紫禁城现存明代官式彩画分期探讨——从大木梁檩枋彩画纹饰切入的研究
发布时间：2018-04-22 23:37
本文选题：明代官式彩画 + 梁檩枋 ； 参考：《故宫博物院院刊》2016年04期
【摘要】：明代官式彩画在中国彩画发展史上取得了突出的艺术成就,惜遗存数量稀少,幸北京紫禁城内集中保留有一批重要的明代彩画,主要分布在二十余处不同类型的官式建筑中。这部分彩画形制规范,制作精良,是明代官式彩画非常重要的实物例证,也是唯一能较全面体现明代官式彩画历史演变轨迹的珍贵遗产。以大木构件梁檩枋彩画为例,其大线轮廓造型、找头的花瓣与花心纹饰、盒子纹饰于明代不同时期表现出不同的特征,将这些彩画的构图与纹饰的形制特征进行年代排列后,可推测彩画的演变规律,并据此粗略将紫禁城明代大木构梁檩枋彩画分为早⺌永乐-弘治⺗、晚⺌正德-崇祯⺗两个时期。该课题完善了明代官式彩画的整体性研究。
[Abstract]:The official color painting of Ming Dynasty has made outstanding artistic achievements in the history of the development of Chinese color painting, and the number of remains is rare. Fortunately, there are a number of important Ming Dynasty color paintings concentrated in the Forbidden City of Beijing, mainly distributed in more than 20 different types of official buildings. It is a very important example of official color painting in Ming Dynasty, and it is the only precious heritage that can fully reflect the historical evolution of official color painting in Ming Dynasty. Take the large wood member Liang Fang Fang color painting as an example, its big line outline modelling, the petal and the flower center pattern of the change, the box decoration displays the different characteristic in the different period of Ming Dynasty, after the composition and the pattern characteristic of these color paintings are arranged in the age, Can infer the evolution of color painting, and based on this rough Forbidden City Ming Dynasty large wooden beam purlin Fang color painting divided into early? Yongle-Hongzhi, late? Zhengde-Chongzhen? Two periods. This topic consummates the whole research of official color painting in Ming Dynasty.
【作者单位】： 故宫博物院古建部;
【基金】：2012.9-2015.12文化部课题12DG31《明代官式彩画研究—以紫禁城为例》的部分研究成果 故宫博物院研究课题资金资助
【分类号】：K879.4
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本文编号：1789488
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