嘉峪关新城魏晋墓室壁画砖艺术特色之研究
发布时间：2018-08-28 11:26
【摘要】：甘肃河西地区的墓室壁画与壁画砖被人们称为“大戈壁里的地下艺术宫”。1972—1973年嘉峪关新城魏晋墓的发现成为人类文明史上的重大发现，魏晋墓室壁画是研究魏晋时期绘画的重要依据，具有重要的艺术价值和文化意义。 魏晋墓葬画所处的河西走廊地区，不仅有独特的自然风貌，同时又有悠久而丰厚的文化传承，既是东西方文明的交汇点，又是少数民族与汉民族文明冲突和融合的展开地，这一时期的壁画砖真实的反映了当时的社会现实，同时从另一个侧面更为形象地揭示了当时的社会风貌，，折射出历史的影像。嘉峪关新城魏晋墓室壁画砖具有独特的构图、简洁的线条表现、独具匠心的设色方式、自然纯朴的写实风格、巧妙的艺术构思、纯朴的地方特色和高度的艺术概括等艺术特色，在中国艺术史和中国文化史上占据着重要地位。 嘉峪关新城魏晋墓室壁画砖的兴盛及形成其艺术特色具有深刻的文化渊源和背景。河西地区史前岩画艺术传统的承继形成了两者的文化渊源关系，河西汉画为嘉峪关新城魏晋墓室壁画的创作提供了范本，河西地区多元文化的交汇与融合对魏晋墓室壁画产生了重要影响，建安以来文艺各领域的变革和创作所形成的审美文化对魏晋墓室壁画的表现内容也产生了深刻影响。 研究在河西走廊这块特殊的地域文化环境下形成的壁画砖及其艺术特色，可以丰富魏晋时期墓葬画的内容和资料，对研究魏晋时期的绘画艺术风格和社会历史文化以及继承和发展传统艺术有着重要的理论价值，有利于优秀民族文化的传承和民族深层文化内涵的挖掘。
[Abstract]:The tomb murals and mural bricks in Hexi area of Gansu Province are called "the underground art palace in the Great Gobi" .1972-1973 the discovery of the tomb of Wei and Jin dynasties in Jiayuguan New City became a major discovery in the history of human civilization. The murals of Wei and Jin tombs are the important basis for studying painting in Wei and Jin dynasties, and have important artistic value and cultural significance. The tomb paintings of Wei and Jin dynasties in Hexi Corridor area not only have unique natural features, but also have a long and rich cultural heritage. They are not only the meeting point of the eastern and western civilizations, but also the place of the clash and fusion of the civilizations of the minority and the Han nationality. The mural brick of this period reflects the social reality of that time, at the same time, it reveals the social style of that time more vividly from another side, and reflects the historical image. Jiayuguan New City, Wei and Jin Dynasty tomb room mural brick has unique composition, succinct line expression, unique color setting method, natural and simple realistic style, ingenious artistic conception, simple local characteristics and high artistic generalization, etc. It occupies an important position in the history of Chinese art and Chinese culture. Jiayuguan New City, Wei and Jin dynasties tomb mural brick prosperity and form its artistic characteristics have a profound cultural origin and background. The inheritance of the tradition of prehistoric rock painting in Hexi area has formed a cultural origin relationship between the two. The painting of Hexi Han Dynasty provides a model for the creation of murals in the tomb of Wei and Jin dynasties in Jiayuguan New City. The intersection and fusion of various cultures in Hexi region have had an important influence on the murals of the tomb rooms in Wei and Jin dynasties, and the aesthetic culture formed by the changes and creations in various fields of literature and art since Jian'an has also exerted a profound influence on the performance of murals in the tomb rooms of the Wei and Jin dynasties. The study of mural bricks and their artistic features formed in the special regional cultural environment of the Hexi Corridor can enrich the contents and materials of the tomb paintings in the Wei and Jin dynasties. It has important theoretical value to study the painting art style and social history culture in Wei and Jin dynasties, and to inherit and develop the traditional art, which is beneficial to the inheritance of excellent national culture and the excavation of the deep cultural connotation of the nation.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J218.6;K879.41
本文编号：2209256
[Abstract]:The tomb murals and mural bricks in Hexi area of Gansu Province are called "the underground art palace in the Great Gobi" .1972-1973 the discovery of the tomb of Wei and Jin dynasties in Jiayuguan New City became a major discovery in the history of human civilization. The murals of Wei and Jin tombs are the important basis for studying painting in Wei and Jin dynasties, and have important artistic value and cultural significance. The tomb paintings of Wei and Jin dynasties in Hexi Corridor area not only have unique natural features, but also have a long and rich cultural heritage. They are not only the meeting point of the eastern and western civilizations, but also the place of the clash and fusion of the civilizations of the minority and the Han nationality. The mural brick of this period reflects the social reality of that time, at the same time, it reveals the social style of that time more vividly from another side, and reflects the historical image. Jiayuguan New City, Wei and Jin Dynasty tomb room mural brick has unique composition, succinct line expression, unique color setting method, natural and simple realistic style, ingenious artistic conception, simple local characteristics and high artistic generalization, etc. It occupies an important position in the history of Chinese art and Chinese culture. Jiayuguan New City, Wei and Jin dynasties tomb mural brick prosperity and form its artistic characteristics have a profound cultural origin and background. The inheritance of the tradition of prehistoric rock painting in Hexi area has formed a cultural origin relationship between the two. The painting of Hexi Han Dynasty provides a model for the creation of murals in the tomb of Wei and Jin dynasties in Jiayuguan New City. The intersection and fusion of various cultures in Hexi region have had an important influence on the murals of the tomb rooms in Wei and Jin dynasties, and the aesthetic culture formed by the changes and creations in various fields of literature and art since Jian'an has also exerted a profound influence on the performance of murals in the tomb rooms of the Wei and Jin dynasties. The study of mural bricks and their artistic features formed in the special regional cultural environment of the Hexi Corridor can enrich the contents and materials of the tomb paintings in the Wei and Jin dynasties. It has important theoretical value to study the painting art style and social history culture in Wei and Jin dynasties, and to inherit and develop the traditional art, which is beneficial to the inheritance of excellent national culture and the excavation of the deep cultural connotation of the nation.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J218.6;K879.41
【引证文献】
相关硕士学位论文 前2条
1 公阿宁;嘉峪关魏晋壁画墓中的百姓服装研究[D];南开大学;2012年
2 周润山;河西地区魏晋十六国墓葬研究[D];郑州大学;2013年
本文编号：2209256
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