明清时期宜兴紫砂光器类壶造型及装饰研究

发布时间：2018-05-04 11:14

本文选题：明清 + 宜兴紫砂　；参考：《南京大学》2017年硕士论文

【摘要】：宜兴紫砂陶瓷兴于明而盛于清,依赖其独一无二的丰富的紫砂陶土资源和深厚的人文底蕴,造就了一批造诣非凡的制壶名师,并留下诸多精美的传世作品,形成了独特的民族风格和地方特色,成为我国传统手工艺的优秀代表。明天启年间周高起著《阳羡茗壶系》,开我国紫砂研究的先河;上世纪70年代在宜兴羊角山古紫砂窑址的发掘,成为我国紫砂考古的开端。半个多世纪来,关注和研究宜兴紫砂的学者日渐增多,紫砂的历史、工艺、文化艺术内涵、活态传承等方面的研究取得重要进展,但运用考古及馆藏传世品等实物资料来研究明清时期宜兴紫砂尚很少见。本文第一章介绍了宜兴紫砂古窑址、全国出土的明清时期宜兴紫砂光器类壶等考古发现,以及故宫博物院、南京博物院、上海博物馆、杭州华夏紫砂博物馆等全国各地区博物馆馆藏明清宜兴紫砂光器类壶情况;第二章对明清时期宜兴紫砂光器类壶的造型进行了类型学研究,将壶体造型分为圆器、方器和其他器形三大类,圆器又分为球形壶、半球形壶、扁圆壶、柱形圆壶、梯形圆壶,方器分为四方壶和六方壶,其他器形中包括僧帽壶、瓦当壶和笠式壶等,同时还分析了壶钮、壶盖、壶流、壶把和壶底等各造型要素的特征;第三章介绍了明清宜兴紫砂光器类壶的装饰技法,主要有胎泥装饰、刻划装饰、模印贴花装饰、雕漆装饰、描金装饰、珐琅彩装饰、彩釉装饰、包锡装饰等,同时也对紫砂的线条装饰、铭文款识以及绘画的装饰题材进行了分析;第四章着重分期研究,将明代的紫砂光器类壶分为:萌芽期(明正德以前)、发展期(明正德至隆庆晚期)、成熟期(明万历至明末)三个阶段,将清代的紫砂光器类壶分为:繁荣期(清康熙至乾隆晚期)、转型期(清嘉庆至光绪年间)、衰落期(清末)三个阶段。本文的创新之处在于:一、以相关考古资料和典型传世品资料为研究对象,用类型学的方法对紫砂光器类壶的壶体和其他造型要素进行了研究,并分别对装饰技法和题材进行了归纳与分析,从而厘清紫砂光器类壶的时代特征与发展脉络。二、以美国旧金山亚洲艺术馆谢瑞华女士为代表的学者,将宜兴紫砂的发展历史分为:萌芽期(明万历以前)、初创期(明万历至明代末年)、发展期(清康熙至清乾隆晚期)、繁荣期(清嘉庆至清光绪)、拓展期(清末)等几个阶段,而本文通过对考古资料和典型传世品资料的研究,完善了前人对明清紫砂光器类壶的分期,并对每一阶段的造型和装饰特征提出了自己的观点。
[Abstract]:Yixing Zisha Ceramics flourished in the Qing Dynasty with Yu Ming, relying on its unique rich purple sand pottery soil resources and profound cultural background, created a group of famous masters of making pots with extraordinary attainments, and left behind many fine works from the world. Has formed the unique national style and the local characteristic, becomes our country traditional handicraft outstanding representative. In the beginning of tomorrow, Zhou Gao-qi "Yangwei Ming Kettle system", opened the first study of purple sand in China, and excavated the ancient purple sand kiln site in Yangjiao Mountain in Yixing in the 1970s, which became the beginning of the archaeology of purple sand in our country. For more than half a century, more and more scholars have paid attention to and studied Yixing Zisha, and important progress has been made in the study of purple sand's history, technology, cultural and artistic connotation, living state inheritance, etc. However, it is rare to study Yixing purple sand in Ming and Qing dynasties by using archaeological and collection materials. The first chapter introduces the ancient kiln site of Zisha in Yixing, the archaeological discovery of Yixing purple sand glare pot unearthed in the Ming and Qing dynasties, and the the Palace Museum, Nanjing Museum, Shanghai Museum, etc. In the second chapter, a typological study on the shape of the purple sand glazing pot in Yixing in Ming and Qing dynasties was carried out, and the shape of the pot was divided into circular vessels. There are three categories of square and other types of vessels: round pots are also divided into spherical, hemispherical, flat, cylindrical, trapezoidal, square and hexagonal pots, and other types include bonnet pots, waddang pots and hat pots, etc. At the same time, it also analyzes the characteristics of various modeling elements such as kettle knob, pot lid, kettle flow, kettle handle and kettle bottom. Chapter three introduces the decoration techniques of Yixing purple sand glazing pot in Ming and Qing dynasties, which mainly include tyre mud decoration, engraving decoration, embossing embellishment, engraving lacquer decoration, etc. Painting gold decoration, enamel decoration, colored glaze decoration, wrapped tin decoration and so on. At the same time, the line decoration of purple sand, inscription recognition and decorative subject matter of painting are analyzed. In the Ming Dynasty, the purple sand glazing pots were divided into three stages: budding stage (before Ming Zhengde, developing period (Ming Zhengde to late Longqing), mature period (Ming Wanli to the end of Ming Dynasty). The purple sand vessels of Qing Dynasty were divided into three stages: prosperous period (Qing Kangxi to Qianlong late period), transition period (Qing Jiaqing to Guang Xu period), decline period (late Qing Dynasty). The innovations of this paper are as follows: first, taking the relevant archaeological data and typical handed down materials as the research object, using typology method to study the pot body and other modeling elements of the purple sand glazing pot. The decorative techniques and themes are summarized and analyzed respectively, so as to clarify the characteristics and development context of purple grit pots. Second, a scholar represented by Ms. Xie Ruihua of the Asian Art Museum in San Francisco, USA. The development history of Yixing Zisha is divided into several stages: budding period (before Ming Wanli, early creation period (Ming Wanli to the end of Ming Dynasty), development period (Qing Kangxi to the late Qianlong period of Qing Dynasty), prosperity period (from Qing Dynasty to Qing Guang Xu), extension period (late Qing Dynasty), etc. Through the study of archaeological data and typical heritage materials, this paper has perfected the previous period of purple sand glazing pot in Ming and Qing dynasties, and put forward its own views on the modeling and decoration characteristics of each stage.
【学位授予单位】：南京大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：K876.3

【相似文献】