南越王墓纹样研究及再应用探索
发布时间：2018-10-10 18:03
【摘要】：广州南越王墓是西汉第二代南越王赵昧(胡)的墓葬。该墓出土文物器型多样、造型独特、工艺精湛,加之该墓保存完好,未被盗掘,因此这批文物是研究南越国传统装饰纹样珍贵的实物资料。南越王墓纹样是南越国艺术最为直观的写照,因自身特定的历史背景,本土图形与外来图形元素相杂糅,是岭南地区重要的文化遗产,它佐证了该时期的历史发展状况,展示了地方特有的审美趣味,体现了南越国时期的艺术特色。 随着新学科、新材料、国外各种艺术思潮的涌入,中国传统文化观念受到了前所未有的冲击,传统艺术也面临如何在现代设计中传承再发展的问题,纯粹的模仿、简单的复制将使我们的艺术流于表面,丧失活力。在继承的同时,实现对传统纹样的重构,衍生既具有民族特色又符合时代发展的平面视觉元素是我撰写此文的目的。 本文以广州南越王墓出土的器物纹样为研究对象,南越王墓考古发掘报告为第一手研究资料,首先将南越王墓纹样按照题材内容归类为动物纹、植物纹、几何纹、天象纹以及人物纹五个大系；然后运用现代纹样学、图形分析学、图案学等知识解读南越国时期的审美理念和艺术设计构成,分析纹样的视觉元素和构成法则,包括构图法则和形式法则；最后通过对南越王墓纹样进行解构、重组,创造一系列新的设计纹样,为传统纹样在现代设计中的再运用提供新的思路,探索传统元素在现代设计中的传承,增加现代设计的文化内涵。
[Abstract]:The tomb of the South Yue King of Guangzhou is the tomb of Zhao Wei (Hu), the second generation of the Western Han Dynasty. The cultural relics unearthed from the tomb are of various types, unique shapes, exquisite workmanship, and the tomb is well preserved and has not been excavated, so this batch of cultural relics is a precious material for studying the traditional decorative patterns of South Vietnam. The tomb pattern of the King of South Vietnam is the most intuitionistic portrayal of the art of South Vietnam. Due to its own special historical background, the mixture of local and external graphic elements is an important cultural heritage in Lingnan region, which supports the historical development of this period. It shows the local special aesthetic taste and reflects the artistic characteristics of the period of South Vietnam. With the influx of new disciplines, new materials and various artistic trends of thought abroad, Chinese traditional cultural concepts have been subjected to unprecedented impact. Traditional art is also faced with the problem of how to inherit and develop in modern design, pure imitation. Simple reproduction will cause our art to flow to the surface and lose vitality. At the same time, it is my purpose to reconstruct the traditional pattern and derive the plane visual elements which have national characteristics and are in line with the development of the times. This paper takes the patterns of artifacts unearthed from the tomb of Nanyue Wang in Guangzhou as the research object, and the archaeological excavation report of the tomb of the South Vietnam King as the first-hand research material. Firstly, the patterns of the tombs of Nanyue are classified according to the subject matter as animal, plant, geometric, etc. Then using modern pattern science, graphic analysis, pattern science and other knowledge to interpret the aesthetic concept and artistic design structure of the period of Nanyu, and to analyze the visual elements and constitution rules of the pattern. Finally, by deconstructing, reorganizing, creating a series of new design patterns, providing a new way of thinking for the reuse of traditional patterns in modern design. To explore the inheritance of traditional elements in modern design and increase the cultural connotation of modern design.
【学位授予单位】：广东工业大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K878.8
本文编号：2262758
[Abstract]:The tomb of the South Yue King of Guangzhou is the tomb of Zhao Wei (Hu), the second generation of the Western Han Dynasty. The cultural relics unearthed from the tomb are of various types, unique shapes, exquisite workmanship, and the tomb is well preserved and has not been excavated, so this batch of cultural relics is a precious material for studying the traditional decorative patterns of South Vietnam. The tomb pattern of the King of South Vietnam is the most intuitionistic portrayal of the art of South Vietnam. Due to its own special historical background, the mixture of local and external graphic elements is an important cultural heritage in Lingnan region, which supports the historical development of this period. It shows the local special aesthetic taste and reflects the artistic characteristics of the period of South Vietnam. With the influx of new disciplines, new materials and various artistic trends of thought abroad, Chinese traditional cultural concepts have been subjected to unprecedented impact. Traditional art is also faced with the problem of how to inherit and develop in modern design, pure imitation. Simple reproduction will cause our art to flow to the surface and lose vitality. At the same time, it is my purpose to reconstruct the traditional pattern and derive the plane visual elements which have national characteristics and are in line with the development of the times. This paper takes the patterns of artifacts unearthed from the tomb of Nanyue Wang in Guangzhou as the research object, and the archaeological excavation report of the tomb of the South Vietnam King as the first-hand research material. Firstly, the patterns of the tombs of Nanyue are classified according to the subject matter as animal, plant, geometric, etc. Then using modern pattern science, graphic analysis, pattern science and other knowledge to interpret the aesthetic concept and artistic design structure of the period of Nanyu, and to analyze the visual elements and constitution rules of the pattern. Finally, by deconstructing, reorganizing, creating a series of new design patterns, providing a new way of thinking for the reuse of traditional patterns in modern design. To explore the inheritance of traditional elements in modern design and increase the cultural connotation of modern design.
【学位授予单位】：广东工业大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K878.8
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