从康侯■器铭谈西周成王时期的金文书法要素

发布时间：2018-04-29 17:11

本文选题：康侯■ + 西周成王　；参考：《中国国家博物馆馆刊》2017年04期

【摘要】：西周成王时期的金文章法虽然因袭商代末年,即从右至左、自上而下的行文纵势,且兼顾文字之间错落的规整,但其中在族氏徽号、字列方向及视读平面形状等方面出现了一些新的变化,布局愈加规整,尤为注重视觉之美。这一时期的金文用字在整体上较此前更为匀称、协调,有利于发挥书写时势能的上下承接,保证通篇文字气息的连贯。商代末年产生的"捺"划,在西周成王时期的有关金文中波磔幅度加大,从而使这一时期的字形略有加宽,气势开张。西周成王时期金文多数为规范书体,少数为急就书体;同时,这一时期的金文结体少数左低右高,成"欹侧之势";而多数金文则如《禽》、《何尊》及《献侯鼎》等篇,书体端正,以正面视人,庄重沉稳,导后世篆法之风。总体而言,在西周成王时期的金文中,存在新派与旧派之别。
[Abstract]:Although the rules of the Jin Dynasty of the Western Zhou Dynasty were inherited from the last years of the Shang Dynasty, that is, from right to left, from the top to the bottom, and took into account the regularity of the disorder between the characters, they were in the clan of Huizhou. Some new changes have taken place in the direction of the word column and the shape of the visual reading plane. The layout is more regular, especially the beauty of vision. In this period, the characters of Jin Wen are more symmetrical and coordinated than before, which is beneficial to the development of the potential energy and the continuity of the whole text. At the end of Shang Dynasty, the stroke of "Na" was enlarged in the relevant Jin prose of the Western Zhou Dynasty, which made the shape of this period slightly wider and the momentum opened. In the period of the Western Zhou Dynasty, most of the Jin texts were normative, and a few were in the form of hasty calligraphy. At the same time, a few of the Jinwen bodies in this period were low left and right high, forming the tendency of "interjection." and most of the Jin texts, such as "Poultry", "he Zun" and "Xianhou Ding", were correct. With a positive view of people, solemn calm, lead the wind of the seal seal law. In general, there are differences between the New School and the Old School in the Jin Wen of the Western Zhou Dynasty.
【作者单位】：中国国家博物馆;
【分类号】：K877.3

【相似文献】