两宋时期的隔扇研究

发布时间：2018-04-30 01:32

本文选题：两宋 + 隔扇　；参考：《太原理工大学》2010年硕士论文

【摘要】： 两宋时期是中国历史上的一个重要时期,经济、科学技术和文化艺术等都高度发达。建筑技术更加娴熟,木工工具种类大大增加,装修的品类大大增多,榫卯结合技术大大发展,做工的精巧程度也大大提高,木雕工艺广泛应用,木装修水平得到了长足的进步,而且出现了我国古代最完整的建筑技术专著——《营造法式》,《营造法式》内容的全面程度可以从侧面反映出当时建筑业的繁荣和专业化程度。中国的传统建筑以框架结构为主,墙体本身不承重,屋身上的墙体和门窗就可以很随意的设置,尤其是到了两宋时期,隔扇的广泛应用使房屋的外围护墙体,以及室内分隔空间的墙体逐渐被取代,像南宋的很多建筑,甚至屋身的四面全部使用隔扇,形成了整座建筑装饰的重点。本文从隔扇在中国木结构建筑中的演进入手,对这一时期历史和现存的隔扇进行系统的整理研究,归纳总结了两宋时期隔扇的类型,装饰特征、装饰的创作构思、题材寓意、造型意境以及与中国绘画、文学等的关系,从理论上探讨这一时期隔扇装饰艺术所取得的成就,再进一步探讨从这些隔扇中反映出的艺术价值和文化象征。正文由六部分组成,第一章绪论部分,介绍课题的内容及选题的意义,包括概念的界定,现有的可参考的文献,研究的思路与方法以及论文的难点与创新点;第二章分析了两宋时期的历史背景,从政治、经济、文化三方面进行分析,并对这一时期建筑技术做了简单的总结;第三章介绍了隔扇在中国木结构建筑中的演进,分析了门窗的产生与演变的过程,从帐幔装修到小木作装修的转变,包括屏风与隔扇在室内空间分隔中的作用;第四章从这一时期建筑的遗存、砖雕壁画墓室、石刻、砖塔、寺观壁画、绘画中总结两宋时期隔扇的类型;第五章总结两宋时期隔扇的特征,包括隔扇的工艺、安装、装饰题材、艺术价值与文化象征;最后是文章的结论部分,尝试着对两宋隔扇的历史地位做简要的论述和解读。
[Abstract]:The Song Dynasty was an important period in Chinese history. The economy, science and technology, culture and art were highly developed. The construction technology is more skillful, the woodworking tool category is greatly increased, the decoration category is greatly increased, the tenon and joint technology develops greatly, the workmanship is also greatly improved, the woodcarving technology is widely used, and the wood decoration level has been greatly improved. Moreover, there appeared the most complete monographs of architectural technology in ancient China, "creating French style", and the comprehensive degree of the content of "Building French style" can reflect the prosperity and specialization of construction industry at that time. Traditional Chinese buildings are mainly framed structures, and the walls themselves do not bear any weight. The walls and doors and windows on the house can be set up at will, especially in the Song Dynasty, when the extensive use of the diaphragm made the outer wall of the house enclosing. And the wall of the indoor space is gradually replaced, such as many buildings in the Southern Song Dynasty, even the four sides of the house all use the diaphragm, forming the focus of the whole architectural decoration. This paper starts with the evolution of the partition fan in the Chinese wood structure architecture, carries on the systematic arrangement research to this period history and the extant partition fan, has summarized the type, the decoration characteristic, the decoration creation idea, the theme moral of the two Song dynasties, The artistic conception of modeling and the relationship with Chinese painting and literature are discussed theoretically in this period of the achievements of the decorative art of the diaphragm, and the artistic value and cultural symbol reflected from these fans are further discussed. The text is composed of six parts. The first chapter introduces the content of the topic and the significance of the topic, including the definition of the concept, the existing literature, the ideas and methods of the research, as well as the difficulties and innovations of the paper. The second chapter analyzes the historical background of the Song Dynasty, analyzes the political, economic and cultural aspects, and makes a simple summary of the construction technology of this period. This paper analyzes the process of the emergence and evolution of the doors and windows, the transformation from the curtain decoration to the small wooden decoration, including the role of the screen and the partition fan in the separation of the indoor space. Chapter four, from the remains of the buildings in this period, the brick and mural tombs, the stone carvings, the brick towers, The fifth chapter summarizes the characteristics of the diaphragm in the Song Dynasty, including the process, installation, decorative theme, artistic value and cultural symbol. Finally, it is the conclusion of the article. This paper tries to make a brief exposition and interpretation of the historical position of the diaphragm fan in the two Song dynasties.
【学位授予单位】：太原理工大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K875

【参考文献】