辽阳北园1号墓墓室壁画研究
发布时间：2018-12-20 08:43
【摘要】： 汉代墓葬中的壁画作为当时社会面貌和人们思想的具体映像,综合了政治制度、社会关系、生产能力、战争方式、道德观念、精神信仰等各方面内容,对研究汉代社会风俗、文化艺术等具有重要意义——首先,为复原当时社会文化、民风民俗提供实物图像资料;其次,通过考察和分析汉代墓室壁画的特点及发展变化,既可以了解当时的丧葬文化,又可以对当时社会的政治、经济和思想有所认识。 自20世纪初以来,我国已发现、发掘了60余座汉代壁画墓,为汉代历史研究提供了丰富而珍贵的资料,而对于汉代壁画墓的研究亦为我国学者所钟爱,学术界在这方面的研究成果也较为丰硕。辽阳地区的汉魏晋壁画墓虽被视为中国壁画墓发掘、研究的起点,但是由于资料发表及研究视角的局限,国内外学界对其研究还不够充分,对其较高的学术价值尚不够重视。本文现以辽阳地区汉魏晋壁画墓中规模最大、结构最复杂、壁画绘制最精美的北园1号墓墓室壁画为研究对象,从描述其基本内容及空间分布入手,进而分析、考释其中具有代表性的壁画内容(具体为:墓主身份的认定、乐舞百戏图图右九人身份考释、车马出行图之功能探究),阐述其壁画自身艺术特色。 希望通过本文的写作,可以达到丰富辽阳地区汉魏晋壁画墓研究资料,补充个案研究,引起学界对于辽阳汉魏晋壁画墓关注、保护之目的。
[Abstract]:The murals in the tombs of the Han Dynasty, as a concrete reflection of the social outlook and people's thoughts at that time, integrated the political system, social relations, productive capacity, war methods, moral concepts, spiritual beliefs, and so on, to study the social customs of the Han Dynasty. Culture and art are of great significance-first of all, to restore the social culture at that time, folk customs and folk to provide material; Secondly, through the investigation and analysis of the characteristics and development of the murals in the tombs of the Han Dynasty, we can not only understand the funeral culture at that time, but also understand the politics, economy and thought of the society at that time. Since the beginning of the 20th century, China has discovered and excavated more than 60 mural tombs of the Han Dynasty, which has provided rich and precious information for the study of the history of the Han Dynasty, and the research on the murals tombs of the Han Dynasty has also been loved by Chinese scholars. Academic research in this area is also relatively fruitful. Although the fresco tombs of Han Wei and Jin dynasties in Liaoyang area are regarded as the starting point of Chinese mural tombs the academic circles at home and abroad have not paid enough attention to their higher academic value because of the limitations of the publication of materials and the research perspective. Taking the murals of Han, Wei and Jin dynasties in Liaoyang area as the research object, which is the largest in scale and the most complicated in structure, the murals of the tomb no. 1 in Beiyuan are painted as the research objects, the basic contents and spatial distribution of the murals are described and then analyzed. This paper discusses the representative murals (the identification of the owner of the tomb, the right nine people's explanation of the music and dance hundred opera pictures, and the function of the car and horse trip map), and expounds the artistic characteristics of the murals themselves. Through the writing of this paper, we hope to enrich the research data of Han, Wei and Jin murals in Liaoyang area, supplement the case study, and arouse the attention and protection of scholars for the tomb of Han, Wei and Jin murals in Liaoyang.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K879.4
本文编号：2387738
[Abstract]:The murals in the tombs of the Han Dynasty, as a concrete reflection of the social outlook and people's thoughts at that time, integrated the political system, social relations, productive capacity, war methods, moral concepts, spiritual beliefs, and so on, to study the social customs of the Han Dynasty. Culture and art are of great significance-first of all, to restore the social culture at that time, folk customs and folk to provide material; Secondly, through the investigation and analysis of the characteristics and development of the murals in the tombs of the Han Dynasty, we can not only understand the funeral culture at that time, but also understand the politics, economy and thought of the society at that time. Since the beginning of the 20th century, China has discovered and excavated more than 60 mural tombs of the Han Dynasty, which has provided rich and precious information for the study of the history of the Han Dynasty, and the research on the murals tombs of the Han Dynasty has also been loved by Chinese scholars. Academic research in this area is also relatively fruitful. Although the fresco tombs of Han Wei and Jin dynasties in Liaoyang area are regarded as the starting point of Chinese mural tombs the academic circles at home and abroad have not paid enough attention to their higher academic value because of the limitations of the publication of materials and the research perspective. Taking the murals of Han, Wei and Jin dynasties in Liaoyang area as the research object, which is the largest in scale and the most complicated in structure, the murals of the tomb no. 1 in Beiyuan are painted as the research objects, the basic contents and spatial distribution of the murals are described and then analyzed. This paper discusses the representative murals (the identification of the owner of the tomb, the right nine people's explanation of the music and dance hundred opera pictures, and the function of the car and horse trip map), and expounds the artistic characteristics of the murals themselves. Through the writing of this paper, we hope to enrich the research data of Han, Wei and Jin murals in Liaoyang area, supplement the case study, and arouse the attention and protection of scholars for the tomb of Han, Wei and Jin murals in Liaoyang.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K879.4
【引证文献】
相关硕士学位论文 前1条
1 王丽颖;中国北方地区宋金墓葬中宴饮图装饰研究[D];山西大学;2013年
，本文编号：2387738
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