大理巍宝山长春洞古建筑中的雕刻艺术研究
发布时间：2018-09-19 10:32
【摘要】：巍山是国家级历史文化古城，其中的传统建筑物不仅历史悠久，而且保存相对完好。巍山的传统古建筑具备深厚的文化底蕴是因为其积淀了深厚的历史文化精髓，表现出了一些其他古建筑所没有的审美特征。通过在实习中对各类项目的参与，了解到巍山古建筑装饰和雕刻艺术具有很大的民族特色和审美价值，尤其是巍宝山长春洞古建筑上的雕刻艺术，具备很高的艺术研究价值。基于对巍宝山长春洞古建筑雕刻艺术的兴趣，选择了这篇论文的研究方向。随着全球经济一体化的趋势的不断发展，我国本土的文化受到了巨大的冲击，正是因为如此，本文在深入探析大理巍宝山长春洞古建筑雕刻艺术的自身审美价值和艺术理念的同时，还从道教文化民族文化角度讨论了长春洞古建筑雕刻艺术与当地宗教文化和民族文化的关系，还分析应该如何保护和传承大理巍宝山古建筑具有本民族的优秀艺术文化精髓，这不仅是大理巍宝山古典艺术文化需要面对的问题，也是我国当代古建筑及其他古典艺术需要共同面对的迫在眉睫的问题。当代节奏快捷的都市生活已经让大多数人遗忘了诸如巍宝山长春洞建筑雕刻艺术所呈现出的美感，仅仅将对于民族文化的研究维系在一些专家学者身上，普通人对这些几乎也是一个事不关己的状态，这不仅不利于中国传统古典文化的发扬光大，，对于现存古典建筑艺术的保护和传承也是有害无益的。少数民族文化受到现代文明和汉文化的影响冲击巨大，因此，深入研究巍宝山长春洞古建筑的雕刻艺术更能深思这个问题。
[Abstract]:Weishan is a national historical and cultural city, in which the traditional buildings not only have a long history, but also relatively intact. Weishan's traditional ancient architecture has profound cultural heritage because it has accumulated profound historical and cultural essence, showing some aesthetic characteristics that other ancient buildings do not have. Through the participation of various projects in practice, it is found that the decoration and carving art of ancient architecture in Weishan has great national characteristics and aesthetic value, especially the carving art of Changchun Cave in Weimaoshan, which has high artistic research value. Based on the interest in the ancient architecture carving art of Changchun Cave, Weibaoshan, the research direction of this paper is chosen. With the continuous development of the trend of global economic integration, the local culture of our country has been greatly impacted, which is precisely because of this, While deeply analyzing the aesthetic value and artistic concept of the ancient architectural carving art of Changchun Cave in Weimaoshan, Dali, From the angle of Taoist culture, this paper also discusses the relationship between the carving art of the ancient architecture in Changchun Cave and the local religious culture and national culture, and analyzes how to protect and inherit the essence of the excellent art culture of this nationality in the ancient architecture of Weimaoshan in Dali. This is not only a problem to be faced by the classical art culture of Weimaoshan, Dali, but also an urgent problem that the contemporary ancient architecture and other classical arts in our country need to face together. The rapid pace of contemporary urban life has made most people forget the beauty of sculpture in Changchun Cave, such as Weimaoshan, and only hold the study of national culture to some experts and scholars. It is not only not conducive to the development of Chinese traditional classical culture, but also harmful to the protection and inheritance of the existing classical architectural art. The culture of ethnic minorities is greatly impacted by modern civilization and Han culture. Therefore, it is more important to study the carving art of Changchun Cave in Weimaoshan.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：K879.1
本文编号：2249882
[Abstract]:Weishan is a national historical and cultural city, in which the traditional buildings not only have a long history, but also relatively intact. Weishan's traditional ancient architecture has profound cultural heritage because it has accumulated profound historical and cultural essence, showing some aesthetic characteristics that other ancient buildings do not have. Through the participation of various projects in practice, it is found that the decoration and carving art of ancient architecture in Weishan has great national characteristics and aesthetic value, especially the carving art of Changchun Cave in Weimaoshan, which has high artistic research value. Based on the interest in the ancient architecture carving art of Changchun Cave, Weibaoshan, the research direction of this paper is chosen. With the continuous development of the trend of global economic integration, the local culture of our country has been greatly impacted, which is precisely because of this, While deeply analyzing the aesthetic value and artistic concept of the ancient architectural carving art of Changchun Cave in Weimaoshan, Dali, From the angle of Taoist culture, this paper also discusses the relationship between the carving art of the ancient architecture in Changchun Cave and the local religious culture and national culture, and analyzes how to protect and inherit the essence of the excellent art culture of this nationality in the ancient architecture of Weimaoshan in Dali. This is not only a problem to be faced by the classical art culture of Weimaoshan, Dali, but also an urgent problem that the contemporary ancient architecture and other classical arts in our country need to face together. The rapid pace of contemporary urban life has made most people forget the beauty of sculpture in Changchun Cave, such as Weimaoshan, and only hold the study of national culture to some experts and scholars. It is not only not conducive to the development of Chinese traditional classical culture, but also harmful to the protection and inheritance of the existing classical architectural art. The culture of ethnic minorities is greatly impacted by modern civilization and Han culture. Therefore, it is more important to study the carving art of Changchun Cave in Weimaoshan.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：K879.1
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