民间艺术内丘神码的文化审美研究
发布时间:2018-03-13 05:10
本文选题:内丘神码 切入点:稚拙 出处:《广西师范大学》2011年硕士论文 论文类型:学位论文
【摘要】:内丘神码作为燕赵大地上一种平凡的民间祭祀用品,传承了一代又一代,直到80年代才开始被人重视,开始了解它的价值。中国其他地方也有类似纸马,但内丘神码不同于其他地方纸马,它有自己独特的特点,它的版式更加原始,更加具有表现力,具有质朴稚拙等独特之处,被越来越多人的人所关注。 内丘神码体现了先人们信仰“万物有灵”的思想观念,这种崇拜最早来自于对大自然的崇拜,内丘劳动人民在几千年的农耕社会的生活中,创造了无数的自然神,无数的围绕生产生活的神灵。内丘神码可贵之处就是它的稚拙之美,稚拙这种在现代社会难能可贵的艺术品质在内丘神码身上充分体现出来,内丘神码原始神秘,造型古朴,不拘一格,注重的是对韵律、生命热情的追求,显得古朴稚气;另外内丘神码艺术风格粗犷质朴,直白反映,大胆造型,下笔刚劲有力;它的用色观也非常原始,体现了它的稚拙之美的特点。 内邱神码所体现出来的审美观也跟中国传统的以“和”为美的思想相统一,它的构图布局等方面都体现出了这种审美思维。它追求构图的饱满完整、丰富匀称、和谐统一,追求造型的完整;内丘神码画文一体,人与神和谐相处,都体现了和谐的审美观。内丘神码的实用性非常强,它的原始性、传承性使它自产生以来就保持着实用—审美这—综合价值结构。 内丘神码具有造型抽象的特点,抽象但不失形象韵味,概括但非常注重对称,线条井然有序,具有原始造型审美思维。内丘神码其中也蕴含着很多的象征意义,通过各种象征手法来画图以表达心中的愿望和祈求。 内丘神码对色彩的运用也是传承了我国古代朴素的哲学观念,首先传承了阴阳哲学观念来运用色彩构图,用阴阳对比明显的色彩来刻绘神码,使神码显得热烈、喜庆;另外内丘神码深受五行观的影响,用青、白、赤、黄、黑五色,刻绘出喜庆、热烈的内丘神码,具有神秘、粗犷的质朴美。 内丘神码还蕴藏着很多的文化信息。它饱含着源自生命需求源自大自然的朴素民间信仰,围绕这朴素的信仰生成很多的民间祭祀文化,这些祭祀具有严格的仪式化特点。但内丘神码的传承面临危机,需要保护与发展,深入的去研究,发掘它的价值。
[Abstract]:Neiqiu God code, as an ordinary folk sacrificial article in Yanzhao earth, passed on from generation to generation. It was not until 80s that people began to attach importance to it and began to understand its value. Other parts of China also have similar paper horses. However, Neiqiu code is different from other local paper horses, it has its own unique characteristics, its format is more primitive, more expressive, simple, childish and so on, and has been paid attention to by more and more people. Neiqiu God code reflects the ancestors' belief in the idea of "everything is alive", which originated from the worship of nature. During the thousands of years of life in the farming society, the working people of Neiqiu created countless natural gods. Countless deities surrounding production and life. The precious part of Neiqiu's code is its childish beauty. This rare artistic quality in the modern society is fully reflected in Neiqiu's divine code, which is primitive and mysterious, and its shape is primitive and simple. In addition, the artistic style of Neiqiu God-code is rugged and simple, straightforward reflection, bold modeling, vigorous and powerful; its concept of color use is very primitive, too. It embodies the characteristics of its childish beauty. The aesthetics embodied in Negu code is also consistent with the traditional Chinese thought of "harmony" as beauty. Its composition and layout reflect this kind of aesthetic thinking. It pursues the fullness and integrity of composition, richness and symmetry, and harmony and unity. The pursuit of integrity of modeling; Neiqiu god code painting and text integration, people and god harmony, reflects a harmonious aesthetic. Neiqiu god code is very practical, it is primitive, Inheritance has kept it practical-aesthetic since its birth-comprehensive value structure. Neiqiu divine code has the characteristics of abstract modeling, abstract but without losing the charm of image, generalizing but paying great attention to symmetry, orderly lines, original aesthetic thinking of modeling. Neiqiu code also contains a lot of symbolic meanings. Use all kinds of symbolism to draw pictures to express the wishes and prayers of the heart. Neiqiu's use of color also inherits the simple philosophy of ancient China. Firstly, it inherits the philosophy of yin and yang to make use of color composition, and engrave the code of god with the contrast of yin and yang, so that the code of god appears warm and happy. In addition, Neiqiu Shen code is deeply influenced by the five elements view, with green, white, red, yellow, black five colors, carved out happy, warm Neiqiu code, with mysterious, rugged simple beauty. Neiqiu God Code also contains a lot of cultural information. It is full of simple folk beliefs derived from the needs of life, derived from nature, around which many folk sacrificial cultures are formed. These sacrifices have strict ritualized characteristics, but the inheritance of Neiqiu God-code is in crisis, which needs to be protected and developed, to be deeply studied and to explore its value.
【学位授予单位】:广西师范大学
【学位级别】:硕士
【学位授予年份】:2011
【分类号】:K876.3
【参考文献】
相关期刊论文 前5条
1 盖山林;巫·胡巫·阴山岩画作者[J];内蒙古师院学报(哲学社会科学版);1982年04期
2 张惠鸣;论稚拙美[J];齐鲁艺苑;1991年03期
3 张缨;中国传统色彩的美学探源[J];四川教育学院学报;2005年05期
4 顾方松;;情重于理——略论民间美术的审美情趣[J];新美术;1986年03期
5 阎云翔;泰勒、兰、弗雷泽神话学理论述评[J];云南社会科学;1984年06期
相关硕士学位论文 前1条
1 郑君玲;内丘纸马艺术研究[D];苏州大学;2009年
,本文编号:1604943
本文链接:https://www.wllwen.com/shekelunwen/kgx/1604943.html