燃灯祈福胡伎乐——西安碑林藏盛唐佛教“燃灯石台赞”艺术新知
发布时间：2018-11-23 13:25
【摘要】：在寺院道观中供奉燃灯石台曾为盛唐时的流行风尚,但实物留存较少。西安碑林于20世纪50年代入藏的开元二十九年(741年)燃灯石台,其上刻《燃灯石台赞》铭文,并署有供灯祈福者的官职和姓名。祈福者为来自内教坊、云韶府、宁王府、彰礼门、京总监的66人,其中包括任云韶使的宦官苏思勖,琵琶高手贺怀智、纪孩孩等。石台上还刻有具异域风情的胡人乐舞和异兽,其形式与风格应来自拂凔艺术。
[Abstract]:The stone platform of burning lamp in the temple was the fashion of the Tang Dynasty, but the object remained less. Xi'an Stele Forest entered Tibet in the 1950s, 29 years (741) burning lamp stone platform, engraved on the inscription of "lamp stone platform like" inscription, and the official position and name of the lamp prayer. The blessed people were 66 people from Neijiefang, Yunshao House, Ningwangfu, Changlimen, and the director of Beijing, including Su Sixu, eunuch of Ren Yunshao, he Huaizhi, a lute master, and Ji child. The stone platform also has exotic Hu people's music and dance and exotic animals, whose form and style should come from the art of blowing.
【作者单位】： 首都师范大学历史学院;
本文编号：2351762
[Abstract]:The stone platform of burning lamp in the temple was the fashion of the Tang Dynasty, but the object remained less. Xi'an Stele Forest entered Tibet in the 1950s, 29 years (741) burning lamp stone platform, engraved on the inscription of "lamp stone platform like" inscription, and the official position and name of the lamp prayer. The blessed people were 66 people from Neijiefang, Yunshao House, Ningwangfu, Changlimen, and the director of Beijing, including Su Sixu, eunuch of Ren Yunshao, he Huaizhi, a lute master, and Ji child. The stone platform also has exotic Hu people's music and dance and exotic animals, whose form and style should come from the art of blowing.
【作者单位】： 首都师范大学历史学院;
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