崧泽之美:物质表征下的精神实质

发布时间：2018-09-04 07:58

【摘要】：崧泽之美主要指崧泽文化特别是崧泽文化晚期各类器物在形制、造型、装饰、工艺、色彩和创意等方面独特的物质表征和审美旨趣。究其成因,一是生业进步使审美创作具备了物质基础和闲暇时间;二是没有强权压制的神崇拜为艺术创作提供了自由信仰和独立创意。崧泽文化神崇拜以陶器为主要载体,神的形象是看得见、摸得着的直观物象;而良渚文化以琮、璧等玉器为主要载体,神的形象日益格式化和神秘化。环太湖地区龙首纹玉器的出现,是神崇拜载体材质由陶向玉转换的标志性事件,可视为划分良渚文化与崧泽文化的重要标尺和界缘。
[Abstract]:The beauty of Songze mainly refers to the unique material representation and aesthetic purport of various kinds of objects in shape, decoration, craft, color and creativity, especially in the late period of Songze culture. The reasons are: first, the progress of life and industry makes aesthetic creation have material foundation and leisure time; the other is that the worship of God, which is not suppressed by power, provides free faith and independent creativity for artistic creation. The worship of the god of Song Ze culture takes pottery as the main carrier and the image of the god is a visible and tangible visual object, while the Liangzhu culture takes cong, jade and other jade articles as the main carrier, and the image of the god is increasingly formatted and mysterious. The appearance of Longshou jade in the area around Taihu Lake is the symbolic event of transforming the material of god worship carrier from Tao to jade. It can be regarded as an important scale and boundary margin for dividing Liangzhu culture from Songze culture.
【作者单位】： 杭州良渚遗址管理区管理委员会;
【分类号】：K871.13

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