柏孜克里克石窟誓愿画研究
发布时间：2018-10-17 18:27
【摘要】： 本论文以柏孜克里克石窟誓愿画为题目进行考古学研究。所谓誓愿画的考古学研究,就是以柏孜克里克石窟普遍存在和唯一贯穿始终的有代表性的誓愿画题材为主线,在对誓愿画各个主题构图、寓义、不同主题誓愿画组合的类型及其在不同形制洞窟中配置的形式等进行较充分研究的基础上,结合与誓愿画有关洞窟的形制结构,将有关各洞窟看似孤立的壁画题材串联起来在此基础上,有的洞窟誓愿画配置可基本复原,并将誓愿画与相关壁画题材分成不同的组合类型。其次,再将誓愿画洞窟的形制结构和主要壁画题材进行归纳整理,就之与前者建立有机的内在联系。 本论文内容如下: 第一章,主要讨论中心殿堂第15、20窟的誓愿画。先解释第20窟誓愿画15个主题图像与榜题的内容,进而研究誓愿画的依据佛经。然后通过第15窟誓愿画的复原,进行比较第15、20窟誓愿画的图像、构图、风格的区别以及相对早晚关系。 第二章,以长方形窟誓愿画为重点,按誓愿画画面幅数的区别,分三组,分析誓愿画图像与主题组合演变。并对誓愿画的核心主题燃灯佛授记图像的变化,进行了分析,并进一步讨论了柏孜克里克石窟誓愿画的构图形式与犍陀罗地区佛传浮雕的构图形式的相似处。 第三章,基于第一、二章誓愿画研究,进一步讨论在不同洞窟形制当中,誓愿画与其他题材壁画组合关系。按洞窟形制分为四种类型,即中心柱窟、中心殿堂窟、大型长方形窟和中小型长方形窟,分析与誓愿画组合的题材特征以及其内涵。 结语部分总结了本论文的创新点和不足之处。
[Abstract]:The subject of this thesis is the vows of Baizi Creek Grottoes. The so-called archeological study of vows is to take the popular and unique representative vows as the main line in the composition and meaning of the various themes of the vows. On the basis of a more thorough study of the types of vows of different themes and their configuration in different grottoes, combined with the form structure of the grottoes related to vows and vows, On the basis of the series of mural themes which appear to be isolated in each cave, some cave vows can be basically restored, and the vows and related murals can be divided into different types of combination. Secondly, the structure of vows and the main murals are summarized and arranged to establish an organic relationship with the former. The content of this paper is as follows: the first chapter mainly discusses the vows of Grottoes 15 ~ 20. First explain the contents of 15 theme images and list of vows in Grottoes 20, and then study the Buddhist scriptures on which the vows are drawn. Then through the restoration of vows in Grottoes 15, this paper compares the images, composition, style differences and relative sooner or later relationships between the vows of Grottoes 15 and 20. The second chapter focuses on the vows of the rectangular grottoes. According to the difference of the picture number of the vows, it is divided into three groups to analyze the evolution of the combination of the vows and the themes. The paper also analyzes the changes of the image of lighting Buddha teaching, the core theme of vows, and further discusses the similarity between the composition form of the vows and the embossed form of Buddha biography in Gandhara area. The third chapter, based on the study of the vows painting in the first and second chapters, further discusses the relationship between the vows painting and other mural paintings in different grottoes. According to the form of the cave, it can be divided into four types, that is, the central column grotto, the central temple cave, the large rectangular cave and the small and medium-sized rectangular cave. The theme characteristics and connotation of the combination of vows and paintings are analyzed. The conclusion summarizes the innovation and deficiency of this paper.
【学位授予单位】：中国社会科学院研究生院
【学位级别】：博士
【学位授予年份】：2010
【分类号】：K879.4
本文编号：2277568
[Abstract]:The subject of this thesis is the vows of Baizi Creek Grottoes. The so-called archeological study of vows is to take the popular and unique representative vows as the main line in the composition and meaning of the various themes of the vows. On the basis of a more thorough study of the types of vows of different themes and their configuration in different grottoes, combined with the form structure of the grottoes related to vows and vows, On the basis of the series of mural themes which appear to be isolated in each cave, some cave vows can be basically restored, and the vows and related murals can be divided into different types of combination. Secondly, the structure of vows and the main murals are summarized and arranged to establish an organic relationship with the former. The content of this paper is as follows: the first chapter mainly discusses the vows of Grottoes 15 ~ 20. First explain the contents of 15 theme images and list of vows in Grottoes 20, and then study the Buddhist scriptures on which the vows are drawn. Then through the restoration of vows in Grottoes 15, this paper compares the images, composition, style differences and relative sooner or later relationships between the vows of Grottoes 15 and 20. The second chapter focuses on the vows of the rectangular grottoes. According to the difference of the picture number of the vows, it is divided into three groups to analyze the evolution of the combination of the vows and the themes. The paper also analyzes the changes of the image of lighting Buddha teaching, the core theme of vows, and further discusses the similarity between the composition form of the vows and the embossed form of Buddha biography in Gandhara area. The third chapter, based on the study of the vows painting in the first and second chapters, further discusses the relationship between the vows painting and other mural paintings in different grottoes. According to the form of the cave, it can be divided into four types, that is, the central column grotto, the central temple cave, the large rectangular cave and the small and medium-sized rectangular cave. The theme characteristics and connotation of the combination of vows and paintings are analyzed. The conclusion summarizes the innovation and deficiency of this paper.
【学位授予单位】：中国社会科学院研究生院
【学位级别】：博士
【学位授予年份】：2010
【分类号】：K879.4
【引证文献】
相关硕士学位论文 前1条
1 张香珍;元代高昌回鹘藏传佛教研究[D];新疆师范大学;2012年
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