东周楚国青铜器龙纹饰研究
发布时间：2019-06-19 00:03
【摘要】： 中华文明经历了几千年的沉淀,纹饰艺术作为中华文明的一个部分,也在这样一个漫长的历史发展过程中逐渐形成了自身的特色。任何一种传统纹饰的产生都有着特定的历史环境,东周楚国青铜器龙纹饰经历了怎样的一个发展历程,才最终形成了繁缛富丽、生气盎然的艺术风格成为本文研究对象。 本文通过对东周楚国青铜器龙纹纹饰的收集与分类,概括出纹饰的内容,类型,对纹饰的表现形式和艺术特征进行了研究。透过这些纹饰表面所展现的美,分析其形成原因。 把楚国青铜器龙纹饰所表现出来的运动之美,神秘之美,和谐之美都与当时楚地的社会环境因素联系起来进行探讨。分析楚人的饰美心态、青铜铸造技术、楚地巫术文化、理性唯物主义思想对龙纹饰形成发展的影响。 本文通过分析、总结,主要得出了以下几点结论： (1)东周楚国青铜器纹饰由于受到中原文化、地域土著文化、宗教信仰、时代特殊性等历史原因的影响,形成了其富有浪漫主义色彩的纹饰特征。其纹饰的题材丰富、种类繁多,但却以龙纹为主要的装饰纹样,且在龙纹这一大宗里面又变化出多种多样的形式,不仅反映了楚人“崇龙尚凤”的社会风气,同时也反映了当时楚国人们的丰富想象力,以及对精湛技艺的追求。 (2)通过举例、归纳、分析纹饰的内容和形式,提炼出东周楚国青铜器纹饰的几点重要的美学特征：一是纹饰造型多变,灵动而具有生气,显示了楚人对生命运动之美的追求；二是着力于“繁饰”,其纹饰在器物上显得饱满、繁复、精致；三是透着巫术的神秘气息,使得青铜器纹饰具有一种神秘的美感；四是做工之精细,展现了一种技艺之美。 (3)通过对东周楚国青铜器纹饰的内涵和美学特征的整理,最后探讨楚青铜器龙纹饰的社会价值和艺术价值,以及对现代设计的价值。楚国青铜器龙纹饰为现代设计的创作提供了丰富的设计元素。只有读懂这其背后的意义,才能更好的延续龙纹的生命力。
[Abstract]:Chinese civilization has experienced thousands of years of precipitation. As a part of Chinese civilization, ornamentation art has gradually formed its own characteristics in such a long historical development process. The emergence of any kind of traditional ornaments has a specific historical environment. What kind of development process did the bronze dragon ornaments of the Chu State of the Eastern Zhou Dynasty go through, and finally formed the elaborate and rich artistic style became the research object of this paper. Based on the collection and classification of bronze dragon ornaments in the Eastern Zhou Dynasty, this paper summarizes the contents and types of ornaments, and studies the expression forms and artistic characteristics of ornaments. Through the beauty shown on the surface of these ornaments, the causes of their formation are analyzed. This paper probes into the beauty of movement, mystery and harmony shown by the bronze dragon ornaments of the State of Chu at that time, and the social and environmental factors of Chu at that time. This paper analyzes the influence of Chu people's aesthetic mentality, bronze casting technology, Chu witchcraft culture and rational materialism on the formation and development of dragon ornaments. Through analysis and summary, this paper mainly draws the following conclusions: (1) due to the influence of Central Plains culture, regional indigenous culture, religious belief, particularity of the times and other historical reasons, the bronze ornamentation of Chu State in the Eastern Zhou Dynasty has formed its romantic decorative characteristics. The theme of its ornamentation is rich and varied, but the dragon pattern is the main decorative pattern, and a variety of forms have changed in the dragon grain, which not only reflects the social atmosphere of the Chu people, but also reflects the rich imagination of the people of Chu at that time and the pursuit of exquisite skills. (2) through examples, summing up and analyzing the content and form of ornamentation, this paper abstracts some important aesthetic characteristics of bronze ornaments in Chu State of Eastern Zhou Dynasty: first, the styling of ornaments is changeable, flexible and lively, which shows the pursuit of the beauty of life movement of Chu people; second, it focuses on "complex ornaments", whose ornaments appear full, complex and exquisite on utensils; Third, permeated with the mysterious smell of witchcraft, so that bronze ornaments have a mysterious aesthetic feeling; fourth, the fine workmanship, showing the beauty of a kind of skill. (3) through the collation of the connotation and aesthetic characteristics of Chu bronze ornaments in the Eastern Zhou Dynasty, this paper finally discusses the social value and artistic value of Chu bronze dragon ornaments, as well as the value to modern design. Chu bronze dragon ornaments provide rich design elements for modern design. Only by reading the meaning behind this, can we better continue the vitality of dragon lines.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K876.41
本文编号：2501898
[Abstract]:Chinese civilization has experienced thousands of years of precipitation. As a part of Chinese civilization, ornamentation art has gradually formed its own characteristics in such a long historical development process. The emergence of any kind of traditional ornaments has a specific historical environment. What kind of development process did the bronze dragon ornaments of the Chu State of the Eastern Zhou Dynasty go through, and finally formed the elaborate and rich artistic style became the research object of this paper. Based on the collection and classification of bronze dragon ornaments in the Eastern Zhou Dynasty, this paper summarizes the contents and types of ornaments, and studies the expression forms and artistic characteristics of ornaments. Through the beauty shown on the surface of these ornaments, the causes of their formation are analyzed. This paper probes into the beauty of movement, mystery and harmony shown by the bronze dragon ornaments of the State of Chu at that time, and the social and environmental factors of Chu at that time. This paper analyzes the influence of Chu people's aesthetic mentality, bronze casting technology, Chu witchcraft culture and rational materialism on the formation and development of dragon ornaments. Through analysis and summary, this paper mainly draws the following conclusions: (1) due to the influence of Central Plains culture, regional indigenous culture, religious belief, particularity of the times and other historical reasons, the bronze ornamentation of Chu State in the Eastern Zhou Dynasty has formed its romantic decorative characteristics. The theme of its ornamentation is rich and varied, but the dragon pattern is the main decorative pattern, and a variety of forms have changed in the dragon grain, which not only reflects the social atmosphere of the Chu people, but also reflects the rich imagination of the people of Chu at that time and the pursuit of exquisite skills. (2) through examples, summing up and analyzing the content and form of ornamentation, this paper abstracts some important aesthetic characteristics of bronze ornaments in Chu State of Eastern Zhou Dynasty: first, the styling of ornaments is changeable, flexible and lively, which shows the pursuit of the beauty of life movement of Chu people; second, it focuses on "complex ornaments", whose ornaments appear full, complex and exquisite on utensils; Third, permeated with the mysterious smell of witchcraft, so that bronze ornaments have a mysterious aesthetic feeling; fourth, the fine workmanship, showing the beauty of a kind of skill. (3) through the collation of the connotation and aesthetic characteristics of Chu bronze ornaments in the Eastern Zhou Dynasty, this paper finally discusses the social value and artistic value of Chu bronze dragon ornaments, as well as the value to modern design. Chu bronze dragon ornaments provide rich design elements for modern design. Only by reading the meaning behind this, can we better continue the vitality of dragon lines.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K876.41
【引证文献】
相关硕士学位论文 前1条
1 时蕾;论龙纹的演变及在现代服装设计中的应用[D];江南大学;2011年
，本文编号：2501898
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