战国至西汉漆鼎研究
发布时间:2018-04-17 22:34
本文选题:漆鼎 + 战国至西汉 ; 参考:《中央美术学院》2011年硕士论文
【摘要】:漆鼎出现并流行于战国至西汉时期,是该时期具有特殊意义的器物。本文从考古出土的材料入手,结合思想史、社会史的研究成果,分析漆鼎产生的原因、功能、意义等问题。首先,漆鼎的存在与人们对鼎的内涵、意义与功能的认识有关。这一认识与观念在历史上的演进过程都直接反映在鼎的材料变化、功能使用上,社会的变革包括经济发展、社会等级、生活习俗、丧葬习俗等则影响了漆鼎的使用是否合理、能否持久。其次,影响漆鼎产生的因素也在一定程度上左右了漆鼎的功能和意义,尤其是以诸侯王为代表的社会上层,漆鼎存在于生活、祭祀和丧葬中,多样性的功能随之出现,而其意义则与社会地位、个人财富及丧葬制度相联系。再次,漆鼎随着墓主等级和墓葬年代的变化而变化,其中胎骨材质的变化使陶胎漆鼎打破原有的单一材质礼器组合,更多的是作为鼎的“象征”出现在墓葬中,而不隶属于某类材质礼器,这也是鼎的权力意义和等级之间仿效的结果。对于漆鼎的研究,需要回到当时的社会大背景之下,而且只有这样才能将漆鼎作最为客观的分析。
[Abstract]:The appearance of lacquer tripod and its popularity during the warring States period to the Western Han Dynasty were of special significance.Starting with the materials unearthed in archaeology and combining with the research results of the history of thought and social history, this paper analyzes the causes, functions and significance of the lacquer tripod.Firstly, the existence of lacquer tripod is related to people's understanding of its connotation, meaning and function.The evolution of this understanding and concept in history is directly reflected in the material changes and functional use of the tripod. Social changes include economic development, social class, living customs, funeral customs, etc., which affect whether the use of the tripod is reasonable or not.Can it last?Secondly, the factors that affect the production of the lacquer tripod also influence to some extent the function and significance of the lacquer tripod, especially the upper layer of the society represented by the kings of the throne, which exists in life, sacrifices and funerals, and the functions of diversity appear along with it.Its significance is related to social status, personal wealth and funeral system.Thirdly, the lacquer tripod changed with the change of the gradation of the tomb and the age of the tomb, in which the change of the material of the foetus made the pottery tripod break through the original single material ritual ware combination, and more often as the symbol of the tripod, it appeared in the tomb.It is also the result of emulation between the power meaning and rank of tripod.The research of the lacquer tripod needs to return to the social background of that time, and only in this way can the lacquer tripod be the most objective analysis.
【学位授予单位】:中央美术学院
【学位级别】:硕士
【学位授予年份】:2011
【分类号】:K876
【参考文献】
相关期刊论文 前10条
1 张鹤泉;《盐铁论·散不足篇》所反映的西汉社会生活[J];中国典籍与文化;1995年04期
2 扬之水;两宋香炉源流[J];中国典籍与文化;2004年01期
3 栗中斌;谈朱然家族墓的年代和墓主身份[J];东南文化;2004年04期
4 王志高;王俊;;马鞍山孙吴朱然家族墓时代及墓主身份的分析[J];东南文化;2008年05期
5 包明军;漆衣陶器浅谈[J];华夏考古;2005年01期
6 李玉洁;;中国古代的礼器组合制度[J];华夏考古;2006年04期
7 院文清;楚与秦汉漆器的几个问题[J];江汉考古;1987年01期
8 王纪潮;论战国秦汉漆器在中国艺术史上的地位[J];江汉考古;1995年01期
9 蔡先启;张泽栋;刘玉堂;;湖北云梦睡虎地秦汉墓发掘简报[J];考古;1981年01期
10 周世荣;;汉代漆器铭文“■工”考[J];考古;2004年01期
相关博士学位论文 前1条
1 洪石;战国秦汉漆器研究[D];中国社会科学院研究生院;2002年
,本文编号:1765623
本文链接:https://www.wllwen.com/shekelunwen/kgx/1765623.html