰之关系

发布时间：2018-03-09 18:06

  本文选题：唐代螺钿镜　切入点：丝路文明　出处：《艺术设计研究》2017年04期 　论文类型：期刊论文

【摘要】：螺钿镜是盛唐独有的特种工艺镜精品,其华美的造型、奢靡的材质、精工细作的铸造技术代表着中国古代铸镜工艺的最高水平和古镜文化的最后辉煌。一方面,唐代螺钿镜是初唐以来资鉴思想的演变和盛唐丝路文明高度繁荣相融合的结果,更是大唐王朝鼎盛期重要的物证,一度成为沟通东西方文化的重要媒介;另一方面,螺钿镜的兴废与唐王朝的国运昌衰具有内在的一致性,成为唐王朝的兴衰镜鉴,其废匿在中国政治文化史上有着深刻的历史意味。
[Abstract]:The mother-of-pearl mirror is a unique special craft mirror in the prosperous Tang Dynasty. Its beautiful shape, extravagant material, and meticulous casting technology represent the highest level of the ancient Chinese mirror casting process and the last glory of the ancient mirror culture. On the one hand, The mother-of-pearl mirror of the Tang Dynasty is the result of the combination of the evolution of the thought of capital inspection since the beginning of the Tang Dynasty and the high prosperity of the Silk Road civilization in the prosperous Tang Dynasty. It is also an important material evidence during the heyday of the Tang Dynasty, and once became an important medium for communicating the eastern and western cultures; on the other hand, The rise and fall of mother-of-pearl mirror has the inherent consistency with the prosperity and prosperity of the Tang Dynasty, and it becomes a mirror for the rise and fall of the Tang Dynasty, and its abolition has a profound historical meaning in the history of Chinese political culture.
【作者单位】： 重庆大学艺术学院;
【基金】：2017年度中央高校基础业务专项项目“宋代士大夫造物思想研究”(项目编号:2017CDJXY) 重庆市2015年高校人文社会科学重点项目“南方丝绸之路川滇段民间美术与欧亚文化交融研究”(项目编号:15SKG238)阶段性成果
【分类号】：K875.2
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本文编号：1589652