广西活态铜鼓文化研究

发布时间：2018-04-26 01:39

本文选题：铜鼓 + 铜鼓文化　；参考：《广西民族大学》2011年硕士论文

【摘要】：铜鼓是我国南方民族创造的青铜艺术瑰宝,在漫长的演化过程中,形成了丰富多彩的铜鼓文化。至今铜鼓依然以“活态”的方式,留存于中国南方及东南亚各国。笔者采用文献法和实地调查法对广西境内的活态铜鼓文化进行调查,收集广西区内各地区活态铜鼓文化资料,同时走访了广西南宁、玉林、百色、柳州、北海等城市,观察铜鼓文化在广西城市中的发展情况。实地考察了沙模铸造法和熔模铸造法铸造铜鼓的工艺。在此基础上,尝试分析广西活态铜鼓文化遭遇的困境,并对活态铜鼓文化进行界定,探讨广西铜鼓文化能够“活”下来的原因。研究结果表明,广西的铜鼓文化在发展过程中遭遇种种困境,但依然“活”了下来,究其原因主要有:一、铜鼓文化在广西仍有相当的群众基础。二、村寨和政府对铜鼓及铜鼓文化的重视。三、铜鼓及铜鼓文化在广西历史文化中一枝独秀的地位。这三个原因成就了广西活态的铜鼓文化。最后,笔者对广西活态铜鼓文化生存进行分析,试图探讨活态铜鼓文化的保护问题,认为铜鼓文化的保护理念应该是原生态的保护,保护铜鼓文化应该采取动态的方式,并且应注重大众参与。
[Abstract]:Bronze drum is a treasure of bronze art created by the south of China. In the long process of evolution, it has formed rich and colorful bronze drum culture. Today, bronze drums still exist in the south of China and Southeast Asian countries in the way of "live". By using the method of literature and field investigation, the author investigated the living copper drum culture in Guangxi, collected the living copper drum culture data from various regions in Guangxi, and visited Nanning, Yulin, Baise, Liuzhou, Beihai and other cities in Guangxi, and at the same time visited the cities of Nanning, Yulin, Baise, Liuzhou, Beihai, etc. To observe the development of Tonggu culture in Guangxi cities. The processes of sand mold casting and investment casting copper drum casting were investigated. On this basis, this paper tries to analyze the dilemma encountered by the living bronze drum culture in Guangxi, defines the living bronze drum culture, and probes into the reasons why the Guangxi bronze drum culture can "survive". The results show that the bronze drum culture in Guangxi has encountered various difficulties in the development process, but still "alive" down, the main reasons are: first, the bronze drum culture in Guangxi still has a considerable mass base. Second, village and government attach importance to bronze drum and bronze drum culture. Third, bronze drum and bronze drum culture in Guangxi history and culture stand alone. These three reasons made Guangxi's living bronze drum culture. Finally, the author analyzes the survival of the living bronze drum culture in Guangxi, tries to discuss the protection of the living bronze drum culture, and holds that the protection concept of the bronze drum culture should be the protection of the original ecology, and the protection of the bronze drum culture should take a dynamic approach. And attention should be paid to public participation.
【学位授予单位】：广西民族大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K876.41

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