山东汉画像石装饰风格在现代环境设计中的传承与创新研究
发布时间：2018-07-13 10:44
【摘要】：秦汉时期在中国艺术史上是一个重要的分水岭,汉代画像石艺术犹如昙花一现,存在的时间很短。但是全国很多地区如河南、山东、陕西、四川都有这种艺术遗存存在,并且一直影响到现代。 山东省作为鲁文化的发源地,也是我国汉画像石遗存较多的地区之一,汉代的青州刺史部、兖州刺史部、彭城国是黄河下游画像石的主要分布地,绝大多数遍布于今山东省境内,可以说山东各地都有发现。现代考古发掘和重点保护的山东汉画像石分布点就多达100多处,如济南长清孝堂山祠堂、济宁嘉祥武氏祠、苍山汉墓等闻名中外。这些遗存地下不仅有装饰豪华的画像石墓,地上还有雕刻精美的画像石祠和画像石阙,题材内容包罗万象,技法娴熟老练,墓葬规模宏大,艺术水平很高。更重要的是：画像石艺术的传统工艺背后蕴含着汉人的宇宙观、美学价值观、审美情趣等深层文化内涵,值得我们深入研究和保护传承。 目前山东汉画像石艺术研究已经形成了一定的规模,内容涉及历史学、考古学、文学、建筑学等诸多方面。纵观既有的研究成果,在考古、建筑等方面的成绩较为显著,而从设计、文化角度的研究略显不足,从环境艺术设计的角度来解读汉代画像石艺术的几乎没有。本文尝试发掘山东汉代画像石艺术所蕴含的文化内涵,触摸历史,感受先人的构思与创造,探究山东汉画像石艺术在精神上对人的信念与理想的追求；在表现手法上的不拘一格,在审美情趣与意蕴凝练上的单纯质朴等艺术特征,阐释了其对中国环境艺术设计的影响。 本文主要分为以下儿个部分： 第一章：提出了课题研究的背景、研究动机及目的,对研究的意义、内容和方法进行了简要的阐述。 第二章：主要是对山东地区汉画像石艺术产生的背景进行简要阐述,总结山东汉画像石的艺术特点,阐明汉画像石艺术与汉文化的关系,将汉画像石艺术同历史发展相联系相结合,为引出下文做铺垫。 第三章：论述了汉画像石艺术在徐州等地的发展现状,指出汉画像石艺术在现代环境艺术设计中发展及传承的可行性。 第四章：在前文的理论基础下,具体分析山东汉代画像石设计艺术语言的构成,指出在城市景观、室内界面等方面的应用,阐述了山东汉画像石艺术在新时代的新意义。 第五章为本论文的结论部分,指出发掘和弘扬汉代艺术精神的必要性。 本文写作的目的旨在通过系统的研究,提出对汉代画像石艺术在现代环境设计中的看法和思路,竭力挖掘其现代意义,增进现代人对汉代文化精神和艺术精神的理解,传承和发扬我们灿烂优秀的传统文化,使其艺术魅力长存。
[Abstract]:Qin and Han dynasties are an important watershed in the history of Chinese art. But many parts of the country, such as Henan, Shandong, Shaanxi, Sichuan, there are such art remains, and has affected the modern. Shandong Province, as the birthplace of Lu culture, is also one of the areas where the Han stone reliefs have been left. In the Han Dynasty, the department of the history of Qingzhou thorns, the department of Yanzhou thorns, the Pengcheng state are the main distribution areas of the lower reaches of the Yellow River. The vast majority of the territory of Shandong Province, can be said to have found all over Shandong. Modern archaeological excavations and key protection of Shandong Han Dynasty stone distribution sites as many as more than 100, such as Jinan Changqing Xiaotang ancestral Hall, Jining Jiaxiang Wushi Temple, Cangshan Han Tomb and so on. These remains underground not only have decorated luxurious portrait stone tomb, but also have carved stone statue hall and stone que on the ground, the subject matter content is all over the world, the technique is skillful, the grave scale is big, the art level is very high. More importantly: behind the traditional craftsmanship of stone relief art contains the deep cultural connotations of Han people such as cosmology, aesthetic values, aesthetic tastes, etc., which is worthy of our in-depth study and protection. At present, the study of stone relief in Shandong Han Dynasty has formed a certain scale, including history, archaeology, literature, architecture and so on. Throughout the existing research results, in archaeology, architecture and other aspects of the achievements are relatively significant, but from the design, cultural perspective of the research is slightly inadequate, from the perspective of environmental art design to interpret the Han Dynasty stone art almost nothing. This paper tries to explore the cultural connotation of the stone relief art in the Han Dynasty of Shandong Province, touch the history, feel the conception and creation of the ancestors, and explore the spiritual pursuit of the belief and ideal of the stone relief art in Shandong Han Dynasty. The influence on Chinese environmental art design is explained by its artistic characteristics, such as its unreserved style of expression, simple simplicity in aesthetic taste and condensed meaning. This paper is divided into the following parts: the first chapter: the research background, research motivation and purpose, the significance, content and methods of the research are briefly described. The second chapter is mainly about the background of the Han stone relief art in Shandong region, summarizes the artistic characteristics of Shandong Han stone relief art, and clarifies the relationship between the Han stone portrait art and the Han culture. The art of stone relief in the Han Dynasty is combined with the historical development to pave the way for the following. The third chapter discusses the development status of Han stone relief art in Xuzhou and points out the feasibility of developing and inheriting Han stone relief art in modern environmental art design. Chapter four: on the basis of the previous theory, the author analyzes the composition of the artistic language of stone relief design in Shandong Han Dynasty, points out the application in urban landscape and interior interface, and expounds the new significance of the stone relief art in Shandong Han Dynasty in the new era. The fifth chapter is the conclusion of this paper, pointing out the necessity of exploring and carrying forward the artistic spirit of Han Dynasty. The purpose of this paper is to put forward the views and ideas of stone relief art in the modern environment design of Han Dynasty through systematic research, and to make every effort to excavate its modern significance, and to promote the understanding of the cultural spirit and artistic spirit of the Han Dynasty. Inherits and develops our splendid outstanding traditional culture, causes its artistic charm to perpetuate.
