北魏乐舞百戏形象研究
发布时间：2019-02-12 13:04
【摘要】：本文研究的北魏时间从拓跋琏称魏始,至北魏分裂为东、西魏止,即公元386—534年。文章通过对北魏时期不同地区墓葬出土的乐舞百戏形象的对比,得出数据,来探讨北魏时期的乐舞百戏形象,进而探讨文化交融在艺术方面的影响。本文在写作的过程中,主要运用北魏墓葬出土的乐舞百戏形象的材料,即：乐舞百戏俑、壁画所见乐舞百戏形象、棺椁柱础所见乐舞百戏形象,主要运用考古类型学、历史学、民族学、音乐史学、舞蹈学等多学科的研究方法、成果,研究墓葬乐舞百戏的情况。文章由五个部分组成：第一部分为绪论。首先介绍了北魏时期所处的历史背景,然后对俑、乐舞俑、百戏作了简单的定义界定,然后介绍了当前学界对该选题的研究现状、选题意义和研究方法。第二部分为北魏时期各地区墓葬的乐舞百戏俑的出土情况及其类型学分析。主要介绍了北魏时期河套及平城地区、洛阳地区、关中地区、山东地区和华北平原、辽宁地区的墓葬乐舞百戏俑出土的情况,并对出土的乐舞百戏俑进行考古类型学的研究。第三部分为北魏墓葬壁画、棺椁等所见乐舞百戏形象的研究。首先梳理介绍了北魏早、中、晚三期墓葬出土壁画等所见乐舞百戏形象,然后对这些形象进行了类型学分类,进而探讨墓葬壁画等所见乐舞百戏形象体现的社会价值和意义。第四部分为北魏时期云冈石窟乐伎形象的研究。主要运用考古类型学和音乐学的方法对云冈石窟第一、第二、第三期的乐伎形象进行了数据统计、分析,最后得出相关结论。第五部分为结语。魏晋南北朝是我国古代文化的转型期,尤其在北魏时期,社会状况呈现出多民族聚居、多种文化交融的特征。音乐、舞蹈和百戏是随着社会文化转型而变换多样的,研究乐舞、百戏的变化是研究当时社会变化和思想变化的重要方面。北魏乐舞、百戏的转变开启了隋唐文化空前繁荣发展的大门。
[Abstract]:The time of the Northern Wei Dynasty studied in this paper is from the beginning of Tuolian's trudging to the division of the Northern Wei Dynasty into the east and the west Wei Dynasty, that is, 386-534 AD. By comparing the images of music and dance hundred operas unearthed from different tombs in the Northern Wei Dynasty, the paper draws the data to discuss the music and dance hundred operas in the Northern Wei Dynasty, and then discusses the influence of cultural blending on art. In the process of writing, this paper mainly uses the materials of the music and dance hundred operas unearthed from the tomb of the Northern Wei Dynasty, that is, the music and dance hundred opera figures, the music and dance hundred opera images seen in the murals, and the music and dance hundred opera images seen on the basis of coffins, mainly using archaeological typology and history. Ethnology, music history, dance and other multidisciplinary research methods, achievements, the study of music and dance tombs. The article consists of five parts: the first part is the introduction. First introduced the historical background of the Northern Wei period, then made a simple definition of the figurines, music and dance figurines, hundred operas, and then introduced the current academic research on this topic, the significance and research methods. The second part is the unearthed situation and typological analysis of the music and dance hundred opera figurines in the Northern Wei Dynasty. This paper mainly introduces the unearthed tombs of the hundred opera figures in Hetao and Pingcheng, Luoyang, Guanzhong, Shandong, North China Plain and Liaoning during the Northern Wei Dynasty, and studies the archaeological typologies of the hundred operas unearthed. The third part is the Northern Wei Dynasty tombs murals, coffins and so on see music and dance hundred drama image research. This paper first introduces the images of music and dance hundred operas unearthed in the early, middle and late three periods of the Northern Wei Dynasty, and then classifies these images, and then discusses the social value and significance of the music and dance hundred operas which are seen in the tomb murals. The fourth part is the study of the image of Yuejiki in Yungang Grottoes in the Northern Wei Dynasty. This paper mainly uses the methods of archaeological typology and musicology to make statistics on the images of Yuegang Grottoes in the first, second and third periods. The fifth part is the conclusion. Wei, Jin, Southern and Northern dynasties was the transition period of ancient Chinese culture, especially in the Northern Wei Dynasty, the social situation showed the characteristics of multi-nationality and multi-culture blending. Music, dance and hundred operas are changing with the transformation of social culture. The study of music and dance and the change of hundred operas is an important aspect of the study of social and ideological changes at that time. Music and dance in the Northern Wei Dynasty, the transformation of the hundred operas opened the door of unprecedented prosperity and development of the Sui and Tang dynasties culture.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：K879
本文编号：2420462
[Abstract]:The time of the Northern Wei Dynasty studied in this paper is from the beginning of Tuolian's trudging to the division of the Northern Wei Dynasty into the east and the west Wei Dynasty, that is, 386-534 AD. By comparing the images of music and dance hundred operas unearthed from different tombs in the Northern Wei Dynasty, the paper draws the data to discuss the music and dance hundred operas in the Northern Wei Dynasty, and then discusses the influence of cultural blending on art. In the process of writing, this paper mainly uses the materials of the music and dance hundred operas unearthed from the tomb of the Northern Wei Dynasty, that is, the music and dance hundred opera figures, the music and dance hundred opera images seen in the murals, and the music and dance hundred opera images seen on the basis of coffins, mainly using archaeological typology and history. Ethnology, music history, dance and other multidisciplinary research methods, achievements, the study of music and dance tombs. The article consists of five parts: the first part is the introduction. First introduced the historical background of the Northern Wei period, then made a simple definition of the figurines, music and dance figurines, hundred operas, and then introduced the current academic research on this topic, the significance and research methods. The second part is the unearthed situation and typological analysis of the music and dance hundred opera figurines in the Northern Wei Dynasty. This paper mainly introduces the unearthed tombs of the hundred opera figures in Hetao and Pingcheng, Luoyang, Guanzhong, Shandong, North China Plain and Liaoning during the Northern Wei Dynasty, and studies the archaeological typologies of the hundred operas unearthed. The third part is the Northern Wei Dynasty tombs murals, coffins and so on see music and dance hundred drama image research. This paper first introduces the images of music and dance hundred operas unearthed in the early, middle and late three periods of the Northern Wei Dynasty, and then classifies these images, and then discusses the social value and significance of the music and dance hundred operas which are seen in the tomb murals. The fourth part is the study of the image of Yuejiki in Yungang Grottoes in the Northern Wei Dynasty. This paper mainly uses the methods of archaeological typology and musicology to make statistics on the images of Yuegang Grottoes in the first, second and third periods. The fifth part is the conclusion. Wei, Jin, Southern and Northern dynasties was the transition period of ancient Chinese culture, especially in the Northern Wei Dynasty, the social situation showed the characteristics of multi-nationality and multi-culture blending. Music, dance and hundred operas are changing with the transformation of social culture. The study of music and dance and the change of hundred operas is an important aspect of the study of social and ideological changes at that time. Music and dance in the Northern Wei Dynasty, the transformation of the hundred operas opened the door of unprecedented prosperity and development of the Sui and Tang dynasties culture.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：K879
【参考文献】
相关期刊论文 前1条
1 刘俊喜,高峰;大同智家堡北魏墓棺板画[J];文物;2004年12期
，本文编号：2420462
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