岩山寺文殊殿西壁建筑图景研究

发布时间：2018-04-20 19:07

本文选题：岩山寺 + 建筑图景　；参考：《山西大学》2010年硕士论文

【摘要】： 岩山寺位于繁峙县城东南36公里处的天岩村。据寺内金代碑刻和西壁墨书题记所示,岩山寺文殊殿壁画是由金代御前承应画匠王逵等人在金正隆三年至大定七年间绘制的。在我国宋、金寺观壁画遗存不多的情况下,岩山寺文殊殿的金代壁画以其内容丰富,画技高超而保留至今,实属难能可贵,其中尤以文殊殿西壁绘制精美、保存完好而成为其代表。从绘画的内容来说,岩山寺文殊殿西壁虽是描绘佛传故事,但它以一组宫殿建筑群为中心而展开,使我们透过壁画中的建筑图景更加深入地了解金代的社会、政治、文化、建筑、艺术,甚至人的意识形态等各个层面上的形态特征。本文主要依据岩山寺文殊殿西壁壁画,对其中蕴含的丰富的建筑图景进行系统整理与研究,着重讨论三点：首先,岩山寺文殊殿西壁是由一组完整的宫殿建筑群组成,这实际上是画匠王逵结合当时的宫廷建筑制度和社会风貌绘制于壁画之中。其前殿重檐、主廊及后殿二层楼的主殿、工字形平面和画中十字脊重檐阙楼等等,都反映了金代宫殿建筑的新特点。同时,金代推行汉化政策,受宋代影响颇深,从中亦可看出壁画中宫城的总体布局、市井酒楼、建筑细部等等与宋、金建筑的联系。其次,文殊殿西壁画面中的建筑图景是作为一组宫殿建筑群出现的,其中涉及到界画的表现。壁画内容丰富,布局精巧,设色典雅,不同于一般的寺观壁画做法,十分接近于卷轴画,是典型的北宋院体风格,而北宋院体画的界画风格,在此壁画中体现得尤为透彻,从中反映了画匠高超的艺术水平和极强的写实功力。因此,笔者认为王逵应该是一名北宋的界画家。最后,岩山寺文殊殿西壁建筑图景的出现,是与整个金代社会文化心理趋向密切相关的,尤其是与统治者的主流意识形态相关连。从对岩山寺西壁建筑图景的研究中,我们也可以看到金代统治者的“礼乐”及“华夷同风”等思想的体现。全面地分析西壁建筑图景中的建筑特点、艺术语言与内在的深层文化,补充完善了以往研究中的空白,对于我们了解金代的社会、科技、艺术、思想无疑具有重要意义。
[Abstract]:The Yanshan temple is located in Tian Yan Village 36 kilometers southeast of Fanshi county. According to the inscription of Teuchi Kimyo's inscription and the book of Western Wall ink, the murals of the Manjusri Hall of the Yanshan temple were drawn by Wang Kui and others of the emperor of the Jin Dynasty, who were painted by Jin Zhenglong from three years to Da Ding. In the Song Dynasty, Jin monastery mural remains a little, and the golden generation of the Manjusri Hall of Yanshan Temple The mural painting, with its rich content and superb skill, is very valuable, especially in the west wall of the hall of Manjusri, which is a representative. From the content of painting, the west wall of the Manjusri Hall of Yanshan temple is a story of the Buddha's biography, but it is centered on a group of palace building groups, so that we can pass through the buildings in the murals. The picture has a deeper understanding of the social, political, cultural, architectural, artistic and even human ideology characteristics of the Jin Dynasty.
This paper, based on the western wall murals of the Manjusri Hall of Yanshan temple, systematically collated and studied the rich architectural drawings contained in it, and emphatically discussed three points: first, the west wall of the Manjusri Hall of the Yanshan temple is composed of a complete group of palace buildings, which is actually drawn by the palace architecture and social features of the painter Wang Kui when it is combined. In the painting, the main hall of the front hall, the main hall of the two floors of the main corridor and the back hall, the graphic plane and the cross ridge of the Cross Ridge in the painting reflect the new features of the palace architecture of the Jin Dynasty. At the same time, the Han Dynasty policy of the Jin Dynasty was deeply influenced by the Song Dynasty, and it can also be seen that the general layout of the palace city in the murals, the city bar, the architectural details and so on, and the song and Jin. Secondly, the architectural picture in the screen of the west wall of the Manjusri hall appears as a group of palace buildings, which involves the representation of the boundary paintings. The mural is rich in content, exquisite in layout, elegant in color, different from the general temple mural practice, very close to the scroll painting, is a typical style of the Northern Song Dynasty, and the boundary painting of the Northern Song Dynasty. As a result, the author thinks that Wang Kui should be a boundary painter in the Northern Song Dynasty. Finally, the appearance of the architectural landscape of the west wall of the Yanshan temple is closely related to the cultural psychological trend of the society of the Jin Dynasty, especially the rule of rule. In the study of the architectural landscape of the west wall of Yanshan temple, we can also see the embodiment of the thought of the rulers of the Jin Dynasty, such as the "rites and music" and "the wind of the Chinese and the Yi". The comprehensive analysis of the architectural features of the west wall architecture, the artistic language and the inner deep culture complement the blanks in the previous research. It is undoubtedly important for us to understand the society, technology, art and ideology in the Jin Dynasty.

【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K879.1

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