【学位授予单位】：山东建筑大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：K879.4
本文编号：2119089
[Abstract]:Qin and Han dynasties are an important watershed in the history of Chinese art. But many parts of the country, such as Henan, Shandong, Shaanxi, Sichuan, there are such art remains, and has affected the modern. Shandong Province, as the birthplace of Lu culture, is also one of the areas where the Han stone reliefs have been left. In the Han Dynasty, the department of the history of Qingzhou thorns, the department of Yanzhou thorns, the Pengcheng state are the main distribution areas of the lower reaches of the Yellow River. The vast majority of the territory of Shandong Province, can be said to have found all over Shandong. Modern archaeological excavations and key protection of Shandong Han Dynasty stone distribution sites as many as more than 100, such as Jinan Changqing Xiaotang ancestral Hall, Jining Jiaxiang Wushi Temple, Cangshan Han Tomb and so on. These remains underground not only have decorated luxurious portrait stone tomb, but also have carved stone statue hall and stone que on the ground, the subject matter content is all over the world, the technique is skillful, the grave scale is big, the art level is very high. More importantly: behind the traditional craftsmanship of stone relief art contains the deep cultural connotations of Han people such as cosmology, aesthetic values, aesthetic tastes, etc., which is worthy of our in-depth study and protection. At present, the study of stone relief in Shandong Han Dynasty has formed a certain scale, including history, archaeology, literature, architecture and so on. Throughout the existing research results, in archaeology, architecture and other aspects of the achievements are relatively significant, but from the design, cultural perspective of the research is slightly inadequate, from the perspective of environmental art design to interpret the Han Dynasty stone art almost nothing. This paper tries to explore the cultural connotation of the stone relief art in the Han Dynasty of Shandong Province, touch the history, feel the conception and creation of the ancestors, and explore the spiritual pursuit of the belief and ideal of the stone relief art in Shandong Han Dynasty. The influence on Chinese environmental art design is explained by its artistic characteristics, such as its unreserved style of expression, simple simplicity in aesthetic taste and condensed meaning. This paper is divided into the following parts: the first chapter: the research background, research motivation and purpose, the significance, content and methods of the research are briefly described. The second chapter is mainly about the background of the Han stone relief art in Shandong region, summarizes the artistic characteristics of Shandong Han stone relief art, and clarifies the relationship between the Han stone portrait art and the Han culture. The art of stone relief in the Han Dynasty is combined with the historical development to pave the way for the following. The third chapter discusses the development status of Han stone relief art in Xuzhou and points out the feasibility of developing and inheriting Han stone relief art in modern environmental art design. Chapter four: on the basis of the previous theory, the author analyzes the composition of the artistic language of stone relief design in Shandong Han Dynasty, points out the application in urban landscape and interior interface, and expounds the new significance of the stone relief art in Shandong Han Dynasty in the new era. The fifth chapter is the conclusion of this paper, pointing out the necessity of exploring and carrying forward the artistic spirit of Han Dynasty. The purpose of this paper is to put forward the views and ideas of stone relief art in the modern environment design of Han Dynasty through systematic research, and to make every effort to excavate its modern significance, and to promote the understanding of the cultural spirit and artistic spirit of the Han Dynasty. Inherits and develops our splendid outstanding traditional culture, causes its artistic charm to perpetuate.
【学位授予单位】：山东建筑大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：K879.4
【参考文献】
相关期刊论文 前2条
1 刘太祥;汉代画像石研究综述[J];南都学坛;2002年03期
2 周保平;对汉画像石研究的几点看法[J];东南文化;2001年05期
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