明清皇家旋子彩画形制分期研究
发布时间：2018-07-27 12:55
【摘要】：旋子彩画是明清三大彩画体系之一,在官式建筑中被广泛使用。长期以来,明清旋子彩画是建筑考古领域的薄弱环节,彩画类型的断代标准皆是依据专家所传授的经验,其中难免加入个人的主观经验,与实际产生或多或少的偏差。此外,当今彩画界对明代旋子彩画的认识多局限于从永乐至嘉靖时期,而之后百年间的演变却鲜有人提及。此文运用类型学研究方法,从明清皇家旋子彩画做法上,提炼出有助于分期研究的三组共12个形制类型,结合相关文献,系统整理了29处旋子彩画的实例。通过箍头、旋眼、方心头形制的演变关系,勾勒出旋子彩画在五百余年间所经历的六个演变历程,计为:明早期稳定期、明早期转变期、明中期至清初稳定期、清早期转变期、清中期稳定期和清晚期定型期。最后,作者利用形制分期结论,并结合文献,对故宫慈宁宫及大佛堂、西顶娘娘庙旋子彩画的年代问题加以分析。
[Abstract]:As one of the three major color painting systems in Ming and Qing dynasties, Xuan Zi color painting is widely used in official architecture. For a long time, the Ming and Qing Dynasty Xuan Zi color painting is the weak link in the field of architectural archaeology. The standard of color painting type is based on the experience imparted by experts, and it is inevitable to add personal subjective experience, which is more or less deviated from the actual situation. In addition, the current circle of color painting of the Ming Dynasty Xuan Zi color painting is limited to the period from Yongle to Jiajing period, but the evolution of the next hundred years has rarely been mentioned. Based on the typology research method, this paper abstracts three groups of 12 shape types which are helpful to the stage study from the practice of the Royal Zhanzi Color painting in Ming and Qing dynasties. In combination with the relevant literature, 29 examples of Xuan Zi Color painting are systematically sorted out. Through the evolution of the shape system of hoop head, rotating eye and square heart, the six evolvement processes experienced by the color painting of Xuan Zi in more than 500 years have been outlined. They are: the stable period of the early Ming Dynasty, the early transition period of the Ming Dynasty, the stable period from the middle Ming to the early Qing Dynasty, and the transition period of the early Qing Dynasty. The stable period of the middle Qing Dynasty and the final stage of the Qing Dynasty. Finally, the author analyzes the chronology of The Imperial Palace's Zining Palace, Dafatang and Xiding's Niangzi paintings by means of the figurative stage conclusion and the literature.
【作者单位】： 故宫博物院古建部;
【分类号】：K879.4
本文编号：2147900
[Abstract]:As one of the three major color painting systems in Ming and Qing dynasties, Xuan Zi color painting is widely used in official architecture. For a long time, the Ming and Qing Dynasty Xuan Zi color painting is the weak link in the field of architectural archaeology. The standard of color painting type is based on the experience imparted by experts, and it is inevitable to add personal subjective experience, which is more or less deviated from the actual situation. In addition, the current circle of color painting of the Ming Dynasty Xuan Zi color painting is limited to the period from Yongle to Jiajing period, but the evolution of the next hundred years has rarely been mentioned. Based on the typology research method, this paper abstracts three groups of 12 shape types which are helpful to the stage study from the practice of the Royal Zhanzi Color painting in Ming and Qing dynasties. In combination with the relevant literature, 29 examples of Xuan Zi Color painting are systematically sorted out. Through the evolution of the shape system of hoop head, rotating eye and square heart, the six evolvement processes experienced by the color painting of Xuan Zi in more than 500 years have been outlined. They are: the stable period of the early Ming Dynasty, the early transition period of the Ming Dynasty, the stable period from the middle Ming to the early Qing Dynasty, and the transition period of the early Qing Dynasty. The stable period of the middle Qing Dynasty and the final stage of the Qing Dynasty. Finally, the author analyzes the chronology of The Imperial Palace's Zining Palace, Dafatang and Xiding's Niangzi paintings by means of the figurative stage conclusion and the literature.
【作者单位】： 故宫博物院古建部;
【分类号】：K879.4
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，本文编号：2147900
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