北齐“龙树背龛式”造像的技术传承和构图特征

发布时间：2018-04-10 10:13

本文选题：北齐　切入点：“龙树背龛式”造像　引自：《中原文物》2017年04期

【摘要】：公元6世纪中期,中原北方东部地区开始出现一种以双菩提树为背屏、北齐新样式佛像为主尊、常以镂孔透雕形式表现的白石佛教造像,其造型精美,特征鲜明,与早年流行的尖楣状背屏造像形式迥异。本文以邺城地区历年出土佛像为中心,结合周边区域同类背屏式造像,探讨北齐"龙树背龛式"造像的构图特征及技术传承。
[Abstract]:In the middle of the 6th century AD, there began to appear a white stone Buddhist statue in the eastern part of the Central Plains with double Bodhi trees as its back screen. The new style of Buddha statues in the Northern Qi Dynasty were mainly respected, often in the form of carved holes through the carved holes. The figures were exquisite in shape and distinctive in characteristics.And the early popular spiky back screen image form is very different.Based on the Buddha statues unearthed in the past years in Yecheng area and the similar backscreen statues in the surrounding areas, this paper discusses the composition characteristics and technical heritage of the "Dragon Tree back niche" statues in the Northern Qi Dynasty.
【作者单位】：中国社会科学院考古研究所;
【分类号】：K879.3

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