论藏文化语境中阿来的小说创作

  本文关键词：论藏文化语境中阿来的小说创作，由笔耕文化传播整理发布。

        在历史的今天，，当以全球化为号召在轨道上前行时，我们的生活方式便趋于模式化和物质化，生活审美空间和心灵自由度受到前所未有的挤压。因此在全球化的时代，每个地区的民族性与地域性便更加显现出来。文学不仅受自然环境的影响，包括气候、地理环境等，还会受一个地区长期历史积淀形成的人文环境影响，所以说文学受地域文化的影响是多方面、整体性、综合性的。阿来对川西高原独特风貌和人俗风情的书写，作为地域文化的代表，便成为一道奇异的风景，地域文化对作家的影响是漫长而且复杂的。本文会加深我们对川西藏族地区乃至整个藏民族区域的文化特质的认识。本论文的研究目标在作家的创作实践和地域文化之间是建立一种联系，从多维视角透视作家、解析文本。本文以雪域文化作为背景，考察藏文化语境中阿来的创作。本文在引言中论述了阿来的创作概述，文学界对阿来创作的研究现状，本文的研究思路。第一章：论述阿来独特的创作风格。雪域文化具有浓厚的历史性，造就了阿来创作风格的“史”性；同时，这里又充满了神秘性和诗情画意的特质，造就了他创作风格的“诗”性。正是厚重历史性与神秘诗性从而使得阿来的创作在“史”与“诗”之间找到了一个契合点，这种创作风格独特性的成因除了阿来自身的文学素养之外，从宏观意义上是因为受藏文化语境的影响，一方面历史深厚，一方面神秘魔幻。在诗性语言描述厚重历史神秘形象的背后，演绎的是作者的历史观。阿来对待历史的态度，是新历史主义的态度，绝不仅仅是史诗化的赞颂。这种对待历史的态度是创作风格的演绎。在“史”与“诗”之间，作家以边缘化的创作素材和科学的历史观对嘉绒地区文明及传统文化进行反思追寻。第二章：论述阿来纯真的审美境界，因为在诗性与史性之间的创作风格，造就了阿来的审美境界的独特性。一方面阿来为我们呈现了嘉绒地区原本的美好淳朴，另一方面呈现了在现代化进程中，对故乡文明中对落后因素的反思。这种对于家乡的感情，让阿来始终处于两难境地。他时刻处于离开家乡而又思念家乡的状态。本章主要分析阐释阿来的“两难情结”，包括反思批判和认同皈依，他用矛盾的手法巧妙了给我们呈现了一个微妙复杂的嘉绒藏族世界。第三章：论述阿来创作的精神渊源。由独特的创作风格和纯真的审美境界出发，从深层次分析阿来这种独特创作的精神渊源，这种精神渊源包括自然资源的孕育和人文因素的熏陶两个层面，为阿来的写作提供背景资料。阿来出生藏区和中原的双重边缘地带，特殊的自然地理和人文地理潜在地影响了作家对地理文化地自觉吸收。其次，民间资源的熏陶、丰富的宗教世界、三重文化等多种人文因素，都与阿来的创作建立了一种内在联系。结语：在纵向上与前代其他少数民族作家、在横向上与同一时代藏族作家比较，总结全文，论述了在当代阿来的创作立场和创作态度。

    when globalization as the call of period leads us to go forward on the way, our lifestylegets single and material. Life aesthetic space becomes narrow, the freedom of our hearts thebiggest suffer extrusion. So in the period of globalization, the nationality and regional of everyarea gets more and more prominent. The author, as the construction of human spirit home,should bear the responsibility.The writing of the unique Tibet style beomes a wonderfulscenery. This paper try to establish a connection between the literary creation and the Tibetculture. From multidimensional perspective,we can understand author better and analyzes thetext more clearly. On the context of Tibet culture,I try to investigate the author’s literarycreation.Except Introduction and conclusion in this paper, there are three chapters in total.The introduction introduces literary creation of A Lai, research status of his articles and themethod of research.Chapter One analyzes his unique creation style. Great national history makes the articleshave major historic significance. At the same time, this is full of mystery place. Thischaracteristic makes his articles very poetic. In the back, the deduction is his conception ofhistory. He evaluates history in modern eyes always, not always praise history deeply.However, he evaluates history very objectively and justice to critic or identify.Chapter Two analyzes the aesthetic realm about A Lai. Because he presents the scene “beautyand sadness of hometown”. He always in the state of “out of hometown but miss hometowndeeply”. I analyze the complex of dilemma: reflection on the national culture, identification onthe national self-esteem. A Lai use his complex brush strokes to performance a complex worldfor us.Chapter Three analyzes the root of his spirit about his literary creation. This chapter iscomposed of natural resources, folk resources, the world of religions, the effects of variety ofculture.These data provides the background information to the study of the connection betweenthe literary creation and the Tibet culture. A Lai was born in double edge strip between Tibet and Central Plains.The special natural geography and human geography provides richinformation for his literary creation. This is a region of an oral history, everybody is aparticipants in history here.All these resources establish a connection between the literarycreation and nation and history. In addition, two religions of Bon and Buddhism, three cultureof Western, Central Plains and Tibet culture help him to creat articles.In the end, to the prior generation of minority writers in longitudinal direction, to the samegeneration of Tibetan writers in the horizontal direction. Finally, Summarize the paper andgeneralize the writing position of A Lai.

论藏文化语境中阿来的小说创作

中文摘要5-7Abstract7-8引言9-12第一章 独特的创作风格：在“史”与“诗”之间12-22    第一节 对藏文化“史性”的理性思考13-16        一、 嘉绒藏族发展史的历时性思考13-14        二、 对土司制度的理性反思14-16    第二节 对藏文化“诗性”的自由表达16-22        一、 独特地貌文化的执着书写16-17        二、 对民俗风土的诗性表意17-22第二章 纯真的审美境界：走出故乡而深刻怀乡22-34    第一节 反思藏文化的自觉意识22-26    第二节 认同藏文化的情感自尊26-29    第三节 追寻藏文化的精神原乡29-34第三章 阿来创作的精神渊源34-41    第一节 自然环境孕育的审美气质34-35    第二节 人文因素熏陶的美学特征35-41结语41-43注释43-46参考文献46-53本人攻读硕士学位期间发表科研论文53-54致谢54

  本文关键词：论藏文化语境中阿来的小说创作，由笔耕文化传播整理发布。