重构区域社会的历史——从白南场老爷庙壁画的失窃谈起

发布时间：2018-03-17 20:22

本文选题：中国美术史　切入点：区域特征　出处：《美术观察》2017年03期 　论文类型：期刊论文

【摘要】：正2016年暑假,白南场~([1])老爷庙正壁的壁画被盗(图1),更蹊跷的是,邻村单堠老爷庙的两个侧壁的壁画也在此前不久被盗。这些在河北蔚县几乎无人知晓。一、城市化与区域社会在中国美术史的传统分类中,有文人、宗教、宫廷、民间艺术的四分法则,失窃壁画与所在的老爷庙,以及村堡中相关的空间、视觉、物质性因素,乃至仪式性过程,都可纳入民间
[Abstract]:On the summer vacation of 2016, the frescoes of the main wall of the Old Classical Temple were stolen (fig. 1). What's more, the murals of the two sidewalls of the Shan hou-Lao Temple in the neighboring village were also stolen shortly before. These murals were hardly known in Weixian County, Hebei Province. 1. Urbanization and regional society in the traditional classification of Chinese art history, there are literati, religion, court, folk art quadrilateral rules, stolen murals and the old temple, as well as the related space, vision, material factors in the village castle. Even the ritual process can be incorporated into the folk
【作者单位】：北京大学历史学系;
【分类号】：K879.41

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