明代景德镇青花凤纹研究

发布时间：2018-04-11 12:13

本文选题：明代 + 青花　；参考：《景德镇陶瓷学院》2011年硕士论文

【摘要】：凤是中国古往今来一个十分常见的创作形象,凤文化在中华大地上已流传了数千年,在中国文化史、艺术史上均占有着特殊的位置。文章根据景德镇窑址出土的第一手实物资料以及各大博物馆、私人收藏的凤纹图像资料,结合文献、历史背景、瓷器纹饰的发展特征,对明代景德镇官窑与民窑上的青花凤纹进行研究,在断代和历史分期的基础上,重点论述明代景德镇官窑与民窑青花凤纹的艺术特点与演变规律。进而用图像说话,结合凤纹所蕴藏的文化寓意以及时代背景分析景德镇官窑与民窑青花凤纹在整个明代的时代脉络上的兴衰走势,在分别论述官窑、民窑各自的发展轨迹的基础上,探索其内在千丝万缕的联系,最终解释双方为何会形成一种此消彼长的发展态势。
[Abstract]:Phoenix is a very common creative image of China from ancient to present. Phoenix culture has been circulating in China for thousands of years and occupies a special position in the history of Chinese culture and art.According to the firsthand material of the kiln site in Jingdezhen and the images of Phoenix patterns collected by the major museums and private collections, combined with the literature, historical background, and the development characteristics of porcelain ornaments,Based on the study of the blue and white Phoenix patterns in Jingdezhen official and civilian kilns in Ming Dynasty, the artistic characteristics and evolution laws of the blue and white Phoenix patterns in Jingdezhen official and civilian kilns in Ming Dynasty were discussed on the basis of dynasties and historical stages.Then using images to speak, combined with the cultural implication of Phoenix patterns and the background of the times, this paper analyzes the rise and fall trend of Jingdezhen official kiln and folk kiln blue and white Phoenix print in the whole Ming Dynasty, and discusses the official kiln separately.On the basis of their respective development tracks, this paper probes into the inextricable relationship between the two sides, and finally explains why the two sides have formed a trend of growth and decline.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K876.3

【引证文献】