先秦乐器铜铙研究

发布时间：2018-04-30 01:39

本文选题：先秦 + 青铜乐器　；参考：《山东大学》2011年硕士论文

【摘要】：铜铙是青铜乐器的一种,流行于商至西周时期,在北方主要分布于河南安阳殷墟和山东地区,在南方主要分布于长江流域及岭南地区。作为商周时期重要的青铜乐器,铜铙一直是考古学界比较关注的研究课题。目前对铜铙的研究主要在考古学领域及音乐学领域。本文收集全国各地已知出土地点的铜铙,从考古学角度对其分型定式,并对相关问题展开探讨。本文的第一部分为绪论,主要对本文的选题缘由与研究对象的时空范畴、研究历史及价值、研究方法与文章框架、铜铙的名物考证进行讨论。第二、三部分为铙的类型学研究。第四部分对铙的源流、传播、合金成分、形制、音域音程及乐器器物组合等问题分析讨论。对铜铙的类型学分析是本文的重点,也是进行其他相关讨论的基础,本文严格按照考古类型学原理对其分型定式、分期并归纳铙的发展规律。在探讨铜铙的源流问题上,本文采用类比的方法,将铙与铃和甬钟的特点分别作比较。对铜铙传播问题的讨论,采用反证的方法,将南方铜饶各阶段特征还原到考古类型学的框架中作讨论。对铜铙合金成分的分析,采用科学检测数据与传世文献相对照的方法进行。对铜铙形制的讨论则较多地借助于物理学原理。最后,对铜铙音律、器物组合的讨论,采用归纳总结的方式进行。通过对铜铙各方面问题的分析,本文建立了商周铜铙的时空框架,铜铙的起源、传播、流向路径清晰呈现,合金比例、形制的实用功能较明确。同时,铜铙与其他乐器的组合基本明朗,而铜编铙中各铙的音高、铜铙与其他乐器的音高基本在同一音高区域,各套编铙间的音程关系也较和谐,这是后世用乐制度的源头。
[Abstract]:Copper cymbal is a kind of bronze musical instrument, which was popular in the period of Shang to Western Zhou Dynasty, mainly distributed in Anyang, Henan and Shandong areas in the north, and mainly in the Yangtze River basin and Lingnan area in the south. As an important bronze instrument in Shang and Zhou dynasties, bronze cymbal has always been a research topic of archaeology. At present, the research on copper cymbals is mainly in the field of archaeology and musicology. This paper collects copper cymbals from known unearthed sites in various parts of the country, classifies them from an archaeological point of view, and probes into some related problems. The first part of this paper is the introduction, which mainly discusses the reason of selecting this topic and the temporal and spatial category of the research object, the research history and value, the research method and the frame of the article, and the textual research of the name of bronze cymbal. The second and third parts are the typology of cymbals. In the fourth part, the origin, propagation, alloy composition, shape, range interval and instrument combination of cymbals are analyzed and discussed. The typology analysis of copper cymbals is the focus of this paper, and also the basis of other related discussions. This article strictly according to the archaeological typology principle of its classification formula, stages and summed up the development law of cymbal. In this paper, the characteristics of the cymbal, the bell and the Yongzhong, are compared by analogy. In this paper, the propagation of copper cymbal is discussed, and the characteristics of each stage in the south of Tongrao are reduced to the framework of archaeological typology by using the method of counter-proof. The analysis of the composition of copper cymbal alloy was carried out by the method of comparing the data of scientific detection with the literature. The discussion of the form of copper cymbal is mostly based on the principles of physics. Finally, the discussion on the rhythm of bronze cymbal and the combination of utensils is carried out by means of induction and summary. Based on the analysis of various aspects of copper cymbal, this paper establishes the space-time framework of Shang and Zhou Dynasty, the origin, propagation, flow path, alloy ratio and shape of copper cymbal are clear. At the same time, the combination of copper cymbal and other musical instruments is basically clear, while the pitch of each cymbal in copper cymbal is basically in the same pitch area as other instruments, and the relationship between the interval of each set of cymbals is also relatively harmonious, which is the source of the music system of later generations.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K875.5

【引证文献】