基于视觉语言的元青花盘内纹饰结构研究
发布时间：2019-02-27 08:11
【摘要】：本文以元青花盘内纹饰的视觉语言作为研究的对象,运用文献学、图像学、结构语言学的研究方法,对大量元青花盘图片、文字资料的收集、整理、归纳。就目前对陶瓷纹饰研究的资料来看,大部分文章从社会、历史角度进行阐述。本文从视觉感知的角度,分析元青花盘内纹饰的视觉语言,强调创作者的视觉感知和视觉接受对元青花盘内纹饰视觉语言的影响。并且从视觉语言的理论出发,继而引申到元青花盘内纹饰的视觉语言要素,通过对盘内纹饰的排列和组合方式,线条结构、空间构架和纹饰内在“力”的分析,揭示元青花盘内纹饰的视觉语言的结构形态和内在联系,并指出元青花盘内纹饰是创作者通过对社会文化的体验,通过一定秩序性、节奏性、平面化、规整性的视觉语言所呈现出来的艺术形象。希望本文能为创作陶瓷装饰形式提供理论基础,从视觉角度研究陶瓷视觉艺术形式提供条件。
[Abstract]:In this paper, the visual language of the inner grain of the Yuan Qing-Hua disk is taken as the research object, and the collection, collation and induction of a large number of pictures and text materials of the Yuan-Qing-Hua-pan by using the research methods of philology, graphics and structural linguistics. On the current research data on ceramic decoration, most of the article from the social, historical point of view. From the perspective of visual perception, this paper analyzes the visual language of the interlaced ornaments in the Yuan Qing-Hua disc, and emphasizes the influence of the creators' visual perception and acceptance on the visual language of the Yuan blue-and-white disc ornaments. Starting from the theory of visual language, and then extending to the elements of visual language of the inner grain decoration of the Yuan Qing flower disc, through the analysis of the arrangement and combination mode, the line structure, the space frame and the inner "force" of the decoration in the disc, This paper reveals the structure, form and inner relation of the visual language of the inner grain decoration of the Yuan Qing flower disc, and points out that the inner pattern decoration of the Yuan Qing flower disc is the creator's experience of social culture, through certain order, rhythm and planarization, and through some degree of order, rhythm and planarization. The artistic image of a regular visual language. I hope this paper can provide a theoretical basis for the creation of ceramic decoration form, and provide conditions for studying ceramic visual art form from the perspective of vision.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K876.3
本文编号：2431271
[Abstract]:In this paper, the visual language of the inner grain of the Yuan Qing-Hua disk is taken as the research object, and the collection, collation and induction of a large number of pictures and text materials of the Yuan-Qing-Hua-pan by using the research methods of philology, graphics and structural linguistics. On the current research data on ceramic decoration, most of the article from the social, historical point of view. From the perspective of visual perception, this paper analyzes the visual language of the interlaced ornaments in the Yuan Qing-Hua disc, and emphasizes the influence of the creators' visual perception and acceptance on the visual language of the Yuan blue-and-white disc ornaments. Starting from the theory of visual language, and then extending to the elements of visual language of the inner grain decoration of the Yuan Qing flower disc, through the analysis of the arrangement and combination mode, the line structure, the space frame and the inner "force" of the decoration in the disc, This paper reveals the structure, form and inner relation of the visual language of the inner grain decoration of the Yuan Qing flower disc, and points out that the inner pattern decoration of the Yuan Qing flower disc is the creator's experience of social culture, through certain order, rhythm and planarization, and through some degree of order, rhythm and planarization. The artistic image of a regular visual language. I hope this paper can provide a theoretical basis for the creation of ceramic decoration form, and provide conditions for studying ceramic visual art form from the perspective of vision.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K876.3
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