吐鲁番史前彩陶研究

发布时间：2018-04-29 16:14

本文选题：吐鲁番 + 史前　；参考：《新疆师范大学》2010年硕士论文

【摘要】：本文以吐鲁番地区史前墓地出土彩陶为研究的基本材料,以类型学和新疆特殊的考古地层学为研究方法,对吐鲁番史前彩陶进行了比较分析,并其彩陶对邻近地区的影响进行了探讨。在吐鲁番史前墓葬当中,洋海墓地出土的彩陶数量最大,因此作为本文的分析重点。通过划分洋海彩陶的不同类、型、式,揭示出洋海彩陶的兴起、发展、衰落的过程;展示了洋海彩陶器形和花纹的鲜明特点。通过对吐鲁番史前其他的墓地出土彩陶与洋海墓地彩陶的对比分析,结合考察吐鲁番其他史前墓葬与洋海墓葬之间的异同点,提出苏贝希文化是从早期的洋海类型到晚期的苏贝希类型的发展顺序,并揭示了与其他青铜时代彩陶文化之间既相互影响又各自独立发展的情况。本文运用考古学文化的理论,分析了以洋海类型为代表的苏贝希文化早期彩陶特点。通过对吐鲁番史前墓地出土彩陶的分析,廓清了沿天山地区彩陶传播的基本线路和彩陶在吐鲁番地区存在的时间是从青铜时代一直延续到早期铁器时代,并认为之所以吐鲁番史前彩陶没有全盘接受来自东面的影响主要是因为吐鲁番绿洲独特的自然环境条件导致的生产生活方式的特殊性,这些展现在彩陶上则表现出独特的地域性审美特征。对吐鲁番史前时期的彩陶的研究,证明中国史前文明的源头不独在西方,还有中国本土的影响。由彩陶之路,中原的文明向西北发展给边远地区的新疆史前文化注入了新的活力,造就了新疆史前文化的丰富多彩,同时也表明彩陶之路在汉代以前就已经发挥了作用,新疆与中亚和中国内地的联系也可以追溯到更早的青铜时代,使得东西方的早期文化交流获得了加速;这也再次证明中国史前文化的统一性与多样性。
[Abstract]:Taking the prehistoric pottery unearthed in Turpan area as the basic material, taking typology and the special archaeological stratigraphy of Xinjiang as the research method, this paper makes a comparative analysis of the prehistoric painted pottery in Turpan. The influence of the painted pottery on the adjacent areas is also discussed. Among the prehistoric tombs in Turpan, the quantity of painted pottery unearthed in Yanghai Cemetery is the largest. By dividing the different types, types and patterns of Yanghai painted pottery, the rise, development and decline of Yanghai painted pottery are revealed, and the distinctive characteristics of the shape and pattern of Yanghai painted pottery are shown. Based on the comparative analysis of colored pottery unearthed in other prehistoric tombs in Turpan and the colored pottery in Yanghai cemetery, the similarities and differences between other prehistoric tombs in Turpan and those in Yanghai are investigated. It is put forward that Subashi culture is the order of development from the early ocean type to the late Subashi type, and it also reveals the mutual influence and independent development between Subashi culture and other bronze age painted pottery cultures. Based on the theory of archaeological culture, this paper analyzes the characteristics of early painted pottery in Subashi culture, represented by the type of ocean. Through the analysis of the colored pottery unearthed in Turpan prehistoric cemetery, the basic route of the spread of painted pottery along the Tianshan Mountains and the time of its existence in the Turpan area were clarified, from the Bronze Age to the early Iron Age. And think that the reason why the Turpan prehistoric painted pottery did not accept the influence from the east is mainly because of the particularity of the production and life style caused by the unique natural environment conditions in Turpan oasis. These show unique regional aesthetic characteristics on the painted pottery. The study of painted pottery in Turpan prehistoric period proves that the origin of Chinese prehistoric civilization is not only in the West, but also in China's native influence. From the road of painted pottery, the development of the civilization of the Central Plains to the northwest injected new vitality into Xinjiang prehistoric culture in remote areas, created the rich and colorful prehistoric culture of Xinjiang, and also showed that the road of painted pottery had already played a role before the Han Dynasty. Xinjiang's links with Central Asia and the mainland of China can also be traced back to the earlier Bronze Age, which accelerated the early cultural exchanges between the East and the West, which once again proved the unity and diversity of Chinese prehistoric culture.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K876.3

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