云冈石窟流失海外之“菩萨抚琴”雕像考

发布时间：2018-03-11 11:22

本文选题：造型艺术　切入点：云冈石窟　出处：《艺术百家》2017年02期 　论文类型：期刊论文

【摘要】：法国的吉美博物馆藏有一尊云冈石窟流失海外之"菩萨抚琴"雕像,据笔者于2007年在该馆对此雕像所做实地审视与拍摄,并在2013年与2014年在云冈石窟研究院针对云冈石窟雕像中的"琴"型乐器做考察,笔者发现该馆所藏的"菩萨抚琴"雕像在云冈石窟中是个特例,此雕像不论是在造型上还是在抚琴的指法动作上,皆与其他见诸云冈石窟之"琴"型乐器不同,此尊雕像究竟是否为云冈石窟流失海外的遗物呢?倘其确实为云冈石窟之遗物,则可为汉文化之古琴在北魏时期作为佛教表法的乐器之一提出更多的证据;反之,这尊雕像的年代就有待更多的证据再厘清。
[Abstract]:The Gimei Museum in France has a statue of the Bodhisattva Puppet that has been lost from the Yungang Grottoes overseas. According to the author, the statue was examined and photographed in the museum on 2007. And in 2013 and 2014 in Yungang Grottoes Research Institute for Yungang Grottoes statue of the "Qin" type instruments, the author found that the museum's "Bodhisattva Fuqin" statue in Yungang Grottoes is a special case. This statue is different from other musical instruments in Yungang Grottoes, whether in shape or in the finger movements of the piano. Is this statue a lost overseas relic of Yungang Grottoes?. If it is indeed a relic of Yungang Grottoes, it can provide more evidence for the ancient Qin of Han culture as one of the instruments of Buddhist expression in the Northern Wei Dynasty; on the contrary, the age of the statue needs more evidence to be clarified.
【作者单位】：屏东大学中国语文学系;
【分类号】：K879.3

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