辽瓷鸡冠壶研究

发布时间：2018-05-24 15:41

本文选题：契丹族 + 辽瓷　；参考：《中央民族大学》2011年硕士论文

【摘要】：契丹族是中国历史上一个古老而强悍的民族,其影响力和做出的贡献,在中国历史上屈指可数。其建立的辽国,在二百多年的统治时间内,使我国广大的北方地区各民族得到统一；并打破长城阻隔,使汉人北迁、北方民族南迁,使北方游牧经济和长城以南的农业经济结合为一体,逐渐形成农牧结合的经济。其手工业经济的发展,尤其是制瓷业的产生和繁荣,生产出辽代风格的瓷器和具有浓郁的契丹族传统文化的辽瓷器类,对中国陶瓷史做出了巨大贡献。本文分为四大部分进行论述,第一部分为契丹,辽国,辽瓷。对契丹民族,辽国以及辽代制瓷业,从历史角度进行综合的梳理和论述；第二部分鸡冠壶的造型分类及用途。对鸡冠壶的分期、分类以及用途进行分析、探讨,提出了个人见解：分为三个类型、八种型式；第三部分鸡冠壶的分期演变。提出鸡冠壶的发展演变分为三个序列,即提梁序列、穿孔序列和提梁穿孔式序列,三个序列各自有其发展演变的过程,并提出演变过程中的重要问题；第四部分为鸡冠壶的造型装饰特点及美学风格。在造型艺术方面,辽代早、中、晚期,对于鸡冠壶的造型各有不同,但都具有草原马背民族皮囊容器的身影。在装饰艺术方面,分为色釉装饰和胎质装饰两方面,体现多种艺术形式。在美学风格上,体现出器物造型和纹饰构图均衡对称,造型粗犷豪放,挺拔刚健,稚拙朴素,纹饰酣畅淋漓,自由奔放,体现出浓郁的契丹民族传统的审美情趣和艺术风格。
[Abstract]:Qidan is an ancient and powerful nation in Chinese history. Its influence and contribution are few in Chinese history. The Liao Kingdom, which was founded during the period of more than two hundred years of rule, unified the various nationalities in the vast northern areas of our country, and broke the Great Wall barrier, enabling the Han people to move northward and the northern nationalities to the south. The nomadic economy in the north and the agricultural economy in the south of the Great Wall were integrated, and the combination of agriculture and animal husbandry was gradually formed. The development of handicraft economy, especially the emergence and prosperity of porcelain industry, produced Liao Dynasty style porcelain and Liao porcelain with strong Qidan traditional culture, which made great contribution to the history of Chinese ceramics. This paper is divided into four parts, the first part is Qidan, Liao, Liao porcelain. The Qidan nationality, Liao country and Liao Dynasty porcelain industry are comprehensively combed and discussed from the angle of history. The second part is the classification and use of the shape of chicken crown pot. This paper analyzes the stages, classification and use of the chicken crown pot, and puts forward some personal opinions: it is divided into three types, eight types, and the third part is the evolution of the stage of the chicken crown pot. It is put forward that the development and evolution of chicken crown pot can be divided into three sequences: lifting beam sequence, perforation sequence and lifting beam perforation sequence. The three sequences have their own development and evolution process, and the important problems in the evolution process are put forward. The fourth part is the styling decoration characteristics and aesthetic style of the chicken crown pot. In plastic arts, in the early, middle and late Liao Dynasty, the shape of the chicken crown pot is different, but all have the figure of the steppe horse back national skin bag container. In the aspect of decorative art, it is divided into two aspects: glaze decoration and fetal decoration, embodying various artistic forms. On the aesthetic style, it embodies the balanced symmetry of the composition of objects and ornaments, the rough and bold shape, the vigorous, the simple, the free and unrestrained, and the rich traditional aesthetic taste and artistic style of Qidan nationality.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K876.3

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