陕西唐墓壁画侍女形象的艺术风格及演变探究

发布时间：2018-07-13 10:55

【摘要】：唐墓壁画侍女形象是陕西唐墓壁画的重要组成部分,不仅反映了唐代贵族生活的各个方面,而且具有很高的艺术水准。本文《陕西唐墓壁画侍女形象的艺术风格及演变探究》主要通过对陕西地区分布的唐代陵墓壁画中的侍女形象进行艺术探讨分析;本文重点放在对唐代壁画墓中的人物画尤其是侍女人物画艺术风格的变化与分期的研究上,通过对唐墓壁画侍女形象进行研究,与文献资料相互对应,可以展示这一时期众多画家在绘画上的成就,得出从绘画艺术角度表明唐墓壁画继承和发展了战国魏晋以来的传统绘画技术,吸取了外来文化的有益成分,唐代壁画艺术达到了空前成熟的兴盛阶段的结论。通过对关中地区唐墓壁画基础资料的整理观察,对陕西唐墓壁画中侍女形象进行分期探讨,其中主要选取陕西地区分布的唐代陵墓壁画的侍女形象的梳理、研究,总结出陕西唐墓壁画人物侍女画各阶段的风格及特点,结合文献进行分析,并于壁画中所见进行比较,从绘画艺术史的角度对其进行探讨。印证像吴道子、张萱、周f 这些画坛领军人物的样式及技法,反映出唐代中国人物画的绘画风格和绘画艺术发展的脉络。将其置于唐代绘画史中来阐述其艺术史方面的意义。通过对唐代各个时期墓室壁画的探讨研究,反映出唐代长安绘画主流风格和审美情趣的演变。为我们还原唐代的绘画面貌,建构更为完善、可信的唐代人物画史提供相对准确有效的依据。同时对我们研究唐代人物画的风格、观念、技法,以及当时的社会文化具有重要意义,对于我们当下的工艺美术创作具有借鉴参考价值。
[Abstract]:As an important part of Shaanxi Tang Tomb murals, the image of the maids of the frescoes of the Tang Tombs not only reflects all aspects of the life of the aristocrats in the Tang Dynasty, but also has a very high artistic standard. In this paper, the artistic style and evolution of the maids' images in the tombs of Tang Dynasty in Shaanxi Province are discussed and analyzed mainly by analyzing the images of maids in the murals of Tang Dynasty mausoleums distributed in Shaanxi region. This paper focuses on the study of the changes and stages of the artistic style of the portrait paintings in the tombs of the Tang Dynasty murals, especially the handmaids, and through the study of the images of the maids in the murals of the tombs of the Tang Dynasty, it corresponds to the literature. It can show the achievements of many painters in painting in this period. From the perspective of painting art, it can be concluded that the murals of the Tang Dynasty have inherited and developed the traditional painting techniques since the warring States, Wei and Jin dynasties, and absorbed the beneficial elements of foreign cultures. The Tang Dynasty mural art has reached the unprecedented mature prosperous stage conclusion. Based on the basic data of Tang Tomb murals in Guanzhong area, this paper discusses the maid images in Shaanxi Tang Tomb murals by stages, and mainly selects the arrangement of maids of Tang tombs mural paintings distributed in Shaanxi region, and studies on the images of maids of Tang tombs murals in Shaanxi Province. This paper sums up the styles and characteristics of various stages of female and handmaid paintings in Shaanxi Tang Tomb murals, analyzes them in combination with the literature, and compares them in the murals, and probes into them from the perspective of the history of painting art. The styles and techniques of leading figures such as Wu Dao-zi, Zhang Xuan and Zhou f reflect the painting style and artistic development of Chinese figure painting in Tang Dynasty. Put it in the painting history of Tang Dynasty to expound the significance of its art history. Through the study of tomb murals in every period of Tang Dynasty, it reflects the evolution of the mainstream style and aesthetic taste of Changan painting in Tang Dynasty. It provides a relatively accurate and effective basis for us to restore the painting appearance of Tang Dynasty and construct a more perfect and credible history of figure painting in Tang Dynasty. At the same time, it is of great significance for us to study the style, concept, technique and social culture of the figure painting of Tang Dynasty, which has reference value for our present creation of arts and crafts.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K879.4;J218.6

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