明代景德镇民窑鱼纹研究

发布时间：2018-11-24 09:30

【摘要】：鱼纹一直备受人们的喜爱,在明代民窑瓷器上都曾大量出现鱼纹饰,在中国陶瓷艺术史和文化史上都有很重要的地位。本文将在前人研究的基础上,以明代陶瓷鱼纹为切入点,广泛收集相关实物、图片、文献资料同时结合时代背景,运用类型学等方法,将陶瓷上的鱼纹从动态,构图绘画风格等方面入手进行分析研究并分期、分类,从而总结出陶瓷鱼纹饰在明代各时期中的纹饰特征及演变规律,也提供了通过观察鱼纹特征来鉴定的辅助方法,最后再综合当时的社会背景等方面阐述鱼纹兴衰的原因通过研究发现,整个明代民窑的鱼纹逐渐从抽象趋于写实,经历了构图由单一至丰富,形态由少至多,绘画风格由潇洒自然的写意至严谨工整的写实,技法由简单到多样,鱼纹装饰部位由品种单一到品种多样的过程。明中后期尤为突出,成就较高。因此明代景德镇民窑鱼纹的总体趋势仍然趋于写实,逐渐向清代写实的风格靠拢,能与清代风格接轨,也为清代鱼纹的发展奠定了一定的基础。通过鱼纹成因研究发现,明早期的一笔点划的鱼纹可能受到当时写意画的影响,中期的分水可能与文人水墨画有关联,万历时期的淡描工艺,可能是汲取了当时徽州流行的木刻版画的原因。除此以外,当时的泥坯和用笔的种类也是鱼纹形成不同风格的原因。
[Abstract]:Fish patterns have always been loved by people, in the Ming Dynasty Ming kiln porcelain has a large number of fish ornaments, in the history of Chinese ceramic art and cultural history has a very important position. On the basis of previous studies, this paper will collect the related objects, pictures, literature and materials, and apply typology and other methods to analyze the trends of the fish patterns on the ceramics in the Ming Dynasty by taking them as the breakthrough point, and collecting the related objects, pictures, literature and materials at the same time, using typology, etc. The composition painting style and other aspects are analyzed and studied, and classified by stages, so as to sum up the decorative characteristics and evolution rules of ceramic fish ornaments in each period of Ming Dynasty, and also provide an auxiliary method for identification by observing the characteristics of fish patterns. Finally, by synthesizing the social background at that time and other aspects of the reasons for the rise and fall of fish patterns, it was found that the fish patterns of the Ming Dynasty were gradually moving from abstract to realistic, experienced from a single to rich composition, and form from less to more than most. Painting style from natural freehand brushwork to rigorous neatly realistic techniques from simple to diverse fish decorative parts from a single variety to variety of the process. In the middle and late Ming Dynasty, the achievements were quite high. Therefore, the general trend of fish patterns in Ming Dynasty Jingdezhen Minyao still tends to be realistic, which gradually draws close to the style of realistic writing in Qing Dynasty, and can connect with the style of Qing Dynasty, which also lays a certain foundation for the development of fish patterns in Qing Dynasty. Through the study of the origin of the fish patterns, it is found that the fish patterns of a stroke in the early Ming Dynasty may be affected by the freehand brushwork at that time, that the water distribution in the middle period may be related to the literati ink painting, and that the light drawing technology of the Wanli period, May be to learn from the popular woodcut prints at that time Huizhou reasons. In addition, the type of mud and pen used at the time was also the reason for the different styles of fish patterns.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K876.3

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