论龙纹的演变及在现代服装设计中的应用

发布时间：2019-03-17 15:50

【摘要】：龙纹是中国历史悠久的典型传统装饰纹样,曾经在传统服饰以及其他领域中都有广泛的应用,蕴含着丰富的文化内涵。而今,尽管龙纹的美好寓意仍留在人们的记忆里,但在现代服装设计中,很少见到龙纹的身影。因此,对龙纹在历代服饰领域的研究及在现代服装设计中的应用就显得尤为必要。本文从服饰的角度出发,对龙纹的历史演变和造型特点、审美分析和文化内涵、龙纹在现代服装设计中的应用现状分析以及在现代服装设计中的应用四个部分进行研究。其中,历史演变和造型特点、审美分析和文化内涵这两部分为本文研究的重点,为龙纹在现代服装设计应用提供理论与文化基础。龙纹在现代服装设计中的应用现状分析是将其应用到服装中进行设计实践的前提。本文首先采用文献搜索与实地调查相结合的方式,从各大图书馆和馆藏数据库中,收集了大量的与本研究课题相关的文献资料,又走访了一些博物馆获取了一手的图片资料。将文献与图片进行分类整理,通过图文互证,归纳得出龙纹从服饰角度经历了夔龙期、应龙期、黄龙期、新龙期四个历史时期的发展演变,并分析了龙纹在各个时期的造型特点。接着对其造型进行进一步地审美分析,在把握其造型的基础上探寻龙纹背后的文化内涵,指出龙纹在其造型演变时期分别对应的是“巫”、“权”、“福”、“国”的象征。然后,立足于现代服装设计的定义及其特点的基础上,分别从龙纹在现代服装设计中的应用价值与应用前景两方面进行应用现状分析,得出将龙纹应用到现代服装设计中具有可行性。最后,在现代服装设计中龙纹的应用原则与应用内容指导下,对其造型从具象和抽象两方面的表达形式进行案例设计实践,达到研以致用的目的。
[Abstract]:Dragon pattern is a typical traditional decorative pattern with a long history in China. It has been widely used in traditional dress and other fields and contains rich cultural connotation. Today, although the beautiful meaning of dragon pattern remains in people's memory, but in modern clothing design, rarely see dragon grain figure. Therefore, it is especially necessary to study the dragon pattern in the field of clothing and the application in the modern fashion design. From the point of view of clothing, this paper studies the historical evolution and modeling characteristics of dragon grain, aesthetic analysis and cultural connotation, the analysis of the application of dragon pattern in modern garment design and the application of dragon pattern in modern garment design. Among them, the historical evolution and modeling characteristics, aesthetic analysis and cultural connotation are the focus of this study, and provide the theoretical and cultural basis for the application of dragon grain in modern garment design. The analysis of the application of dragon grain in modern garment design is the premise of its application to garment design practice. In this paper, a large number of literature materials related to this research subject are collected from libraries and library databases by means of combination of literature search and field investigation, and some museums are visited to obtain first-hand picture materials. The paper classifies the documents and pictures and concludes the development and evolution of dragon grain in the four historical periods of Kuilong period, Yinglong period, Huanglong period and New Dragon period from the angle of clothing, through the mutual evidence of pictures and texts. And analyzed the dragon grain in each period of modeling characteristics. Then further aesthetic analysis of its shape, on the basis of grasping its shape to explore the cultural connotation behind the dragon grain, pointed out that the dragon grain in its modeling evolution period corresponding to the "witch", "power", "blessing", "country" symbol. Then, based on the definition and characteristics of modern garment design, this paper analyzes the application status of dragon grain in modern garment design from two aspects: application value and application prospect. It is concluded that it is feasible to apply dragon pattern to modern garment design. Finally, under the guidance of the application principle and application content of dragon grain in modern garment design, the case design practice is carried out in the form of concrete and abstract expressions, so as to achieve the purpose of practical application.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K876.3

【引证文献】