汉画像石的文化渊源与艺术特点研究
发布时间:2018-05-24 04:58
本文选题:汉画像石 + 文化渊源 ; 参考:《湖北工业大学》2010年硕士论文
【摘要】:随着考古的发掘,越来越多的汉代隐形艺术——墓葬艺术呈现在我们面前,而作为墓葬艺术的独特表达方式——汉画像石就被越来越多的人所知晓。宋代清代就有金石学家关注并著述,至近现代,汉画像石艺术更以其独特的魅力,深深吸引了来自海内外的专家学者,并对其进行了深入细致地研究。 传统汉画像石研究常采用四种方法,即金石学式的研究,考古学式的研究,文化学式的研究和艺术学式的研究。这其中有的侧重于纵向的历史发展过程梳理,研究汉画像石艺术的传承与创新;有得侧重于横向比较,研究汉画像石艺术与中外其他相关艺术的异同和独特价值。文化学式的研究走出金石学、考古学对汉画像的图像志的著录,走向一种宏观开放的文化学视野,将所研究的对象放到汉文化大的背景下。艺术学式的研究是从其本身的艺术形式展开,有的从美术史的角度给予其定位,有的从艺术的功能上分析,有的从美术角度研究其制作工艺、构图、透视等,有的从艺术风格上去探讨。 本文试图从文化角度来分析,以艺术形态为着眼点,并涉及到社会学、美学、艺术学等各个领域,从而加深我们对汉画像石艺术的理解。第一章是绪论,介绍选题的来源、依据以及研究方法等。第二章是汉画像石的界定及类型。第三章从历史文化渊源去理解汉画像石艺术的产生。第四章横向比较分析我国不同区域画像石艺术的不同特点,第五章是从材质及雕刻、图形、构图、空间等角度去研究其艺术表达特点。第六章对汉画像石艺术与儿童画进行比较研究,分析汉画像石艺术的思维特征。第七章对汉画像石艺术与古希腊瓶画艺术进行比较研究,探讨东西方装饰艺术的差异。最后是结语部分,对全文进行了总结。通过对汉画像石文化艺术的研究,一方面学习了传统文化,另一方面其独特的审美趣味、灵活多变的表现技法为当代艺术提供了诸多借鉴,是中华民族的艺术瑰宝。
[Abstract]:With the archaeological excavation, more and more Han Dynasty invisible art-tombs art presented in front of us, and as a unique expression of the art of tombs-Han stone is more and more people know. In the Song Dynasty and Qing Dynasty, the stone scholars paid close attention to and wrote. Until the modern times, the stone relief art of the Han Dynasty has attracted experts and scholars from home and abroad with its unique charm, and has carried on the thorough and meticulous research to it. There are four methods used in the traditional study of stone relief in Han Dynasty, namely, the study of the form of stone and gold, the study of archaeology, the study of literary chemistry and the study of art. Some of them focus on the vertical historical development process to study the inheritance and innovation of the Han stone portrait art; some have focused on horizontal comparison to study the similarities and differences and unique value between the Han stone portrait art and other related art at home and abroad. The study of literary chemistry goes out of the way of petrology and archaeology to the description of the image records of Chinese portraits and moves towards a macroscopic and open view of culturology and puts the object of study under the background of the great Chinese culture. The study of art style is carried out from its own artistic form, some of which are positioned from the angle of art history, some are analyzed from the function of art, and some study its production technology, composition, perspective and so on from the angle of art. Some from the artistic style to explore. This paper attempts to analyze from a cultural point of view, focusing on the artistic form, and involved in sociology, aesthetics, art and other fields, so as to deepen our understanding of the art of stone relief in the Han Dynasty. The first chapter is the introduction, which introduces the source, basis and research methods of the topic. The second chapter is the definition and type of Han stone. The third chapter from the historical and cultural origin to understand the emergence of stone-relief art. The fourth chapter analyzes the different characteristics of stone relief art in different regions of China. The fifth chapter is to study the artistic expression characteristics from the point of view of material and carving, graphics, composition, space and so on. The sixth chapter makes a comparative study on the stone relief art of Han Dynasty and children's painting, and analyzes the thinking characteristics of the stone relief art in the Han Dynasty. The seventh chapter makes a comparative study on the art of stone relief in the Han Dynasty and the art of bottle painting in ancient Greece, and probes into the differences between the decorative arts of the East and the West. The last part is the conclusion, which summarizes the full text. Through the study of the culture and art of stone relief in the Han Dynasty, on the one hand, we have learned the traditional culture, on the other hand, its unique aesthetic taste and flexible performance techniques have provided many references for contemporary art, which is the art treasure of the Chinese nation.
【学位授予单位】:湖北工业大学
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:K879.4
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