汉马图像形式研究
发布时间：2018-10-10 14:43
【摘要】： 在中国艺术史的长河中,汉代是马的艺术形象出现最多的时期。汉马的艺术折射出汉帝国朝气蓬勃,雄强自信的时代精神;在对汉马形象进行的研究中,多数学者从考古学、历史学和民俗学的角度进行分析研究。而从美术学的基本角度来考察分析汉马艺术形象及其价值的研究相对比较缺乏。 本文针对不同汉马形象进行了较为系统的类型整理和客观论述,通过大量图像的比较研究、参阅文献典籍、考古图像资料,对汉马艺术的风格特征、图像来源及美学特征进行较为深入的探讨和结论,初步揭示了汉马形象质朴雄强的美学价值。 通过对汉代马的艺术研究,笔者提出对汉马艺术认知的七个概念:1旷美稚拙的原始遗风。2激扬飞越的运动张力。3醒目强烈的剪影效果。4流美浪漫的楚风遗韵。5古朴典雅的装饰趣味.6雄强浑厚的写意精神.7飞动圆转的线描造型。 它们是本文的核心理念。本文希冀提出这样的观点,即汉马不单是一种动物画,它在汉代具有特殊的符号意义、审美形态和文化背景;它是一个文化现象和特殊的审美对象,它所具有的内涵远远超出了一般动物形象,是汉代帝国开疆拓土自信与强大精神的象征,对汉马艺术的价值需要新予以界定。 研究艺术图像,并不只是从图像出发再回到图像,其涉及面非常广泛,而对艺术形式的研究是美术学的方法和观念。本文同时借鉴其它学科的知识来补充分析,追溯脉络,厘清原委,对汉马形象进行多方分析之后着眼于汉马艺术的造型特点及形式规律,力求对汉马艺术有较为全面的分析总结。汉马有别于其他类型的艺术面貌和审美意蕴,其外在的组织结构、艺术语言和物质材料表现出汉代艺术的多样性和复杂性。本文选取多种不同形式的汉马形象对其比较与分类,不同材质与表现方式选取最具代表性的图像,将文本与图像结合论述,力求图文并茂,丰富详实。
[Abstract]:In the long river of Chinese art history, Han Dynasty was the period when Ma's artistic image appeared most frequently. The art of Han and Ma reflects the vigorous and confident spirit of the Han Empire. In the study of the image of Han and Ma, most scholars analyze and study it from the perspective of archaeology, history and folklore. However, the research on the artistic image and its value of Han and Ma is relatively lacking from the basic angle of art science. This article has carried on the comparatively systematic type arrangement and the objective discussion to the different Han and horse image, through the massive image comparison research, consult the literature classics, the archaeological image material, to Han and Ma art style characteristic, The origin and aesthetic characteristics of the images are discussed and concluded, which reveals the aesthetic value of the Han and Ma images. Through the study of the art of horses in the Han Dynasty, The author puts forward seven concepts to the artistic cognition of Han and ma: 1 the primitive style of Kuangmei, 2) the movement tension of overflight, 3) the striking and strong silhouette effect, 4) the romantic charm of the Chu style, 5) the simple and elegant decorative taste. Thick freehand brushwork spirit. 7 flying around the line shape. They are the core ideas of this paper. This paper hopes to put forward the view that Han horse is not only a kind of animal painting, it has special symbolic meaning, aesthetic form and cultural background in Han Dynasty, it is a cultural phenomenon and a special aesthetic object. It has the connotation far beyond the general animal image, is the Han Dynasty empire frontier self-confidence and the strong spirit symbol, the Han and the horse art value needs to be newly defined. The study of art image is not only from the image back to the image, it involves a wide range of aspects, and the study of art form is the art method and concept. At the same time, this paper uses the knowledge of other disciplines for reference to supplement the analysis, trace back the context, clarify the origin, analyze the images of Han and Ma in many ways, and focus on the modeling characteristics and formal rules of Han and Ma art. Strive for a more comprehensive analysis and summary of Han and horse art. Han and Ma are different from other types of art appearance and aesthetic implication, its external organization structure, artistic language and material materials show the variety and complexity of Han Dynasty art. This paper selects a variety of different forms of Han and horse images to compare and classify, different materials and ways of expression to select the most representative image, text and image combined to discuss, strive to be rich and detailed.
【学位授予单位】：西安美术学院
【学位级别】：博士
【学位授予年份】：2010
【分类号】：K879.4;J209.2
本文编号：2262175
[Abstract]:In the long river of Chinese art history, Han Dynasty was the period when Ma's artistic image appeared most frequently. The art of Han and Ma reflects the vigorous and confident spirit of the Han Empire. In the study of the image of Han and Ma, most scholars analyze and study it from the perspective of archaeology, history and folklore. However, the research on the artistic image and its value of Han and Ma is relatively lacking from the basic angle of art science. This article has carried on the comparatively systematic type arrangement and the objective discussion to the different Han and horse image, through the massive image comparison research, consult the literature classics, the archaeological image material, to Han and Ma art style characteristic, The origin and aesthetic characteristics of the images are discussed and concluded, which reveals the aesthetic value of the Han and Ma images. Through the study of the art of horses in the Han Dynasty, The author puts forward seven concepts to the artistic cognition of Han and ma: 1 the primitive style of Kuangmei, 2) the movement tension of overflight, 3) the striking and strong silhouette effect, 4) the romantic charm of the Chu style, 5) the simple and elegant decorative taste. Thick freehand brushwork spirit. 7 flying around the line shape. They are the core ideas of this paper. This paper hopes to put forward the view that Han horse is not only a kind of animal painting, it has special symbolic meaning, aesthetic form and cultural background in Han Dynasty, it is a cultural phenomenon and a special aesthetic object. It has the connotation far beyond the general animal image, is the Han Dynasty empire frontier self-confidence and the strong spirit symbol, the Han and the horse art value needs to be newly defined. The study of art image is not only from the image back to the image, it involves a wide range of aspects, and the study of art form is the art method and concept. At the same time, this paper uses the knowledge of other disciplines for reference to supplement the analysis, trace back the context, clarify the origin, analyze the images of Han and Ma in many ways, and focus on the modeling characteristics and formal rules of Han and Ma art. Strive for a more comprehensive analysis and summary of Han and horse art. Han and Ma are different from other types of art appearance and aesthetic implication, its external organization structure, artistic language and material materials show the variety and complexity of Han Dynasty art. This paper selects a variety of different forms of Han and horse images to compare and classify, different materials and ways of expression to select the most representative image, text and image combined to discuss, strive to be rich and detailed.
【学位授予单位】：西安美术学院
【学位级别】：博士
【学位授予年份】：2010
【分类号】：K879.4;J209.2
【引证文献】
相关硕士学位论文 前1条
1 石亚凤;中国早期艺术中的马[D];苏州大学;2012年
，本文编号：2262175
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