宋金时期“下卷昂”的形制演变与时空流布研究

发布时间：2018-04-11 11:10

  本文选题：下昂 + 《营造法式》　； 参考：《文物》2017年02期

【摘要】：按《营造法式》定义,昂分为上昂、下昂两类,下昂又可分为琴面、批竹两种亚型。本文从北方地区现存的建筑史料中,选取了一种不同于批竹昂、琴面昂的“下卷昂”,以建筑考古类型学的方法,对这一非主流下昂形制的时空问题进行了初步探讨,认为下卷昂最大可能首现于中晚唐前后的今陕西西安地区,继而沿交通线向周边地区扩散,但其流传仅以两京和陕西周边地区为主,未能影响到河北、山东、山西北部等地。下卷昂形制在宋金两朝形制的变化主要体现在华头子、昂嘴及其与其他斗拱构件的共存关系上,其中,晋西南地区是目前已知宋金时期下卷昂形制变化最显著的地区。
[Abstract]:According to the definition of "creating French style", Aang can be divided into two subtypes: upper and lower.From the existing architectural historical data in the northern region, this paper selects a kind of "Xiadu ang", which is different from the criticism of bamboo and Qin, and discusses the space-time problem of the non-mainstream form of "Xianang" by the method of architectural archaeological typology.It is considered that Xiakouang may first appear in Xi'an region of Shaanxi Province around the middle and late Tang Dynasty, and then spread along the traffic line to the surrounding areas, but its spread is mainly in the two capital and the surrounding areas of Shaanxi, but it has not affected Hebei, Shandong, northern Shanxi and other places.The changes of the form system in the Song and Jin dynasties are mainly reflected in the coexistence of Huatouzi, Nangzui and other dou arch components, among which the southwest of Jin Dynasty is known to have the most remarkable changes in the form system of the lower curl in the Song and Jin dynasties.
【作者单位】： 北京大学考古文博学院;
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本文编号：1735756