唐代拍板、箜篌、方响在五代的流变——以冯晖墓彩绘砖雕为例

发布时间：2018-05-12 02:18

本文选题：唐五代乐器 + 冯晖墓　；参考：《陕西师范大学学报(哲学社会科学版)》2014年03期

【摘要】：种类繁多的中外乐器是唐代乐舞繁荣发展的重要组成部分,对后世影响甚为久远,尤其对五代影响更为直接。陕西地区出土的后周冯晖墓彩绘砖雕乐舞图中拍板、方响、箜篌3种乐器图像,是中国传统乐器、外来乐器从唐到五代的流变再现,其发展轨迹与当时社会变迁相互映衬。这3种乐器不仅是唐代乐舞的重要组成,也是上承唐韵、下启宋风中极为重要的中间环节,其史学价值、艺术价值不言而喻。
[Abstract]:The variety of Chinese and foreign musical instruments is an important part of the prosperous development of Tang Dynasty music and dance, which has a long influence on later generations, especially on the five dynasties. The pictures of three kinds of musical instruments, such as clapboard, square ring and harp, unearthed from Fenghui Tomb of Houzhou in Shaanxi Province, are Chinese traditional musical instruments. The foreign musical instruments have changed and reappeared from Tang to five dynasties. The development of these instruments contrasts with the social changes at that time. These three kinds of musical instruments are not only the important composition of Tang Dynasty music and dance, but also the very important intermediate link in Tang rhyme and the lower Qi and Song style. The historical value and artistic value of these three musical instruments are self-evident.
【作者单位】：陕西师范大学音乐学院;
【基金】：教育部人文社会科学研究规划基金项目(12YJA760026) 陕西省社会科学基金项目(13J074) 陕西师范大学人文社会科学研究基金重点项目(09SZD05)
【分类号】：K879

【参考文献】